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Alan DavieImprovisations on a Chagall Theme no. 1 - Alan Davie, painting, modern, britishDecember 1966
December 1966
About the Item
Alan Davie (1920-2014)
Improvisations on a Chagall Theme no. 1
December 1966
oil on canvas
213 x 172.5 cm
signed, dated and titled (on the verso)
Price:
£95,000 GBP
Provenance:
Morone Gallery, Milan
Private collection, Paris (acquired from the above in 2004)
Exhibited:
Milan, Morone Gallery, Alan Davie “Il Risveglio della Conoscenza Intuitiva”, 2001 (incorrectly dated 1996)
Literature:
D. Hall & M. Tucker, Alan Davie, London, 1992, p. 178, no. 579
Notes:
Alan Davie is regarded as one of Scotland's most important artists of the twentieth century due to his experimentation with different cultural imageries and for recognising the significance of American Abstract Expressionism.
The 1960s proved to be a fruitful time for Alan Davie. His success enabled him to give up teaching and acquire a house in Cornwall. This extra time and space allowed Davie to return to his 1950 works which were influenced by Zen Buddhist principles; basic symbols of which (ie. the circle) were used to represent objects such as targets and the sun.
These quasi symbolic shapes were revisited in the 1960s and Davie began to look at works in which avatars were synonymous with the artist, namely Marc Chagall. The present work is mature example of Davie’s ability to interpret existing motifs and engage these with symbols of his own creation.
Categories:
Improvisations on a Chagall Theme no. 1, Alan Davie, Marc Chagall, Chagall, painting, modern, british, big, large, colorful, colors, colourful, colour, red, yellow, purple, blue, orange, modern art, painting, oil paint, triptych, canvas, modern british, original, abstract, scottish, design, art, artwork
- Creator:Alan Davie (1920, British)
- Creation Year:December 1966
- Dimensions:Height: 83.86 in (213 cm)Width: 67.92 in (172.5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU141426642982
Alan Davie
Painter, born in Grangemouth, Stirlingshire. His father was also an artist and Davie junior was encouraged to enrol at Edinburgh College of Art, 1937-40, where he was taught by John Maxwell. Following army service with the Royal Artillery in World War II, Davie worked variously as a jazz musician, textile designer, potter and as a jewellery designer. In 1946, he held his first solo exhibition at Grant's Bookshop, Edinburgh and soon after travelled around Europe meeting Peggy Guggenheim which was to broaden his artistic outlook. His work over the years was much influenced by Abstract Expressionism, Oriental mysticism and Indian mythology. His first London show took place at Gimpel Fils, London in 1950 and his first New York exhibition at the Catherine Viviano Gallery, New York in 1956. During the 1960's and later many of Davie's drawings appeared in print form executed by the Curwen Press and also were seen in the eclectic magazine Motif. Davie was awarded the Gregory Fellowship at Leeds University 1957-59 and in 1962 he held a retrospective exhibition in Amsterdam at the Stedelijk Museum. Other retrospective exhibition venues include the McLellan Galleries, Glasgow, 1992, RWA Bristol, 1992, Barbican Art Gallery, London, 1993 and 'Jingling Space' held at Tate St. Ives. This highlighted Davie’s works from the 1930’s to the millennium. Examples of his work are in the collections of the City Arts Centre, Fleming Collection, Harrogate Art Gallery, Jerwood Foundation, Lillie Art Gallery, MoMa, New York, Museums Sheffield, NCAS, Peterborough Museum & Art Gallery, Tate Gallery, Towner Art Gallery, Ulster Museum, University of Warwick Art Collection, V&A, Worcester Art Gallery and major museums around the world including MoMA, New York. Alan Davies was appointed CBE in 1972, a senior member of the RA in 2012 and a major exhibition of his work opened at the Tate Britain a few days after his death.
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