Constantinopel: German Copy of Matthaus Merian's View, circa 1640

Antique map titled 'Grundtriss und Situation von der Statt und Vöstung Wennersburg'. Copper engraved plan of Vänersborg, Sweden. This map orginates from 'Theatrum Europaeum' by Meria...

Antique print titled 'Lubecca, Lübeck'. A bird's eye view of Lubeck, the northern German city in Schleswig-Holstein. This print originates from 'Topographia Saxoniae Inferioris'. Ar...

Antique map titled 'Bourbonois - Borbonium Ducatus'. Old map of the former region of Bourbonnais, France. It includes the cities of Bourbon, Moulins, Charenton, Brulles, Varennes and...

Antique map titled 'Description du Blaisois'. Old map of the region of Blois, France. It shows the city of Blois, Amboise, the Loire River and more. Published by J. Janssonius, circa...

The antique map, titled 'Scotiae pars septentrionalis,' depicts the northern part of Scotland. Crafted by Hondius around 1640, this map is a historical treasure showcasing the geogra...

Antique map titled 'Insularum Britannicarum Acurata Delineatio'. Original antique map of the ancient British Isles. England and Wales are labelled as B...

Fine folio engraving in hand color. This rare antique engraving was published in the series: 'Historiae Naturalis' by John Johnston, published and engraved by Matthias Merian in 1657. Matthaus Merian...

Fine folio engraving in hand color. This rare antique engraving was published in the series: 'Historiae Naturalis De Avibus Libri VI' by John Johnston, published and engraved by Matthias Merian in 1657. Matthaus Merian...

Cartographer from Germany 1678-1757. Hand colored. Gilt wood frame. Estate of William Hodgins.

This is an original etching by Giovanni Benedetto Castiglione, circa 1640, of a Young Man Looking Down to the Right. It is the only known state and belongs to the series known as 'Studies of Heads in Oriental Headdress'. Signed (in monogram) in the plate in the upper right 'G Castiglione Genovese.' In a delicate gilt/black frame. Frame dimensions 12.75" by 8.75". Certificate of Authenticity. In this work, Castiglione offers us an exquisite portrait of a young man. This small etching shows all the hallmarks of Castiglione's style: incredibly detailed etching marks that result in a wonderful play of light and shadow. The angle of the head and the lively floating feather in the young man's hat show us a figure in movement, pausing to look at something the viewer can only guess at. That such a small collection lines and cross-hatchings can evoke so much is a testament to Castiglione's genius. Giovanni Benedetto Castiglione was an Italian Baroque painter, printmaker and draftsman of the Genoese school. He is best known now for his etchings, and as the inventor of the printmaking technique of monotyping. He was known as Il Grechetto in Italy and in France as Le Benédette. Castiglione was a brilliant draftsman and pioneered the development of the oil sketch (often using a mixture of mediums) as a finished work. He is credited with having invented the monotype in 1648, the only printmaking technique to be an Italian invention, making over twenty over the succeeding years. His most popular and influential prints were a series of exotic heads, mostly of vaguely Oriental males, but also of women. From Bartch/Bellini: Giovanni Benedetto Castiglione was profoundly influenced by foreigners. He first studied with local artists in his native Genoa, absorbing not only Tuscan Mannerism and Caravaggism but also the style of Peter Paul Rubens, who had worked in Genoa. From 1621, Castiglione also worked in Anthony van Dyck's Genoa studio. Early on, he was attracted to Flemish animal painting. Though he painted portraits, historical pieces and landscapes, Castiglione excelled in rural scenes with animals and influenced Italy's animal painting specialists. By 1634, Castiglione was in Rome, where he remained for about ten years. After returning to Genoa for a time, he worked for the Mantuan court in 1648, which had also employed Rubens. There Castiglione picked up the freedom of touch he saw in Domenico Fetti's paintings. One of the first Italians to appreciate Rembrandt van...

Collection of four late 18th century European city view colored engravings, professionally framed and matted in Vienna / Europe.

Six exquisitely framed sea life prints engraved by Maria Sybilla Merian from G.E. Rumphius, Amsterdam, circa 1800. A unique set of seven beautifully et...