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Stephen BezasDEAD ON2024
2024
About the Item
2024
Acrylic on canvas
36 x 36 in. (91.4 x 91.4 cm)
Signed, titled, and dated, verso
“Dead On” depicts a striking bullseye, dominating the canvas with its bold presence. At the precise center of the bullseye, text is meticulously superimposed, against the colorful backdrop. The words “DEAD ON” are emblazoned in a sharp, subtle colored font, capturing attention with their straightforwardness.
The overall composition of the painting exudes a sense of precision and accuracy. The bullseye serves as a powerful symbol, representing focus, determination, and the pursuit of excellence. The juxtaposition of the text “DEAD ON” emphasizes the idea of hitting the mark with unerring accuracy, conveying a message of unwavering commitment and achievement. Through its dynamic imagery and bold symbolism, the painting invites contemplation on themes of skill, determination, and the pursuit of perfection.
- Creator:Stephen Bezas (1949, American)
- Creation Year:2024
- Dimensions:Height: 36 in (91.44 cm)Width: 36 in (91.44 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1185214217142
Born and raised in New York City. He attended the High School of Art and Design and then the School of Visual Arts where he greatly admired and was influenced by artist Chuck Close, first as a student of Close’s and later as a friend. A neo-pointillist, Bezas is inspired by historically important pointillist artists such as Georges Seurat and Paul Signac. Bezas’ distinctive trademark is the vertical and horizontal stacks of dots contained within a grid, which he sometimes places on a diagonal. Another distinct narrative of his art is the alternating dot pattern achieved by the smaller grids within larger ones and the two alternating dot sizes. He has created a contemporary hybrid using his design sensibilities, photography and painting talents, blurring the lines among the three. The dots in his art interrelate and culminate into something that’s larger than the sum of its parts. The viewer is utterly transfixed to realize that the work is created from a mélange of meticulously placed dots of varying sizes into an underlying grid in an artistic, mathematical process, whereby the actual composition comes alive with exciting recognition.
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