Scott Meyer Sculptures

Solid bronze bell with a wood wind catcher. Years of nice patina. Could be used as a doorbell. It has a beautiful pitch.

Beautiful collection of 22 solid brass leaf sculptures by Virginia Metalcrafters. Each piece signed on the backside with the VMC logo and embossed with item number and type of leaf. ...

Shaman steel, found objects 20 x 6 x 20.5 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable. The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum. Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is primitive. It exists because it is sacred. Bio Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa Company, a fabrication shop which produced custom furniture and architectural fixtures. At Gulassa, after hours and on weekends, Scott worked on personal projects, applying the tools and techniques used in his daily work. Lacking resources to purchase stock materials, much of the steel he used came from the scrap bins at Gulassa. He also used steel found along the railways, shipyards, and industrial corridors of Seattle. The characteristics and limitations of the material helped him to define his aesthetic and his approach to sculpture. He currently lives and works in Vermont. Inspirations: David Smith, Anthony Caro, John Chamberlain, Julio Gonzalez, Richard Stankiewicz, Tony Smith...

A "Glamour Cat" sculpture in enamelled gold ceramic designed by Scott Musgrove and produced by Superego Editions. Limited edition of 50 pieces signed and numbered. Biography Born in 1966, Scott Musgrove received a BFA from Columbus College of Art and Design in Columbus, Ohio. He currently lives and works in Seattle, Washington. Musgrove’s style of figural surrealism carries themes of environmental issues and endangered wildlife concerns with unique humor, depicting anomalous extinct (and fictitious) animal species. His influences include historical artists such as Hudson River School painters Frederic Church, Albert Bierstadt and Thomas Moran, as well as naturalist artists including John James Audubon. The artist’s paintings and sculptures have been exhibited in galleries and museums across the United States and Europe. His new book The Late Fauna of Early North America features lush, highly detailed landscapes and close encounters with many of his strange and beautiful creatures. Musgrove’s carved wooden and bronze sculptures, oil paintings, watercolors, ink drawings and pencil renderings...

Whimsical wheeled ceramic and plaster sculptures by artist Scott Rosenthal. The larger sculpture is fired ceramic, and the two smaller car sculptures are pl...

Signed, Lifesaver Candy Sculpture by Daniel Meyer. The sculpture is wood, resin and acrylic. Lifesaver is orange.

Amazing eight man assembly line whirligig. Attributed to an auto worker in Detroit. Fantastic original dry paint surface. Crank turns and figures move pe...

Freestanding cast and hand-collaged sculpture of sulphur bronze and silver by Boston-area artist Richard Filipowski. A densely textured, naturalistic form in the shape of a footed cu...

Crane sculpture Bill Scott, USA 1991 Walnut, brass lacquer 17 tall x 15 deep and 7.5 inches wide. From an estate of a collector of art from around the United States. Elegant details such as the method used to cut the brass to impart bird feather tuffs behind the head and at the base of neck coupled with carved walnut feathers to the tail show quality studio attention to detail and a high level of professional craftsmanship. Possibly American School art...

Richard Saar ceramic charger with figural motif circa late 1950’s.

Luminous sculpture by Richard Faure in worked brass. The abdomen is made from a slice of agate concealing the lighting, the eyes are two fossil ammonites. Unique piece. Signed.

Richard Rohac, Chinese figure, salt and pepper shaker, Austria, 1955.