Dean Cornwell

The Great Things of Life-Travel, General Electric Advertisement, 1921

1921

Date: 1943 Medium: Oil on Canvas Dimensions: 21.00" x 28.00" Signature: Signed and Dated Lower Right This original illustration by Benton Clark was produced for an Electronic Laboratories advertisement to sell batteries for the operation of Walkie-Talkie radio equipment during World War II. Showing a tank battle...

Signature: Signed and Dated Upper Right [19]37 Story illustration for "She Never Saw the Circus" by Nancy Hale, published in Redbook magazine, December 1937, page 49. The caption re...

Medium: Oil on Canvas Dimensions: 36.00" x 48.00" Signature: Signed Lower Right Image of clowns in chariot.

Medium: Oil on Canvas Dimensions: 22.70" x 30.70" Signature: Signed Lower Right "Derry was saying good-bye to the studio." Story illustration for "Hurdy-Gurdy" by Margaret Bell Hous...

Date: 1932 Medium: Oil on Canvas Sight Size 30.00" x 22.00", Framed 38.00" x 30.00" Signature: Signed Lower Right Saturday Evening Post Cover, October 1, 1932. Exhibitions: Christi...

Date: 1932 Medium: Oil on Canvas Dimensions: 28.00" x 22.00" Signature: Signed "J.F. Kernan" Lower Right Cover illustration for Capper's Farmer magazine, July 1932

Giovanni Maria DELLE PIANE, known as IL MULINARETTO (Genoa, 1660 – Monticelli d'Ongina, 1745) Portrait of a man Oil on oval canvas H. 108 cm; L. 83 cm Proven...

Little Market (Origin Title: Mercatino) is an original Contemporary artwork realized in 1983 by the italian Contemporary artist Leo Guida (1992 - 2017). Original Oil on canvas. Tot...

The Tooth-Puller is a superb original oil painting on canvas, realized by an anonymous artist, a follower of Caravaggio, in the first half of the X...

Lying Nude with Signals 1 (Original Title: Nudo disteso con segnali 1) is an original Contemporary artwork realized in 1988 by the italian Contemporary artist Leo Guida (1992 - 2017)...

In 2001 the German art historian Art historian and Raphael Expert, Prof. Jürg Meyer zur Capellen, published the painting "Die Heilige Familie" in a monographic article, ascribing the present work to the Venetian painter Giovanni Battista Pittoni (1687 -Venice - 1767). (Newspaper "Weltkunst", October 2001, No 12, p. 1850 f. ill.) He describes it as a typical work by this artist. Pittoni was one of the most influential and successful artists of the Venetian Settecento. He was a pupil of the Veronese Master Giovanni Balestra (1666-1740). His style is influenced by Sebastiano Ricci (1659-1734) and Giambattista Tiepolo (1696-1770). Giovanni Battista Pittoni was already successful at a young age and soon lead his own workshop. He created large-scale hitoria paintings, as well as large, religious altarpieces. In addition to Venetian and Upper Italian patrons, Pittoni also had many interested parties from Europe. His work is accordingly scattered in many different museums and private collections today. Pittoni - like other painter colleagues of his time - repeated his own compositions both by hand and with the help of his workshop. He repeatedly incorporated details into other pictures and contexts. Prof. Meyer zur Capellen noted the very good condition of the present work and the high quality of the paint with fine graduations and the vivid brushstrokes. Provenance: The panting has not been on the art market for at least 300 years. In the year 2000 the work was donated by the Münster-based, Noble Family Ketteler zu Harkotten to a private collection in Westphalia. Most probably the canon Nikolaus Hermann von Ketteler zu Harkotten bought the piece in Venice in 1750 together with the altarpiece of the Clemens Church in Münster. On the reverse of the work is a fideicommissum number by Ketteler zu Harkotten. As it belonged to the family commission, the painting was inalienable until 1919, when the corresponding law was repealed, and after that time it remained in the family's possession without interruption. Pittoni's only direct relationship to Münster is the commission for the high altar painting of the Baroque St. Clemens Church. It can be assumed that then canon von Ketteler saw this painting in the artist's workshop during his stay in Venice and acquired it for himself. This would also explain the discrepancy in dating. (ca. 1735/1750). However, it is also possible that the painting originated in the possession of Ferdinand von Plettenberg...

Signed post impressionist landscape oil on canvas by French painter Henri Le Sidaner. This stunning piece depicts two fishing boats moored in a fishing village at sunset. The last l...