Items Similar to Radiant Reflections Abstract 1950s Oil Mid 20th Century American Woman Artist
Want more images or videos?
Request additional images or videos from the seller
1 of 7
Irene Rice PereiraRadiant Reflections Abstract 1950s Oil Mid 20th Century American Woman ArtistC. 1950s
C. 1950s
About the Item
Radiant Relections. Abstract Non-Objective 1950s Oil Mid 20th Century American Woman Female Artist. Signed lower right.
Provenance:
Estate of Foy C. Casper, Norfolk, Virginia (a close personal friend of the artist and a former director of the Irene Rice-Pereira Foundation).
Sothebys American art sale October 10, 2008.
The canvas measures 50 x 40. The work has been restored, relined and is housed in its original frame, made by the artist's second husband, George Wellington Brown, a marine engineer from Boston.
BIO
Periera was an American abstract artist, poet, and philosopher who played a significant role in the development of modernism in America. She is known for her work in the Geometric abstraction, Abstract expressionist, and lyrical abstraction genres and her use of the principles of the Bauhaus school. She helped found the Federal Art Project design laboratory and painted for more than 30 years on 15th Street in New York City. There was a major retrospective of her work in 1953 at the Whitney Museum when it was still located on Eighth Street.
- Creator:Irene Rice Pereira (1902-1971, American)
- Creation Year:C. 1950s
- Dimensions:Height: 59 in (149.86 cm)Width: 49 in (124.46 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1156210926902
Irene Rice Pereira
Born Irene Rice, she took the name of her first husband, the commercial artist Umberto Pereira. She adopted the name I. Rice Pereira because then as now discrimination beset women in the arts. By the time war broke out Irene had divorced Pereira and married George Wellington Brown, a marine engineer from a prominent Boston family. Brown was an ingenious experimenter with materials, and he encouraged his petite new wife in their mutual passion for experimentation. Pereira in the 1930s was drawn to ships, not only because of George Brown, but because of their intricate machinery, their functional beauty. The inside-out infrastructure of the Pompidou museum in Paris amused Pereira, although she thought it art-historically tardy. Irene Rice Pereira was a lovely, fragile being. Her presence was hushed. She spoke almost in a whisper and listened far more than she spoke. She was a prodigious autodidact and a spellbinding lecturer. The main body of her metaphysical library today resides in the Museum for Women in the Arts in Washington, D.C. Her papers and the manuscript for her still unpublished book, Eastward Journey, are available to scholars in the Schlesinger Library at Harvard. Pereira won recognition for her abstract geometric work, particularly her jewel-like works on fluted and coruscated layers of glass, throughout the 1940s and early 1950s. In 1953 the Whitney Museum, then in Greenwich Village, gave her a retrospective exhibition with Loren MacIver, and that same year Life magazine published a centerfold photo examination of her work. By the late 1950s Abstract Expressionism had swept Manhattan, flattening such nascent movements as Geometric Abstraction. Such artists as Stuart Davis, Stanton MacDonald Wright, George L.K. Morris, George Ault, Jan Matulka, Richard Leahy, Philip Guston and many others were eclipsed. Pereira believed that a European angst, brought to our shores in the wake of the Holocaust, had introduced a cynicism and a profoundly anti-female sensibility that boded ill for art in America. Rightly she pointed out that even when the works of women were acquired by museums they were rarely shown, a disgrace that persists to this day. The women who did achieve success, she said, were often collaborators with more famous male artists and tastemakers. Pereira died in 1971 in Marbella, Spain, ill and broken-hearted. She had been evicted from the Fifteenth Street studio in Chelsea where she had painted for more than thirty years. Suffering from severe emphysema, she could barely negotiate a few stairs. But by the 1980s a new generation of women scholars and curators had begun to resurrect her stature. A considerable following has formed to honor a pioneer artist who cared about other artists and willingly paid the price to denounce what others feared in silence. Indeed when Pereira sold a painting she had two immediate impulses: buy a new hat, and give the money to an artist friend in trouble. She loved hats but loved to help fellow artists even more.
About the Seller
5.0
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
Established in 2008
1stDibs seller since 2019
165 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Pawling, NY
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- MODERNIST ABSTRACT Mid-Century New Hope Non-Objective oil American Modern WPABy Louis StoneLocated in New York, NYMODERNIST ABSTRACT Mid-Century New Hope Non-Objective oil American Modern WPA Louis Stone (1902-1984) "Abstract," 16 X 12 inches. Oil on canvas, signed lower right. An abstract pai...Category
1940s Abstract Abstract Paintings
MaterialsCanvas, Oil
- Abstract Non Objective Mid 20th Century American Modern Color Field 1950sLocated in New York, NYAbstract Non Objective Mid 20th Century American Modern Color Field 1950s James Daugherty (1887 – 1974) Abstraction 84-1/2 x 42-1/2 inches Signed and ...Category
1950s Abstract Abstract Paintings
MaterialsCanvas, Oil
- Red to Black, 1954 Abstract Oil Mid-20th Century Modern Non-Objective. PublishedBy O. Louis GuglielmiLocated in New York, NYRed to Black, 1954 Abstract Oil Mid-20th Century Modern Non-Objective. Published. Signed and dated upper left. 40 1/4 x 18 1/2 inches oil on canvas. Provenance: Estate of O. Louis Guglielmi. Robert Schoelopf Gallery. Andrew Crispo Gallery. Published in the artist's monograph as seen in the attached photos. BIO Painter O. Louis Guglielmi moved stylistically from a symbolic Social Realism, Precisionism, and Surrealism, ultimately to abstraction, but his subject matter, when it existed, dealt with society's underdogs. He had experienced slum living as a youth, moving from place to place because of his violinist father's need to find employment. Though Guglielmi was born in 1906 in Cairo, Egypt, his Italian parents moved the family to Italy. In 1914, they were living in New York City in Harlem's Italian slum. Guglielmi was involved in the political and artistic protests of the trial, conviction as anarchist bombers, and execution of Sacco and Vanzetti...Category
1950s Abstract Abstract Paintings
MaterialsCanvas, Oil
- Geometric Abstract American Oil WPA Color Field Abstraction Modern Non ObjectiveBy Walter QuirtLocated in New York, NYAmerican artist Walter Quirt painted this modernist non objective geometric abstract oil color field during the WPA era in the 1930s. Abstraction, 12 x 16 inches. Oil on canvas. Sig...Category
1930s Abstract Abstract Paintings
MaterialsCanvas, Oil
- Geometric Abstract American Oil WPA Color Field Abstraction Modern Non ObjectiveBy August MoscaLocated in New York, NYGeometric Abstract American Oil Painting WPA Color Field Abstraction Modern Non Objective. August Mosca was born in Naples, Italy on August 19, 1909. He and his family emigrated to ...Category
1930s Abstract Abstract Paintings
MaterialsCanvas, Oil
- "Abstraction" Mid-Century Abstract Non-Objective Color Field oil painting modernLocated in New York, NY"Abstraction" Mid-Century Abstract Non-Objective Color Field oil painting modern James Daugherty (1887 – 1974) "Abstraction," 28 ½ x 20 inches. Estate...Category
1960s Abstract Abstract Paintings
MaterialsCanvas, Oil
You May Also Like
- Paul Manes - Tropic, Painting 1989By Paul ManesLocated in Greenwich, CTManes has had an extensive career since studying at the Graduate School of Fine Arts, Hunter College (New York) in 1983. Domestically he has shown cross-country, in museums and galle...Category
1980s Abstract Abstract Paintings
MaterialsCanvas, Paint, Oil
- Paul Manes - Sunset Park 26, Painting 2012By Paul ManesLocated in Greenwich, CTManes has had an extensive career since studying at the Graduate School of Fine Arts, Hunter College (New York) in 1983. Domestically he has shown cross-country, in museums and galle...Category
2010s Abstract Abstract Paintings
MaterialsCanvas, Oil
- Paul Manes - Fruit, Painting 2011By Paul ManesLocated in Greenwich, CTManes has had an extensive career since studying at the Graduate School of Fine Arts, Hunter College (New York) in 1983. Domestically he has shown cross-country, in museums and galle...Category
2010s Abstract Abstract Paintings
MaterialsCanvas, Oil
- Paul Manes - Nude, Painting 2011By Paul ManesLocated in Greenwich, CTManes has had an extensive career since studying at the Graduate School of Fine Arts, Hunter College (New York) in 1983. Domestically he has shown cross-country, in museums and galle...Category
2010s Abstract Abstract Paintings
MaterialsCanvas, Paint, Oil
- Paul Manes - Sunset Park 18, Painting 2012By Paul ManesLocated in Greenwich, CTManes has had an extensive career since studying at the Graduate School of Fine Arts, Hunter College (New York) in 1983. Domestically he has shown cross-country, in museums and galle...Category
2010s Abstract Abstract Paintings
MaterialsCanvas, Oil
- Paul Manes - Sunset Park 24, Painting 2012By Paul ManesLocated in Greenwich, CTManes has had an extensive career since studying at the Graduate School of Fine Arts, Hunter College (New York) in 1983. Domestically he has shown cross-country, in museums and galle...Category
2010s Abstract Abstract Paintings
MaterialsCotton Canvas, Oil
Recently Viewed
View AllMore Ways To Browse
American Woman
Abstract Reflections
Mid Century Artist Abstract
Oil Paintings American 20th Century
American Artists 1950
Abstract Woman
Woman Abstract Art
Woman Female
20th Century Abstract Oil
Abstract Midcentury Oil
Female Artists Abstract
American Mid Century Oil Paintings
Geometric Abstract 20th Century
American Midcentury Oil Painting
Engineer Vintage
Mid Century Woman Painting
Boston Vintage Design
American Genre Painting