Brett Osborn

Empress Hilton Leading Her Troops into Russia

Brett Eric Osborn was born in Lima, Ohio in 1963. Both his father and his cousin are artists and influenced the young Osborn during his formative years. Brett recalls being a child d...

Brett Eric Osborn was born in Lima, Ohio in 1963. Both his father and his cousin are artists and influenced the young Osborn during his formative years. Brett recalls being a child during a "Friday-night-smoked-filled-room-critique" where his father and friends would meet to look at slides of contemporary artists and their work. His father worked as a painter and a designer. His father's familiar designs included the "Grey Hound Bus" logo and the "Circle K" logos. Brett studied painting, film and theater at the University of Wisconsin, Madison. He supported himself working in professional theater as a set builder, in television as an art director and after moving to Southern California in 1987, worked in Hollywood as a special effects miniature artist. Notable films include, Star Trek IV, Karate Kid...

Brett Eric Osborn was born in Lima, Ohio in 1963. Both his father and his cousin are artists and influenced the young Osborn during his formative years. Brett recalls being a child d...

Brett Eric Osborn was born in Lima, Ohio in 1963. Both his father and his cousin are artists and influenced the young Osborn during his formative years. Brett recalls being a child d...

Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...

Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...

An oil painting of figures inside The American Hotel, in Sag Harbor, on a busy Friday Night. Kelly Carmody stood outside on the front porch of the Hotel, and painted the indoor scene...

"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and...

Jim Beckner's (US based) "Dock" is an oil painting that depicts a sailboat and other boats in the distance docked and crowded together. Artist statement: Jim Beckner’s art vibrate...

Jim Beckner's (US based) "Green I" is an oil painting that depicts a dense lush forest and shrubbery with just a slice of sky peeking from behind the branches. Artist statement: J...

Jim Beckner's (US based) "Pink Bear" is an oil painting that depicts a small pink bear toy with a light blue background Artist statement: Jim Beckner’s art...

John McLeod's "Complete Thought" is an original, handmade oil painting that depicts two cardinal birds facing each other as they perch on a tree branch.