Rod Goebel

Childe Hassam paints a beautiful view out onto the ocean from between the trees in his artwork entitled, “Marine View, Isle of Shoals.”

WATCHING THE WAVES Size: 66 x 58 cm (including frame) Oil on Canvas An expressive and beautifully textured mid-century seascape composition, painted in oil onto canvas. Executed i...

Pocket Mauve Anemone 2 (c) is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to baroque ...

A 19th century American folk art oil painting on canvas depicting a river scene at dawn with a horse and rider on a bridge over a waterfall. A castle in the distance and sailboats on...

Amy Meyer studied art at University of Central Missouri, Indiana State University, and Columbia College, where she completed her degree in painting and drawi...

Coastal Summer landscape by Bernard Labbe (French mid 20th century) original watercolor and gouache on paper size: 13.5 x 10.5 inches unsigned, stamped verso condition: very goo...

Grapevine Anonymous. Korean, 17th century. Wall panel, ink on paper. Upper seal: Kou Kinun in Lower seal: Kaigen Dimensions: Measures: 98.5 cm x 29.5 cm (39” ...

Uncommon scene, painted by the Dutch Painter Joseph Bles! (1825-1875). This large oil on canvas work, was Marouflaged on panel and features a religious scenery. The outgoing process...

Anonymous. Korean, 17th century. Joseon period. Hanging scroll. Ink on paper. Seal: Shinso Dimensions: Scroll: H. 200 cm x W. 31 cm (79” x 12”) Image: H. 122 cm x W. 29.5 cm (48” x 11.5”) The grapevine came to China and then Korea from western Asia via the silk road trade routes. By the mid-Joseon period, it was one of the most popular subjects for Korean literati painters. Grapevines were painted as a singular subject or, less commonly, in combination with squirrels, which are associated with children due to their playful nature. Together, grapevines and squirrels embody wishes for abundant offspring and wealth. For the Korean literati artist the twisting vines, curling tendrils and round, plump grapes provided ample opportunity for expressive "brush play”. In this painting the artist has abstracted the scene and is seemingly unconcerned with discontinuities and proportion. Vines spring up from nowhere, grapes hang in random clusters and the squirrel’s head appears as if twisted backwards. For the vines and leaves we can feel a sense of speed in the brushstrokes, imparting a dynamic feel which is at once intense and animated. This contrasts dramatically with the countless tiny strokes of ink which realistically capture the texture of the squirrel’s fur...

The Trelissick Estate in Cornwall is one of my favourite places to paint. The views of the Fal Estuary are always spectacular and this painting was inspired by a day in May when Spri...

An abstract Mid Century Marina scene with Boats, presenting a vivid use of paint and complex lines and color placement. A strong modernist oil painting depicted in 1955 with sailboat...

19th Century Seascape with a Brig in High Seas, signed illegibly and dated 1857, an oil on canvas painting featuring a Brig laboring in heavy sea...