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Stephen BezasYO2024
2024
About the Item
2024
Acrylic on canvas
24 x 24 in. (61 x 61 cm)
Signed, titled, and dated, verso
The painting “YO” features a vibrant yellow background, radiating warmth and energy. Dominating the center of the canvas is the word “YO,” painted in bold, distressed red letters. The letters appear slightly worn, as if they’ve weathered experiences and challenges, yet they stand out prominently against the bright backdrop.
The juxtaposition of the vivid yellow and the striking red creates a powerful visual contrast, drawing the viewer’s attention immediately to the word “YO.” The word itself, with its casual, colloquial tone, suggests a desire for connection and communication and seems to beckon the viewer into a conversation or an exchange.
- Creator:Stephen Bezas (1949, American)
- Creation Year:2024
- Dimensions:Height: 24 in (60.96 cm)Width: 24 in (60.96 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1185214217282
Born and raised in New York City. He attended the High School of Art and Design and then the School of Visual Arts where he greatly admired and was influenced by artist Chuck Close, first as a student of Close’s and later as a friend. A neo-pointillist, Bezas is inspired by historically important pointillist artists such as Georges Seurat and Paul Signac. Bezas’ distinctive trademark is the vertical and horizontal stacks of dots contained within a grid, which he sometimes places on a diagonal. Another distinct narrative of his art is the alternating dot pattern achieved by the smaller grids within larger ones and the two alternating dot sizes. He has created a contemporary hybrid using his design sensibilities, photography and painting talents, blurring the lines among the three. The dots in his art interrelate and culminate into something that’s larger than the sum of its parts. The viewer is utterly transfixed to realize that the work is created from a mélange of meticulously placed dots of varying sizes into an underlying grid in an artistic, mathematical process, whereby the actual composition comes alive with exciting recognition.
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