HattieCarnegie 1955 Glass Crystal HandWired MixedBead GiltMetal Clip Earrings

Before the brand signature was added in 1947, Miriam Haskell's first designer Frank Hess since 1926 designed these asymmetrical Baroque-style climber earrings with hand-painted white-and-ecru enamel leaves, crystal and glass beads, and Russian-gold gilt metal flowers, which are attached to a thick filigree branch that launched the post-war style of covering wires used to attach roses montees and beads behind an additional filigree plate. A similarly constructed and shaped pale-blue pair of climbers dated 1945 are in the renowned Barbara Berger museum-exhibited costume-jewelry collection. Characteristic of the materials favored by Hess for his designs, the clear rosette-cut rhinestones, intricate gilt-metal decorations, and white round glass beads were handcrafted in France by Parisian Louis Rousselet, who was among the first paruriers for Coco Chanel's couture clothing since the 1920s. In contrast to bold costume-jewelry by Chanel using...

These post-WWII high-end Vendome hand-wired clip earrings each feature a spray of yellow-gold gilt-metal leaves with a stylized branch and five prong-set clear crystals among a clust...

This couture pair of gold-gilt earrings are both stamped "France" on their convex gold-gilt metal ear-pads, which is characteristic of one-of-a-kind designs commissioned by Parisian ...

Rare wide cat's-eye, translucent, blue-tone strong pink, near spherical, 14mm moonstones with misty lavender-white schiller are showcased on these antique sterling-silver hinged-clip lever earrings from the early 20th Century. They could be mistaken for exceptional Quahog pearls...

In the 1950s while he operated an eponymous Parisian couture costume-jewelry boutique, Francoise Montague designed these unique handmade ornate pair of sparkly clip earrings featurin...

In 1956 when Christian Dior's ultra-feminine New Look had dominated fashion for nearly a decade, Schreiner New York handcrafted these opulent unsigned earrings with 22 prong-set open-back crystals to accompany the evening-wear of an American high-end fashion designer. They may have been for client Pauline Trigere when her ready-to-wear collections with accessories including unmarked-Schreiner jewelry were sold by NYC's Bergdorf Goodman and worn by her clients including Grace Kelly, Jacqueline Kennedy, and Elizabeth Taylor. Comparatively, Schreiner jewelry produced in the 1950s for direct sale to high-end department stores, such as Neiman Marcus, Henri Bendel and Saks Fifth Avenue, were the only pieces to include a brand signature. Using the best quality European crystals that were custom-made for him, the founder Henry Schreiner was among the world's leading glass-jewelry designers before he died in 1954, whereafter his daughter and her husband continued with their handcrafted production. The family shared this distinction with Western Germany-based Max Muller and Paris-based Roger Jean Pierre, who were commissioned to create haute-couture pieces for the world's leading fashion houses. Notably in 1949, Henry Schreiner was commissioned by Dior to create several exclusive pieces. We know these earrings were not created earlier than 1956 because of the use of iridescent coating on some of the crystals that produces a rainbow effect. Known as aurora-borealis (AB) stones, Swarovski initially produced them exclusively for a haute-couture collection that year by Dior. Shortly thereafter, the Schreiner team had access to such colorful stones, and most certainly used them as soon as possible to enable their American fashion-designer clients to compete with the new Dior iridescent-colors trend. As Schreiner introduced its "ruffle" settings in 1957, we can see that they evolved from a smaller ruffle the year prior that is present on the tips of the marquise-shaped pale yellow stones...

A pair of geometric, 18-carat gold, lapis, and white coral earrings, consisting of a round button and a navette shaped drop, each set with a cabochon cut slab of lapis and of white c...

A pair of Sapphire and Diamond Earring Clips signed Cartier. Sapphires weighing 25 carats each set in 18.55 grams of platinum surrounded by 28 round brilliant stones weighing approxi...

A classic oval shaped 18 karat yellow gold earring is impeccably set with Baguette Cut Diamonds and Blue Sapphires. The stones are set in an alternating weaved pattern with gold beze...

Earrings composed of platinum and 18K yellow gold featuring oval shaped rubies that total 9.5 carats, accompanied by GIA Reports. Additionally there are 24 pear-shaped diamonds that...

Cartier earrings composed of platinum with eight pear-shape and two round brilliant-cut diamonds. The diamonds total 22 carats, F-H color and VVS2-SI1 clarity.

18 Karat Yellow Gold, large statement clip-on earrings from the 1970s. Each earring features a central, pale pink 10mm x 15mm Coral stone, claw set in 18K Gold. Immediately surrounding each coral centrepiece are fifteen spherical, deep blue Lapis Lazuli gemstones. Layers of gold twisted wires spread from the centre, with each earring housing a further 4 blue Lapis stones, and 22 White Diamonds, ranging in size. Each earring measures 4.5cm x 2.7cm, and sits comfortably clipped to the lobe of the ear. 37.80gr each. They were bought in Spain in the 1970s from Luis Gil...