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Set of four very large 18th century Italian Rococo paintings of the Four Seasons

18th Century

Large Italian genre painting of 'The Little Model' by Francesco Beda Italian, 1840-1900 Frame: height 111cm, width 168cm, depth 7cm Canvas: height 96cm, ...

The Triumph of Bacchus, a large oil painting by Ferdinand Leeke Oil-on-canvas, German, 1918 Frame: height 175cm, width 227cm, depth 10cm Canvas: height...

‘Petrarch’s First Sight of Laura’ early 19th century oil painting by Henry Nelson O’Neil British, c. 1840 Canvas: Height 129cm, width 176cm Frame: Height 165cm, width 207cm, depth 12cm Painted by a renowned Victorian artist, Henry Nelson O’Neil (British, 1817-1880) around 1840, this very fine oil on canvas depicts the first meeting of Petrarch and Laura in a Church in Avignon in 1327. Petrarch (1304-1374) was an Italian Early Renaissance...

Measuring nearly two metres in height, this fantastic large painting will be an excellent addition to a large, grand interior space. It is the work of the Italian painter Angelo Urba...

Italian oil on canvas painting of a lacemaker by Paoletti Italian, late 19th Century Frame: Height 119cm, width 93cm, depth 5cm Canvas: Height 101cm, width 76cm This beautiful paint...

Orientalist oil painting of Bedouins in a desert by Alphons Leopold Mielich Austrian, c.1900 Canvas: Height 68cm, width 111cm Frame: Height 79cm, width 121cm, depth 4cm Painted by t...

Circle of Jean Honore Fragonard (French 1732–1806) An Exceptional Painting of Three Putti and Fire, circa 1795. Masterfully painted in the late ...

"Elegants on the Lake" French School, circa 1900 oil painting on canvas, framed painting: 89cm x 98cm framed: 101cm x 111cm Wonderfully decorative large French oil painting from th...

French School, Portrait of a Young Lady, perhaps an actress Oval Louis XIV sculpted and gilded frame French Art, Roccoco Art The oval portrait of a young woman measures 61 by 50,5 cm canvas sight size and its 18th century oak carved and gilded frame...

French School 18th Century Pastoral Scenes Oil on canvas A delightful pair of 18th-century pastoral scenes, this charming set of oil paintings depicts two quintessential tableaus ...

Portrait of a French Gentleman French School, indistinctly signed dated 1824 inscribed verso oil on canvas, unframed painting: 22 x 19 inches provenance: private collection, France c...

A voluptuous woman lies prone on a divan, bearing her backside and turning her head flirtatiously to the viewer, though averting her eyes slightly, as if to maintain a coy demeanor. Surrounded by lush fabrics of deep blues, the creamy tones of her skin and dressing gown are thrown in sharp contrast, making the figure glow luminously. The whole painting is ordered by folds - of flesh, of fabric, of cushions, of the rug - inviting the viewer's eye to look closely across the topography of the canvas. One of Boucher's cabinet paintings (that is, paintings made for private collectors rather than official exhibition at the Salon), the open eroticism of this work invites a voyeuristic gaze. Although it was created for a private audience, it was later displayed at the Salon of 1767, where the critic Denis Diderot found it shocking and lascivious. Nonetheless, Boucher would later paint another iteration of this reclining pose, this time using Marie-Louise O'Murphy, a favorite mistress of King Louis XV, as his model, suggesting that the provocative composition was a stock figure for Boucher's private commissions. "The Brunette Odalisque" (French: L'Odalisque or l'Odalisque brune) is a painting of c. 1745 by François Boucher, now in the Louvre in Paris. He later produced two other works in the odalisque genre, both known as "The Blonde Odalisque". The present painting is another version of Bouchers painting which differs in minor details. The quality of the paint is very fine and the whole technique and style allows a dating to c. 1750. As Boucher's Painting was very famous there were several copies and versions which were made by his studio. The present painting can be attributed to the close circle of Boucher. The Painting is framed in a golden frame which was built in the Rococo style in c. 1990. Both the title of Boucher's painting and the objects found in the interior fix the subject as an odalisque, a concubine within the harem of the Ottoman sultan. The sumptuous textiles and exotic, decorative objects suggest early traces of Orientalism, although the figure appears European. Odalisque paintings...