Bridget Riley

Untitled (Related to 'Sound')

1972

Pencil, charcoal, chalk, chinagraph, wax crayon, wash, ballpoint pen and gouache on paper

Beginning with vintage slides, Greenfield-Sanders breaks down photographic images, and rebuilds them as her own. Putting the image through various incarnations, she grids and paints...

Watercolor, gouache, ink wash, crayon, and pencil on paper

Gouache on wood

Mark Fox was born in Cincinnati, Ohio in 1963. He received his Bachelor of Fine Art from Washington University in St. Louis and his Master of Fine Art from Stanford University. Fox has received numerous accolades and residencies, notably from the Versailles Foundation, Munn Artist Fellowship, Giverny, France; Foundation and Center for Contemporary Art, Prague, Czech Republic; Working Space, Awarded by Kultureferat, Munich, Germany; Headlands Center for the Arts, Sausalito; and Detroit Institute of Arts, Detroit. His work is featured in numerous public and private collections, including the Museum of Modern Art, New York; the Whitney Museum of American Art, New York; the Albright-Knox Art Gallery, Buffalo; the Philadelphia Museum of Art, Philadelphia; and the Anderson Collection, Stanford University. Recent solo and two-person exhibitions include Intersections: Giverny: Journal of an Unseen Garden, Norton Museum of Art, West Palm Beach...

Mark Fox was born in Cincinnati, Ohio in 1963. He received his Bachelor of Fine Art from Washington University in St. Louis and his Master of Fine Art from Stanford University. Fox h...

BYE BYE BIRDIE Original 1960 Broadway Musical Costume Drawing Tony Award Elvis. Miles White (1915 – 2000) BYE BYE BIRDIE 11 x 8 inches Mixed Media on...

Selena Beaudry’s work is created by marking and cutting up drawings. This has led the artist to rediscovering her visual language. Her work consists of...

Selena Beaudry’s work is created by marking and cutting up drawings. This has led the artist to rediscovering her visual language. Her work consists of...

Detailed abstract geometric painting inspired by city grids in light grey and blue, with accents of black and white "Superman", made by Hudson Valley based artist, Donise English, in...

Roberta Allen German Lesson, 1981 Two separate mixed media works framed together: watercolor, gouache, ink, wash, laid paper collage (each signed by hand) Signed twice: each of the s...

Gifford Beal, painter, etcher, muralist, and teacher, was born in New York City in 1879. The son of landscape painter William Reynolds Beal, Gifford Beal began studying at William Merritt Chase's Shinnecock School of Art (the first established school of plein air painting in America) at the age of thirteen, when he accompanied his older brother, Reynolds, to summer classes. He remained a pupil of Chase's for ten years also studying with him in New York City at the artist's private studio in the Tenth Street Studio Building. Later at his father's behest, he attended Princeton University from 1896 to 1900 while still continuing his lessons with Chase. Upon graduation from Princeton he took classes at the Art Students' League, studying with impressionist landscape painter Henry Ward Ranger and Boston academic painter Frank Vincent DuMond. He ended up as President of the Art Students League for fourteen years, "a distinction unsurpassed by any other artist." His student days were spent entirely in this country. "Given the opportunity to visit Paris en route to England in 1908, he chose to avoid it" he stated, "I didn't trust myself with the delightful life in ParisIt all sounded so fascinating and easy and loose." His subjects were predominately American, and it has been said stylistically "his art is completely American." Gifford achieved early recognition in the New York Art World. He became an associate member of the National Academy of Design in 1908 and was elected to full status of academician in 1914. He was known for garden parties, circuses, landscapes, streets, coasts, flowers and marines. This diversity in subject matter created "no typical or characteristic style to his work." Beal's style was highly influenced by Chase and Childe Hassam, a long time friend of the Beal family who used to travel "about the countryside with Beal in a car sketching local sights." Both Hassam and Chase were famous for their impressionist views of New York City and Connecticut and Long Island coastlines. Beal's early work reflects his acquaintance with these painters and focused on the city's commercial and industrial growth. "Beal's major influence, however, remained Chase, whose "greatness" Beal attributed to the "sheer fullness of his naturehis store of energy," and his dedication to the profession of painting. "When the story of American art is finally told," Beal predicted, "Chase's name will be high on the list of the great." Regarding his use of color, one art critic wrote: "On the whole he is inclined toward color that is rich and strong. The garden scenes have masses of deep and gleaming foliage over the gay...