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Thomas Sidney CooperCattle Watering At The Stream, 19th Century by THOMAS SIDNEY COOPER (1803-1902
About the Item
Cattle Watering At The Stream, 19th Century
by THOMAS SIDNEY COOPER (1803-1902)
Large 19th Century English landscape with cattle watering by a stream with a bridge beyond, oil on canvas by Thomas Sidney Cooper. Excellent quality and condition example of the prolific animal and landscape painters work. The area is likely to be in the Canterbury region as was the majority of Copper's work. Signed and dated. Presented in a good gilt frame.
Measurements: 46.5" x 31" framed approx
Artist Biography
Thomas Sidney Cooper was first a scenery painter before going to London in 1823. Once there, he worked at the British Museum and the Royal Academy, although he did not start sending his works for exhibition until about 1833. He lived in his birthplace, Canterbury, for a period and was able to sell some of his work. He was married in Brussels where he spent four years between 1827 and 1831. Back in London, he began regularly to send his works for exhibition not only to the Royal Academy but also to the British Institution, the Society of British Artists in Suffolk Street and the New Water-Colour Society. In 1882, in Canterbury, he founded the Sidney Cooper Art Gallery. He became a member of the Royal Academy in 1867.
Museum and Gallery Holdings
Birmingham (Mus. and AG): Landscape with Cattle and Sheep; Cattle in a Stream
Blackburn: Cows in the Water; Flock in Winter (watercolour)
Cardiff (Nat. Mus. of Wales): Cattle in Landscape (oil on canvas); Gathering Clouds (oil on canvas)
Eastbourne (Towner AG): Cattle and Sheep (1850, oil on panel)
Glasgow: Canterbury Meadows; Landscape with Cattle; Landscape with a Flock of Sheep
Harrogate (Mercer AG): Cattle and Sheep Watering (1856, oil on canvas); Sunny Summer Evening in the Meadows (1874, oil on canvas)
Leeds (City AG): Landscape with Sheep and Goats (1852, oil on canvas); Cattle in the Meadows(1843, oil on canvas)
Leicester: Cattle in a Landscape
Liverpool: Cows and Sheep; Study of Sheep
London (Tate Collection): Milking Time - Study of a Farm-Yard near Canterbury (1833, oil on canvas); Landscape and Cattle (1854, oil on panel); A Cow and Two Sheep (1860, watercolou)
London (Victoria and Albert Mus.): Scene by a River, Animals; Cows on a River Bank; Sheep; Cattle and Milkmaid; Landscape, Cows; Snowy Landscape, Sheep; Cattle; Three Cows in a Meadow; In the Meadows at Sunset (Valley in Scotland)
London (Wallace Collection): An Evening Scene (1852, oil/panel)
Manchester (City AG): Heat Showers in August (1857, oil on panel)
Newcastle upon Tyne (Laing AG): On the Downs (1863, oil on panel); Midday Repose (1866, oil on panel); In The Marshes Near Ramsgate, Isle Of Thanet (oil on canvas)
Nottingham: Goats and Kids in a Shed; Cattle in a Landscape, Evening; Mountain Sheep, Morning Mists Lifting
Salford (Museum and AG): In the Meadows of Fordwich
Sheffield: Halt in the Hills; In the Meadows, Whitehall, Canterbury
Sydney (AG of New South Wales): Four Sheep in a Landscape (1853, oil on panel); Canterbury Meadows (1862, oil on panel); Minster Marshes, East Kent (1877, oil on canvas)
Wolverhampton (AG and Mus.): Four Sheep; Cattle Scene; Landscape with Cattle and Fowl
Bibliography
Cooper, Thomas Sydney: My Life, Richard Bentley, London, 1890.
Sartin, S.: Thomas Sidney Cooper, Lewis, Leigh on Sea, 1976.
Westwood, Kenneth J.: Thomas Sidney Cooper: His Life and Work, Wilson Hunt, Gillingham, 1991.
- Creator:Thomas Sidney Cooper (1803 - 1902, British)
- Dimensions:Height: 20 in (50.8 cm)Diameter: 24 in (60.96 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Blackwater, GB
- Reference Number:
Thomas Sidney Cooper
Thomas Sidney Cooper was one of the foremost animal painters of the Victorian period. He was greatly encouraged by Abraham Cooper (of no relation) and Sir Thomas Lawrence. Cooper entered the Royal Academy Schools before taking up a position as a teacher in Brussels in 1829. He was also influenced by the 17th century Dutch School. In 1831, the artist settled in London and first exhibited at Suffolk Street in 1833. He exhibited 48 pictures at the British Institution between 1833–63. Landscape and Cattle at the Royal Academy of Arts in 1833 and was shown until 1902 without a break; it was a record for a continuous exhibit at the Royal Academy of Arts. Sheep and cattle were his most frequent subjects, although he did paint a few figurative ones as well. His studio sale at Christie’s lasted three days from 12–15 April 1902. His works can be found in the Birmingham Museum & Art Gallery; the Blackburn Museum & Art Gallery; the National Museum Cardiff, Wales; the Glasgow City Art Gallery; the Leeds Art Gallery; Leicester Museums and Galleries; the Walker Art Gallery in Liverpool; the Victoria and Albert Museum in London; the Wallace Collection in London and the National Gallery in London.
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