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William Edward FrostWilliam Edward Frost, 19th Century British Classical Watercolour Drawing of Echo1860
1860
About the Item
WILLIAM EDWARD FROST, RA
(1810-1877)
Echo
Signed l.r.: W E Frost RA
Watercolour and pen and ink
Unframed
16.5 by 10.5 cm., 6 ½ by 4 ¼ in.
(mount size 29.5 by 22.5 cm., 11 ½ by 9 in.)
Frost was born in Wandsworth. In 1825 he met William Etty who encouraged his artistic talents and recommended him to take drawing lessons at Henry Sass’s School of Drawing and Painting. He furthered his studies at the Royal Academy Schools in 1829. He became a portrait of figure subject artist, specialising in historical and mythological scenes. In 1839 he won the Royal Academy’s gold medal for Prometheus Bound by Force and Strength (Royal Academy, 1840) and in 1843 he won the Westminster Hall competition for Una Alarmed by Fauns (now in the collection of the Victoria & Albert Museum). He became a full member of the Royal Academy in 1870. He is represented in many public collections.
- Creator:William Edward Frost (1810 - 1877, English)
- Creation Year:1860
- Dimensions:Height: 6.5 in (16.5 cm)Width: 4.14 in (10.5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:
William Edward Frost
William Edward Frost was an English painter of the Victorian era. Virtually alone among English artists in the middle Victorian period, he devoted his practice to the portrayal of the female nude. Frost was educated in the schools of the Royal Academy. At the beginning of 1829, he established a reputation as a portrait painter before branching into historical and mythological subjects, including the subgenre of fairy painting that was characteristic of Victorian art. In 1839, he won the Royal Academy's gold medal for his Prometheus Bound, and in 1843, he won a prize in the Westminster Hall competition for his Una Alarmed by Fauns (a subject from Spenser's The Faerie Queene). He was elected an associate member of the Royal Academy in 1846 and a full member in 1870. Frost is widely recognized as a follower of William Etty, who preceded him as the primary British painter of nudes in the second quarter of the nineteenth century. Despite the prudishness of the Victorian era, Frost's relatively chaste nudes were popular and his career was financially successful. At their best, Frost's works have a distinctive jewel-like charm, his attractive young women models possessing a pert, self-conscious quality, which makes them more titillating than Etty's powerful studies.
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