Eve Nethercott

Fulton Street, Watercolor by Eve Nethercott

1961

Artist: Rene Genis, French (1922 - 2004) Title: Beachscape Medium: Watercolor on Laid Paper, signed l.r. Size: 10 x 16 inches Frame Size: 15 x 21 inches

Artist: Richard Davies Title: One Green Wave Year: 1991 Medium: Watercolor, graphite, colored pencil, collage, signed in pencil Size: 60 x 40 in. (152.4 x 1...

Sailboats at Shore by Charles Levier, French (1920–2003) Date: circa 1965 Watercolor on Paper, signed l.r. Image Size: 11 x 16 inches Size: 19.5 x 25 in. (49.53 x 63.5 cm) Frame: 24 ...

Artist: Unknown Title: Central Park in Fall Medium: Watercolor on paper, signed lower right Image Size: 17.5 x 25 inches Frame Size: 28 x 35 inches Watercolor of The Mall in Centra...

Artist: Don Davis Title: Crosswalk Medium: Watercolor on paper, signed lower right Image Size: 27.5 x 19.5 inches Frame Size: 35 x 27 inches Amid construction that constantly reinve...

A painting of the Luxor Obelisk and fountain at Le Place de la Concorde in Paris by Charles Cobelle. This piece features more muted and neutral colors th...

Bauhaus Iconic work by the master or Cubism and Expressionism Dalzell Hatfield Gallery, Los Angeles Bonhams, Exhibited: Moller Fine Art, "Precision ...

'Le Pont Neuf', gouache on fine art paper, by Lucien Génin (circa 1930s). The Pont Neuf is the oldest standing bridge across the river Seine in Paris, France. It stands by the western point of the Île de la Cité, the island in the middle of the river that was, between 250 and 225 BC, the birthplace of Paris. It is called 'The New Bridge' because at the time of its inauguration (built 1578-1607), it embodied a very modern look compared to other bridges which spanned the Seine. Lucien Génin has captured its beauty in this lively depiction from the 1930s. Just before the bridge is a 'Bateau Mouche' an open excursion boat that provides visitors with a view of the city from along the river. The artwork is in good overall condition commensurate with age and medium used. It has been newly frame with anti-reflective glass. Please enjoy the photos accompanying this listing. Signed by the artist in the lower left hand. Upon request a video may be provided. About the Artist: After the devastation of the First World War, Lucien Génin (1894 - 1953) left his provincial home in the autumn of 1919 to find his fortune among the lively Parisians in the heart of Montmartre. Génin befriended the painters Frank Will, Gen Paul, Émile Boyer, Marcel Leprin...

Work on paper Dimension with pass 21.7 x 27.7 cm

Abstract harbor scene with boats, in bold, vivid colors on heavy mould made paper. Hand signed and dated, 1980 22 X 30 not frame Robert Freiman, deaf from birth, was born in March 1917 in New York City. He attended an oral program near his home and later transferred to the Lexington School for the Deaf when he was six. Early in his childhood, his love for drawing, painting and studying became apparent, and as an adult, he continued his studies in New York at the National Academy of Design, Pratt Institute, the Art Students League and the Parsons School of Design. In Paris, France he studied at the Ecole des Beaux Arts. Bob Freiman was especially focused on painting portraits and figures in motion in various mediums, especially the mixed-media combination of watercolor, acrylic and pen. Among his subjects were acrobats, ballet dancers, cyclists and other athletes. He as well focused on abstracts for a time, discovering new media in his works with quick brushwork and expressive movements. In the latter part of his career, his style became abstract and surreal with images of metaphysical landscapes with architectural elements such as arches, towers, pyramids and castles floating in the air. The famed art critic Pierre Rouve wrote: “It is therefore refreshing to see them revitalized by the colourist wealth and virile handwriting of Robert Freiman, probably the best American water-colorist since John Marin. He worked in Provincetown and Nantucket and regularly exhibited there. He showed at Doll & Richards gallery of Boston alongside John Chetcuti, Lloyd Goodrich, Tod Lindenmuth, William Meyerowitz, Dwight Shepler, Elizabeth O'Neill Verner, Stanley Woodward, Andrew Wyeth, and others. His work bears the influence of the mid century school of Paris in particular Jean Carzou. He was a regular exhibitor at the Sidewalk Art...

Mid-century artist Lawrence Kupferman paints a madly eerie New York street scene. An exaggerated upward view of two 19th-century walk-ups is split by a forced perspective of a downwa...

Work on paper Dimension with pass 31.7 x 24 cm