Late 19th Century French Bronze Bust Seal of Jeanne d´Arc in Armor by E. Becker

Late 19th century french bronze sculpture of a boy with a sword by Louis Kley By: Louis Kley Material: bronze, alabaster, copper, stone, metal Technique: cast, patinated, molded, me...

Late 19th century french patinated bronze sculpture of a peasant/shepherd boy By: unknown Material: bronze, copper, metal Technique: cast, molded, patinated, metalwork Dimensions: 6 in x 7 in x 12 in Date: late 19th century Style: Romanticism, Naturalism, Realism...

Late 19th century Romantic french black patina bronze sculpture of a hunter boy with riffle By: unknown Material: bronze, copper, metal Technique: cast, molded, patinated, polished,...

19th century Belle Époque bronze sculpture with greenish patina of a boy walking into water by sculptor Ruffino Besserdich By: Ruffino Besserdich Material: bronze, copper, metal Tec...

Pair of late 20th century french enameled glazed black ceramic women busts/heads By: unknown Material: ceramic, enamel, paint Technique: pressed, molded, enameled, polished, painted Dimensions: 9.5 in x 5.5 in x 13.5 in Date: late 20th century, circa 1970 Style: Post-Modern, Mid-Century Modern, Space Age, Minimalism Place of origin: France The sleek minimalism of French design in the 1960s and 70s took inspiration from groundbreaking fashion of the era. This stylish pair of black ceramic busts...

Early 20th century french bronze sculpture with marble base of a sitting boy By: unknown Material: copper, bronze, metal, ...

A pair of late 19th century bronze busts By A. Mahuex Depicting busts of young boys sitting on a black marble base.

A French 19th century bronze and marble bust of Marianne in full armor. The nicely cast Baroque Revival brown patinated bronze and carved white marble figure of Marianne, the allegorical personification of the French Republic, presented in her militaristic guise, reminiscent of Minerva, wearing a Phrygian helmet and armored breastplate centered by winged male mask and with lion shoulder armor pads, all raised on a conforming black marble base. Circa: 1890-1900. Marianne has been the national personification of the French Republic since the French Revolution, as a personification of liberty, equality, fraternity and reason, as well as a portrayal of the Goddess of Liberty. Marianne is displayed in many places in France and holds a place of honor in town halls and law courts. She is depicted in the Triumph of the Republic, a bronze sculpture overlooking the Place de la Nation in Paris, as well as represented with another Parisian statue on the Place de la République. Her profile stands out on the official government logo of the country, appears on French euro coins and on French postage stamps. She was also featured on the former franc currency and is officially used on most government documents. Marianne is a significant republican symbol; her French monarchist equivalent is often Joan of Arc. As a national icon Marianne represents opposition to monarchy and the championship of freedom and democracy against all forms of oppression. Other national symbols of Republican France include the tricolor flag, the national motto Liberté, Égalité, Fraternité, the national anthem "La Marseillaise", the coat of arms, and the official Great Seal of France. Marianne also wore a Cockade and a red Phrygian cap symbolizing Liberty. Minerva and its pendant bust of Mars evoke the classicizing subjects, bust-length formats, and style that originated in France during the reign of Louis XIV (1643–1715) and that concurrently was popularized across Europe. The busts' simple forms, stiff poses, and solemn facial types are consistent with the late Baroque sculptures that were carved in Flanders during this period. In Flanders, especially in Antwerp and Brussels, sculpture and architectural decoration traditionally was carved using combinations of native black marble (noir belge), mottled red marble (rouge belge), and white marble or alabaster. The use of these stones in colorful counterpoint speaks most strongly to the busts’ Flemish origins. The veneration of ideal heroes and heroines in ancient costume and arms took on extravagant form in the 17th century, with countless variations. Within this imaginative tradition, the identification of the pair as Minerva and Mars cannot be certain. The female bust, for example, could be identified as Bellona, Roman goddess of war, who is depicted in 17th and 18th century French paintings wearing flamboyantly plumed helmets and low-cut cuirasses that expose her breasts. Whatever their identities, the female and male warriors are portrayed as calm rather than bellicose beings. The sovereign pair does...

Victor Leopold Bruyneel is a Belgian sculptor who was born in 1859. Girl with a Floppy Hat Bronze Figure for Tiffany & Co.

Chiseled bronze sculpture with gold and black patina. Crusades soldier in armor. The time of the Crusades is between the 1095-1291 centuries. the sculpture dates from the end of the ...

This vintage, circa 1890, patinated bronze sculpture depicts a wonderfully detailed bust of a beautiful lady adorned with stunning flowers in her hair. The artist, Pierre Louis Detrier (1822-1897), showcases his subject with precise, sharp details. The sculpture is mounted on a rouge marble column...

A French patinated bronze bust of Ariadne by F. Barbedienne foundry after the antique. The fine 'reduction a colis' is after a model by Bertel Thorvaldsen (circa 1805-1810). This sole bust is often paired with a famous antique...