Edwin Howland Blashfield

Spring Scattering Stars, Nude allegory scattering stars from a crescent moon

1927

Legendary illustrator Wilson McLean depicts "Celestial Bodies" of all sorts floating in the inky black expanse of space. This is a story about a transition from a human to plant. A nude female holds a flower and she becomes the flower she holds while she floats in an inky black void framed by planets. This is a story about a transition from a human to a plant. The painting looks better in person... A Stellar Experience. During the 1970s and 1980s, McLean was a dominant force in American Illustration with his work gracing the covers... Sports Illustrated, Time, The Saturday Evening Post, Look, Playboy...

A young man at a crowded upper-class Haitian swimming pool attracts attention. We see him only from the back in a Magritte like pose. Transfixed expressions of some of the nubile bare-breasted bathing beauties and one man with his hands down his pants give us a clue that the mystery man is special. This is a fascinating work packed with drama and overflowing with pent-up emotion.
Bigaud's narrative is as complex as his figural composition of lookers and swimmers. Notice the sight lines of the lookers go back to front while the two swimmers go from left to right. The twenty-two figures are contained in the rectangular shape of the pool, which is pushed to the front of the picture plane. The cars of the pool partygoers are seen in the background with one witness. He is fully clothed and is most likely a chauffeur. The fully clothed female at the pool offering food is a servant. A boxy-looking radio with a pack of cigarettes and the style of the cars give glue to the date. Most Haitian art depicts average working people. The pool party departs from that tradition and shows life of the Haitian upper class. Most likely, this was painted in Petion-Ville. The higher the elevation in Port-au-Prince the more wealthy the homes. Although the artist's painting technique may be described as naive or lacking polish.
It's one of the reasons why the work radiates charm and interest. The painting is oversized with huge dimensions of 55 x 48 and will be a statement in any room. Wilson Bigaud is considered to be a Haitian master. The condition is good. Three repaired one-inch issues on the extreme center and upper right edge. Visible only on close inspection. Otherwise presents very well and is elegantly framed, ______________________________________ Haitian master Wilson Bigaud is renowned for works portraying everyday life and rites of passage—vodou rituals, fortune-tellers, weddings, cockfights, and carnivals—with voluminous figures and lucid colors. Born in Port-au-Prince, in 1946 Bigaud was among the first to attend DeWitt Peters’s Le Centre d’Art d’Haïti, where he studied with Hector Hyppolite...

Excellent Mid-century nude by famous illustrator/ artist Walter Charles Klett. The work is masterfully painted with a sound understanding of the basic academic principles guiding t...

Will good ultimately triumph over evil? Or is it a perpetual tug of war? WPA Artist Leonard Lopez paints a complex figural work addressing the theme of "the fight between good and e...

Jacqueline Marval was close friends with Kees van Dongen and her work is of the same school as, Matisse and Marie Laurencin. Les Odalisques is quite contemporary looking with it's main figure having joyful life and vitality to her. Some refer to her as a Fauve and some as a post-impressionist. Clearly, she is an overlooked female artist. This work is over...

Rafael Maria de Soto y Hernandez was born February 18, 1904 in Aguadilla, Puerto Rico. It's high drama in the swamp. Woman in the Swamp is a masterfully executed example of Pulp Art and showcases Rafael DeSoto's full command of academic painting. DeSoto did pulp covers up until the industry's demise in the 1950s for such magazines as Adventure, Argosy, Black Mask, Captain Zero, Crack Detective, Fantastic Novels, 15-Story Detective, Fifteen Western Tales, New Detective, Smashing Detective, and Walt Coburn's Western Magazine. He also painted many covers and interior story illustrations for men's adventure magazines, such as Action For Men, Adventure, Battle Cry, For Men Only...

‘Security’ is a large framed contemporary surrealist figurative oil on canvas painting of vertical format, created by Vietnamese artist Dinh Y Nhi in 2010. Featuring a cold palette mostly made of grey and black tones, accented with blue and beige touches, the painting depicts a frontal view of a nude figure. This piece exemplifies Y Nhi's style of paintings as her success with two-colors; red, blue or black and white, addresses modern themes and issues devoid of gender. Her figurative surrealism style of stick figures is warped and elongated, stretched out of proportion. Each figure tilts and twists at painful angles. They bring to mind the famous harrowing faces in Edward Munch's ‘The Scream’, or the difficult distorted ones from the portraits of Francis Bacon. But most of the faces Y Nhi paints are miniature ones devoid of details, deceptively random and simple brush strokes. There is a playfulness that reflects the outer images the painter projects of herself. Her style also allows her to convey complex textures, and emotions, in her images. Dinh Y Nhi is a graduate of Hanoi's School of Fine Arts. Her work has been exhibited in many shows in Vietnam. She is receiving much notice among the Vietnamese press and art patrons in the United States, Australia and Asian countries. With its powerful presence and great proportions, this surrealist oil on canvas painting will be a definite conversation piece in any home, whether placed above a sofa, console table or enfilade. Set inside a frame, the painting is titled in the lower section. 1967: Born in Hanoi, Vietnam 1989: Graduated from Hanoi Fine Art University Exhibitions: 2011: Group Exhibition Art Asia Miami, Florida, AiBo Fine Asia Art 2011: Portrait, Dinh Y Nhi & Le Thiet Cuong...

An exceptional early oil on canvas by American artist Karen Kiefer. Karen Kiefer continues to paint and teach fine art in Hawaii, the focus of her pain...

An original modern surreal oil painting by American artist Ellen Steinfeld titled, "Puppet with the Green Eyes"

"The Inventor" by Igor Samsonov is an Original Surrealist Oil painting that measures 47x54 in. Igor paintings are rich with symbolism and tell stories--some wel...

"The Bronze Emperor" by Igor Samsonov is an Original Surrealist Oil painting that measures 42x53 in. Igor paintings are rich with symbolism and tell st...

This large scale 80" x 72" oil painting by George Oswalt features a summertime theme of women and girls at the beach with a beachball and seagull in the ...