Boris Lovet-LorskiPreliminary Study for a Sculpture Projectc. 1930-1940
c. 1930-1940
About the Item
- Creator:Boris Lovet-Lorski (1894 - 1973, American)
- Creation Year:c. 1930-1940
- Dimensions:Height: 3.94 in (10.01 cm)Width: 4.82 in (12.25 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairlawn, OH
- Reference Number:
Boris Lovet-Lorski
Boris Lovet-Lorski, sculptor, lithographer and painter, who contributed significantly to the American Art Deco movement, was born in Lithuania in 1894. Trained as an architect at the Royal Academy in Petrograd, throughout his career, Lovet-Lorski was acutely sensitive to volume and structural space. He also incorporated architectural backgrounds in the flattened aesthetic of his Art Deco neoclassicism, hallmarks of his elegant in a distinctly original style. Lovet-Lorski's idealized subject matter and masterful designs quickly won the young sculptor critical acclaim and led to his first one-man show in Boston in 1925, the year he became an American citizen. He was then invited to teach at the Milwaukee Institute of Art & Design, quickly developing a reputation that catapulted him into the New York artistic milieu. He exhibited on a regular basis with the Wildenstein Gallery from 1928 onward. Lovet-Lorski was a quintessentially Art Deco artist. His unique style was an amalgam of Modern, Tribal, Oriental, Archaic and Teutonic influences. His Slavic roots and eclecticism tempered his modernism with lyricism and a sense of mystery. His sculptures, in bronze or Black Belgian Marble, are sleek and gorgeously polished. The work from the 1920s and 1930s often featured exotic, allegorical nudes, stylized horses or busts. Lovet-Lorski was particularly noted for his female nudes with narrow hips, thoracic cages that broaden as they rise from waist to shoulder and wide-spread arms, with hands clasped and held behind or above classically modeled heads that were perched on their torsos like flowers on a stem. Lovet-Lorski's idealized vision coincided perfectly with the mechanization of the era, its gleaming, streamlined airplanes, automobiles and proud skyscrapers, that were the sacramentals of the inter-war period. He regularly worked in sumptuous and precious materials, onyx, jade and rare, fossilized wood essences, such as that taken from a 600-year old, Assyrian lemon tree. He tailored the subjects of his sculptures to suit the nature of his materials. The Belgian black marble of Head of a Woman is a dense and close-grained stone that complements the idealized features of the figure. God Unknown, one of the sculptor's best-known works was carved in pure white Carrara marble. His preferred exteriors were like polished silk,” adding to the serenity and timelessness that his sculptures convey. Lovet-Lorski’s style and the allure of his materials brought him commissions for portraits of high society and celebrated figures. By 1929, he was successful enough to maintain studios in New York, Rome and Paris. Wildenstein Gallery gave him a retrospective exhibit in 1940. His recognition was international and his sculptures were acquired by the permanent collections of over 20 major museums. The sculptor received the French Legion of Honor in 1950. He was a member of the National Academy of Design, the National Sculpture Society, the Society of Independent Artists and the Salons of Paris. His last major work was the Manila War Memorial. He attempted to complete the monument in 1957, but arthritis had crippled him to the point that he could no longer sculpt. He finished his career as a painter and his works continued to enjoy considerable success. Lovet-Lorski's works are held in the collections of the Musée de Luxembourg, Paris; the Bibliothèque Nationale, Paris; the Petit Palais, Paris; the British Museum, London; and many museums and galleries in the United States: the Metropolitan Museum of Art, New York; the Los Angeles Museum of Art; the Seattle Art Museum and the San Francisco Museum of Fine Arts. As an interesting footnote: in his youth, he had considerable success with the feminine sex that was so eloquently extolled in his art.
- ShippingRetrieving quote...Ships From: Fairlawn, OH
- Return PolicyA return for this item may be initiated within 10 days of delivery.
- Provincetown (Sunbathing)By Peter GrippeLocated in Fairlawn, OHProvincetown (Sunbathing) Sepia ink on tan paper, 1966 Signed in ink lower center (see photo) Exhibited: Art from Lexington Homes, Lincoln Massachusetts...Category
1960s American Modern Figurative Drawings and Watercolors
MaterialsInk
- Bull engaging the muleta (Bull Fight)By Robert HallowellLocated in Fairlawn, OHBull engaging the muleta (Bull Fight) Signed with the Estate stamp lower left (See photo) Provenance: Estate of the Artist Marbella Gallery Inc., NYC Refer...Category
Mid-20th Century American Modern Animal Drawings and Watercolors
MaterialsWatercolor
- Quick ChangeBy Honore GuilbeauLocated in Fairlawn, OHQuick Change Watercolor on paper, 1930-1931 Signed lower right: Honore Guilbeau Illustrated in American Art Review, August 2014, page 84 in an article by Dr. M...Category
1930s American Modern Figurative Drawings and Watercolors
MaterialsWatercolor
- Hells Angel on his HogBy Stephen LongstreetLocated in Fairlawn, OHHells Angel on his Hog Pen and ink on paper, 1969 Signed 'Longstreet' lower right (see photo) Titled and dated upper right Condition: excellent Image/Sheet size: 11 x 8 1/2 inches Pr...Category
1960s American Modern Figurative Drawings and Watercolors
MaterialsInk
- Bull Ring Brass - Mexico CityBy Stephen LongstreetLocated in Fairlawn, OHBull Ring Brass - Mexico City Watercolor, pen and ink on paper, 1955 Signed in ink, dated and titled in pencil (see photos) Condition: 1'' repaired tear left edge, along with other minor tears. Tape stains from previous matting visible in the four corners Image/Sheet size: 19 3/8 x 15 5/8 inches Provenance: Acquired directly from the Artist Joseph M. Erdelac, Cleveland, friend and patron of Longstreet Stephen Longstreet (1907-2002) The artist’s own grandchildren attempt to fathom the real life and nature of Stephen Longstreet, prolific author, artist, screenplay writer, and jazz aficionado. Born Chauncy Weiner (sometimes spelled Wiener) in New York City in 1907, Longstreet reinvented himself on a regular basis. Changing his name first to “Henry,” then “Henri,” he started his career as a commercial artist for a department store. In various public biographies he claimed to have studied in New York, London, and Paris, and said he was a student of cartoonist Ralph Barton (1891-1931). Facts that can be documented are that he was art editor for Golfer and Sportsman magazines, and was a contributor to various other magazines including The New Yorker, Saturday Evening Post, Colliers, Life, and Hooey, among others. He wrote sketches for NBC radio and the Rudy Vallee Show. In the 1930s, Longstreet worked and wrote under the names Thomas Burton, David Ormsbee, and Paul Haggard...Category
1950s American Modern Figurative Drawings and Watercolors
MaterialsIndia Ink, Watercolor, Pen
- Getting Ready for the Revolution - Learning How to Ride in the SubwayBy Adolf Arthur DehnLocated in Fairlawn, OHGetting Ready for the Revolution - Learning How to Ride in the Subway Litho crayons on illustrator’s board, c. 1932 Signed: Adolf Dehn (VED) lower right corner (signed by Virginia De...Category
1930s American Modern Figurative Drawings and Watercolors
MaterialsOil Crayon
- Mid Century Life Study Nude FigurativeBy Emily FarnhamLocated in Soquel, CAModernist life study drawing by Emily Farnham (American, 1912-2004). Signed and dated lower right corner. 1949. Image, 22”H x 16”W. Measures 32" H x 24" W ...Category
1940s American Modern Figurative Drawings and Watercolors
MaterialsCharcoal, Paper
- Villa Giardino, 20th Century Charcoal Drawing by Cleveland School Female ArtistLocated in Beachwood, OHClara Deike (American, 1881-1964) Villa Giardino Charcoal on paper Signed and titled verso 17.75 x 12.5 inches A graduate of the Cleveland School of Art in 1912, Clara Deike was pa...Category
20th Century American Modern Figurative Drawings and Watercolors
MaterialsCharcoal
- "Grimacing Giant"By James Joseph KearnsLocated in Southampton, NYMid century charcoal and watercolor drawing with grey wash of a grimacing giant by the American artist, James Joseph Kearns. Titled and dated lower left and signed and dated again l...Category
1950s American Modern Figurative Drawings and Watercolors
MaterialsArchival Paper, Charcoal, Watercolor
- That Day in Crete..., female gaze butterflies RINY collaboration abstractLocated in Brooklyn, NYRINY artists Audrey Anastasi and C.Dimitri collaborated to create contemporary collage works. Full title: That Day in Crete when you found the Blue Blanket in the Rocks and Dried it ...Category
2010s American Modern Figurative Drawings and Watercolors
MaterialsMixed Media, Charcoal, Archival Paper
- A ca. 1954, drawing of a Notre Dame Football Game by Artist Francis ChapinBy Francis ChapinLocated in Chicago, ILA ca. 1954 pastel & charcoal on paper drawing of a Notre Dame football game by artist Francis Chapin. Francis Chapin, affectionately called the “D...Category
1950s American Modern Figurative Drawings and Watercolors
MaterialsPaper, Charcoal, Pastel
- Mid Century Self Portrait of the Original Drawing on PaperLocated in Soquel, CAPortrait of the Artist by the Artist Original Charcoal Drawing on Paper 1960 Excellent detailed original drawing of the artist by Eugene Hawkins (American, b. 1933). A realistic dep...Category
1960s American Modern Figurative Drawings and Watercolors
MaterialsPaper, Charcoal