Items Similar to Flood / Innondation
Want more images or videos?
Request additional images or videos from the seller
1 of 7
Oli SorensonFlood / Innondation2021
2021
About the Item
Building on a series of exhibitions titled Panorama of the Anthropocene which examined the ecological impact of human activity through an array of paintings, digital prints and videos, Oli Sorenson’s Capitalocene? turns to the economic system that underlies this era. Where Anthropocene names a geological epoch defined by human activity, Capitalocene disputes the former term’s homogenization of humanity within a single category, refuting its equal attribution of responsibility for the impacts of an economic system predicated on unequal distribution of power. Capitalocene? ponders instead on a much smaller subset of humanity: the so-called 1%, whose choices and lifestyles drive anthropogenic climate change and who are nonetheless largely sheltered from its impacts. Avoiding didacticism in favour of critical engagement, Sorenson’s framing of the term as a question invites viewers to reflect on responsibility and complicity for themselves, and to find answers in their own terms.
A digital Pop aesthetic permeates the exhibition, which features works on paper and canvas, video, and online NFTs. Neon-toned graphics evoke informational and material excess in the form of abstracted cargo ships on waterways and repeating icons of automobiles, fuel containers, shopping bags, and vaccine vials. Collectively, these images suggest the immensity of global supply chains by referencing processes of mass production, transportation, distribution, consumption, and disposal. Sorenson creatively borrows from Pop and Neo-Geometric Conceptualism, making tactical use of repetition and geometric abstraction to describe the monumental scale and impact of human economic activity under capitalism. Relentlessly bright tones echo the advertising screens of consumerist visual culture: the desire to catch and hold the eye, the failed promise of infinite material prosperity..
What at first appears as a contradiction – the inclusion of NFTs (Non-Fungible Tokens) in an ecocritical exhibition – serves to open up another realm for consideration: the art world’s complicity in global capital. Conscious of the massive energy footprint of conventional NFTs, Sorenson opts to use cleanNFTs which consume an infinite fraction of energy, in comparison to those based on dominant crypto-currencies. This deliberate gesture underscores that viable alternatives are available today, in NFTs as in other economic sectors. Yet as these approaches involve less money per transaction and fewer intermediaries, Sorenson notes, ecological solutions are sidelined in the interest of profit.
Capitalocene? does not explicitly name a culprit of climate change. The exhibition does, however, convincingly illustrate how the dominant economic system of capitalism prescribes an array of human activities whose ubiquity and sustained repetition, carried out in plain sight and sanctioned by those in power, shapes life on a planetary scale to dire ends.
- Creator:Oli Sorenson
- Creation Year:2021
- Dimensions:Height: 72 in (182.88 cm)Width: 36 in (91.44 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Montreal, CA
- Reference Number:1stDibs: LU4769568562
Oli Sorenson’s remix art was first recognised in London, after taking part in numerous media art events at the Institute of Contemporary Art (2003-06), Tate Britain (2006), and the British Film Institute (2008-10). He also gradually established an international profile when performing at ZKM (Karlsruhe, 2002), ISEA (Helsinki, 2004), Mapping (Geneva, 2009) and Sonica Festivals (Ljubljana, 2012). After moving to Montreal in 2010, Sorenson redirected his work towards gallery based projects, and since exhibited at The Power Plant (Toronto, 2014), FILE (Sao Paulo, 2015), Monitoring (Kassel, 2017) and Art Mûr (Berlin, 2018). Sorenson consistently disrupts institutional expectations of the visual artist as a producer of proprietary images. His work exposes the contradictions between limited copyright and massively reproducible media but also asks timely questions about singular authorship in an age of overabundant networked content. Under such conditions, the making of a contemporary work of art involves more distributed processes than isolated generative acts from original authors. Beyond market pressures to produce new and exclusive art objects, lies a material culture of exchange and emulation embraced by networked societies. Sorenson aims to unsettle this prevalence of art created from scratch by promoting gestures of citation and appropriation. When he copies, transforms and combines existing works by established artists, such cultural materials are re-used and recycled not in spite of their propertied ties to private estates but rather by virtue of their belonging to a specific heritage, community and/or collective memory.
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1996
1stDibs seller since 2014
96 sales on 1stDibs
- ShippingRetrieving quote...Ships From: Montreal, Canada
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Et si la nuit tombaitBy Eric LamontagneLocated in Montreal, QuebecWhen creating his artworks, Éric Lamontagne begins by painting a landscape scene, often with a body of water or cliffs. He then carefully cuts, folds, rips, and slashes the canvas bo...Category
2010s Contemporary Figurative Paintings
MaterialsCanvas, Oil, Acrylic
- Paysage agricole MaskoutainBy Eric LamontagneLocated in Montreal, QuebecWhen creating his artworks, Éric Lamontagne begins by painting a landscape scene, often with a body of water or cliffs. He then carefully cuts, folds, rips, and slashes the canvas bo...Category
2010s Contemporary Figurative Paintings
MaterialsCanvas, Oil, Acrylic
- DéforestationLocated in Montreal, QuebecBuilding on a series of exhibitions titled Panorama of the Anthropocene which examined the ecological impact of human activity through an array of paintings, digital prints and video...Category
2010s Contemporary Figurative Paintings
MaterialsAcrylic, Canvas
- CréditLocated in Montreal, QuebecBuilding on a series of exhibitions titled Panorama of the Anthropocene which examined the ecological impact of human activity through an array of paintings, digital prints and video...Category
2010s Contemporary Figurative Paintings
MaterialsEnamel
- SmogLocated in Montreal, QuebecBuilding on a series of exhibitions titled Panorama of the Anthropocene which examined the ecological impact of human activity through an array of paintings, digital prints and video...Category
2010s Contemporary Figurative Paintings
MaterialsEnamel
- Sewers / ÉgoutsLocated in Montreal, QuebecBuilding on a series of exhibitions titled Panorama of the Anthropocene which examined the ecological impact of human activity through an array of paintings, digital prints and video...Category
2010s Contemporary Figurative Paintings
MaterialsEnamel
You May Also Like
- Demit Omphroy - Imbalance, Painting 2021Located in Greenwich, CT“Imbalance” is about the emotional weight one carries around with them in a relationship. Over time, that imbalance can overpower the relationship and eat away at the love. It is th...Category
2010s Contemporary Figurative Paintings
MaterialsCanvas, Paint, Cotton Canvas, Acrylic
- Joe Shannon "Three Business Men", 1972By Joe Shannon 1Located in Washington, DCAcrylic on canvas painting by Joe Shannon (b.1933). Titled "Three Business Men" signed and dated 1972. New York Times art critic Grace Glueck observed tha...Category
1970s Contemporary Figurative Paintings
MaterialsCanvas, Acrylic
- Luis Miguel Valdés ¨Tercero¨, 2017, Oil n Acrylic on Canvas, 76.8x76.8 inBy Luis Miguel ValdesLocated in Miami, FLLuis Miguel Valdes (Cuba, 1949) 'Tercero', 2017 oil and acrylic on canvas, 76.8 x 76.8 in. (195 x 195 cm.) ID: VAL-314 UnframedCategory
2010s Contemporary Figurative Paintings
MaterialsCanvas, Paint, Oil, Acrylic
- The WatchersBy Travis WalkerLocated in Denver, COFor the last 10 years Travis Walker has made landscape paintings about Jackson Hole, a place that never ceases to inspire him to pick up his brushes. He works on location, capturing the essence of the seemingly mundane scenes around town: an old salon, a decaying house with a fence made of skis, a vintage trailer park. His work is influenced by the work of American regionalists Edward Hopper and Grant Wood, Japanese printmaking, and German Expressionism. Travis Walker is the founder and director of Teton Artlab, a nonprofit arts organization that provides studio space for artists. He was born in 1976 in Tokyo, Japan, and earned his BFA in Painting and Printmaking in 2000 from Virginia Commonwealth University. Recent group exhibitions include the 2012 Western Visions Show and Sale and the 2013 and 2012 Takin' It to the Streets Art Fair, among many others. Solo exhibitions include "American Dreams" in 2012 at Cowboy Coffee...Category
2010s Contemporary Figurative Paintings
MaterialsCanvas, Acrylic
- L.A. Nights (The Terminator)By Travis WalkerLocated in Denver, COThis is an original framed painting on canvas. For the last 10 years Travis Walker has made landscape paintings about Jackson Hole, a place that never ceases to inspire him to pick up his brushes. He works on location, capturing the essence of the seemingly mundane scenes around town: an old salon, a decaying house with a fence made of skis, a vintage trailer...Category
2010s Contemporary Paintings
MaterialsCanvas, Acrylic
- L'Incroyable Coeur D'Amour - Impasto Thick Paint Original Silver Heart ArtworkBy Cynthia Coulombe BéginLocated in Los Angeles, CACoulombe-Bégin's dynamic acrylic on canvas works seek to produce a metamorphic interpretation of the artist's inner identity. Her paintings make ample use of contrasting colors to create exuberance and energy in her images. Inspired by street art, Coulombe Bégin 's paintings range from the abstract to the surreal and employ a variety of techniques and materials. Her contemporary artworks draw inspiration from body image, the universally recognizable symbol of hearts, and the experience of humankind. She brings a sensitivity to her work that stems from her exploration of identity and the joy and happiness of existence. Coulombe-Bégin draws us into her internal world: exploring the soul and matter, conscience, and the modern universe. This original painting depicting a textured heart on a silver background measures 36 inches square. The thickly textured heart is applied with tactile brushwork. It is wired and ready to hang. The sides of this artwork are painted black and it does not require framing. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping available. A certificate of authenticity issued by the art gallery is included. Coulombe-Bégin’s work portrays from colorful hearts to specific parts of the human body, especially large close-up portrayals of the mouth and eyes, which are depicted with great contrasts of color and chiaroscuro. These symbols are constructed with specific gestures and drippings in which Coulombe-Bégin expresses an abstract universe full of movement, symbolism, and eroticism. Born in Miami, Coulombe-Bégin grew up in Quebec City where she earned a Bachelor of Visual Arts in 2006 from Laval University. Starting very young, her parents focused a great deal on both the arts and athletics which helped her develop her own mode of expression. “I am particularly interested in the fragmented corporal shell, which I emphasize through spontaneous movement and vivid colors.” stated Coulombe-Bégin. “My experience with painting has led me to see things differently, to self-discovery and to great astonishment." Coulombe-Bégin's works have been exhibited and collected worldwide, including Canada, the United States, Europe, South America, and Australia. REPRESENTATION Artspace Warehouse, Los Angeles SOLO EXHIBITIONS 2023 Inspire moi, Galerie Iris, Baie-St-Paul 2021 Le Corps à Coeur, Galerie Corno X Beauchamp, Montréal 2019 Rêve moi, Centre Boréart, Granby, QC Feel Moi, Galerie Iris, Baie-St-Paul, QC 2017 Wildest Dreams, La nuit des Galeries, Québec Salon d’habitation d’automne, Qébec 2016 Salon d’habitation d’automne, Québec 2015 Polyphonie, Palais Montcalm, Québec 2012 Le feu à la bouche...Category
21st Century and Contemporary Contemporary Figurative Paintings
MaterialsCanvas, Acrylic