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Michael AlfordNude, Black & White -original impressionist figurative painting-contemporary art2024
2024
About the Item
"Nude, Black & White" by Michael Alford is a captivating original still life painting that delves into the interplay of light, shadow, and form in a minimalist black and white palette. Crafted with expert precision in oil on canvas, this artwork showcases Alford's mastery of the Impressionist style.
The composition features a nude woman adorned with earrings and a necklace, positioned with her legs gracefully bent and her head gently hung along the edge of the white surface on which she reclines. Delicate brushstrokes artfully capture the nuances of her form, while the background and the surface she lies on exhibit a juxtaposition of relatively wild strokes against the stark black backdrop.
The black and white color scheme heightens the dramatic contrast, emphasizing the contours of the subject against the intense darkness. Alford's choice of delicate and expressive brushwork imparts a sense of intimacy to the portrayal, inviting viewers to appreciate the subtle details that define the composition.
Michael Alford's signature graces the artwork, affirming its authenticity and readiness for display. "Nude, Black & White" is currently available for sale at Signet Contemporary Art in Chelsea and online. This exquisite piece invites art enthusiasts to explore the captivating beauty of the human form and the dynamic interplay between light and shadow in a striking monochromatic presentation.
Artist Biography:
Michael’s varied body of work reflects his interest in many types of painting. He is well known for powerful cityscapes of contemporary urban centers especially London and for landscapes that capture diverse geographies through the eyes of a passionate traveler. His paintings of figures, clothed and nude, are sought after for their combination of fine draughtsmanship, acute observation and sense of drama. A sensitive portraitist, Michael is frequently commissioned to paint individuals and groups.
Travel remains and important source of inspiration for Michael’s work. Driven by a love for plein air sketching and painting from life, Michael’s recent trips have taken him to India, East Africa, the Middle East, Europe, the Caribbean and North America. He has twice been appointed war artist to the British Military, accompanying troops to Helmand Province in 2011 and again in 2013. Michael has been awarded several prizes including the Green and Stone Oil Painting Prize, the Agnes Reeve Memorial Prize for best painting of London, and the Prima Luce Mural prize. Michael is a serving council member of the Chelsea Arts Society.
- Creator:Michael Alford (1958, British)
- Creation Year:2024
- Dimensions:Height: 17.72 in (45 cm)Width: 25.99 in (66 cm)Depth: 1.19 in (3 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU468314437102
Michael Alford
Artist Biography Michael Alford is an established British artist whose works have featured in prominent prizes and exhibitions throughout the UK, and who has twice been appointed war artist to the British Military. Inspired by extensive travel, he composes representations of diverse landscapes and intriguing figures whilst simultaneously fusing classical techniques with a sharp, modern sensibility. Alford's overall aesthetic captures sensitive intricacy and luminous clarity. After returning, he chose to study art at the Slade School and the Chelsea School of Art. Diverse Landscape
Alford's varied body of work reflects his interest in many types of painting. He is well known for powerful cityscapes of contemporary urban centres —especially London—and for landscapes that capture diverse geographies through the eyes of a passionate traveller. His paintings of figures, clothed and nude, are sought after for their combination of fine draughtsmanship, acute observation and sense of drama. Military Honours for a traveller-painter
Alford has been awarded prizes including the Green and Stone Oil Painting Prize, the Agnes Reeve Memorial Prize for best painting of London, and the Prima Luce Mural prize. Alford is a member of the Chelsea Arts Society. He has twice been appointed war artist to the British Military and was also commissioned by the military to produce artwork in Iraq in 2016.
Style and Technique
Michael is a figurative painter with an expressive classical style. He depicts scenes of contemporary life with an emphasis on urban subjects, landscapes and the human figure. His wide-ranging catalogue includes cityscapes, city scenes (captured moments in the life of the city), landscapes, beach- and seascapes, figure groups and nudes. His approach is distinguished by vigorous brushwork, skilled draftsmanship, bold handling of colour and a sensitive rendering of the interplay of shadow and light.
Artist Statement
“Painting for me is recapturing the experience of seeing, without being too literal-minded about what that experience is or means.
My work always starts with direct observation of the visible world. It can be broad and sweeping, as in landscapes or cityscapes, or very close and intimate, as in figures, nudes or interiors. I often go out looking for subjects and return to the studio with sketches or drawings. These I use as a starting point for a process that turns raw observation—impressions—into something more abstract and evocative. The process often involves cutting out visual distractions and transient effects so that the resulting image has more power. Time acts as an important filter for me and so does physical distance between the initial sketch and the painting. Both help me distil the memory and pick out the essential forms.
My overall aim is to communicate my experience of seeing, to convey—through the use of light and shadow and mood—some of the magic and mystery I feel when I look at the world.” – Michael Alford
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LAPADA - The Association of Arts & Antiques Dealers
- ShippingRetrieving quote...Ships From: London, United Kingdom
- Return PolicyA return for this item may be initiated within 14 days of delivery.
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