Unknown

French Artist Drawing Sanctuary of San Luca Bologna 19 century pencil paper

early 18th

This drawing represents a lateral view over the Cathedral of Koln that doesn't want to be a faithfull copy from real but It's pervaded with a nostalgic and decadent feeling proper of...

This small drawing shaped as a lunette (pencil on paper, 13 x 19 cm) represents Saint-Ouen Abbey in Rouen, Normandie, as it's reported on pencil on the bottom left corner. We can des...

This drawing represents the grand opening of the monument dedicated to Victor Emmanuel II, the first king of Italy, that happened in Turin on September 9, 1899, twenty years after his death. It was wanted by his son, King Umberto I and made by the architect Pietro Costa...

The drawing, composed by a single sheet without watermark of 20.4 x 12,5 inch, comes from the collection of Placido Fabris’s heirs The drawing shows, on a tempera dark background, a ...

Il disegno in questione è molto probabilmente uno studio dal vivo per un ritratto da riportare successivamente in pittura, come si può notare dall'intensità dello sguardo e dall'alta...

This drawing, pencil on paper 33 x 49 cm without frame, displays a naked woman laying. This is clearely a portrait, by the way she stands and look at the audience. On the back ther...

Late 19th century drawing on paper of a French marine scene by noted French artist Georges Ricard-Cordingley. Carrying the atelier stamp to the bottom left and with full annotation and certification to the back of the paper. Provenance: This drawing came from the estate of the artist's daughter who had acquired it directly from her father. It is from his earliest period of drawing when his talents were first being recognised. A charming drawing capturing the scene of a paquebot, a small passenger ship, leaving the dock at Boulogne sur Mer. Cordingley has captured the majesty of the scene, the rolling waves, the force of nature. Georges Ricard was born on January 30, 1873 in Lyon, son of Prosper Louis Ricard and Georgina Marie Cordingley. He spent part of his childhood in Lyon and Boulogne-sur-Mer. He displayed early gifts for drawing. He lost his father in 1885. He began his training around 1887, becoming a pupil of Jean-Charles Cazin, a landscape painter from Pas-de-Calais and the Côte d'Opale. He then joined the School of Fine Arts in Lyon and remained there from 1888 to 1889. He moved to Paris in 1890, where he studied at the Académie Julian as a pupil of Benjamin Constant, Louis Martinet and Jules Lefebvre. He lost his mother around 1892, went to England to his maternal family and added his mother's name to his name. He embarked for the North Sea with the Royal National Mission to Deep Sea Fishermen and carried out his first studies. In 1894, he met with great success at the court of Queen Victoria. He embarked a second time, in 1895, still for the North Sea and produced numerous studies of waves of clouds, of the port and of portraits of fishermen...

Original mid-century illustration for the children's book "Good Work" by John G. McCullough, Young Scott Books, N.Y. It depicts a busy harbor filled with commercial and leisure traffic. Notice all the charming little people, busy at work - dotting the docks and boats. Ipcar masterfully designed the work so that your eye effortlessly travels from more prominent foreground elements to more minor elements in the distance. But her color scheme limited only to two colors sets "Harbor Scene" apart from the humdrum and elevates it to a sophisticated children's book illustration. The suspension bridge in the back of the composition is modeled after the Golden Gate. The illustration bears the hallmarks of modernism with its flat shapes and quick painterly style. "Harbor Scene" represents the artist's early style. By the '60s and '70s, her work began to take on a new direction with intricate patterns and depicting animals. Signed lower right with the artist's label on verso. Dahlov Ipcar...

Watercolour on paper Paper size: 21 x 13.5 inches Signed lower right

Watercolour on paper Paper size: 7.5 x 10.5 inches Framed size: 15 x 17.5 inches Signed lower left

Man with a basket is an original drawing in black point on paper, realized by Ferdinand Lemud. Good conditions except for minor cosmetic wear. Image Dimensions: 8.9 x 6 cm This bea...

Woman in nature is an original drawing in black point on paper, realized by Ferdinand Lemud. Good conditions except for minor cosmetic wear. Image Dimensions: 9.9 x 9.6 cm This art...