Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 15

Christ Jesus Lama Religious Paint Oil on canvas 17/18 th Century Old master

1690-1740

About the Item

Giovan Battista Lama (Naples, 1673 - 1748) workshop Exaltation of the Holy Cross with the Symbols of the Passion oil on canvas 84 x 135 cm. - with frame 98 x 148 cm. The proposed painting is the work of a Neapolitan painter active at the beginning of the 18th century, although the composition betrays the influence of the Roman classicism prevailing at the end of the 17th century, discernible in the serene and casual atmosphere. This is a very interesting subject, namely the Exaltation of the Cross, a particular feast in Christian theology, commemorating the crucifixion of Jesus with the particular aim of emphasising the centrality of the mystery of the cross. We see precisely Jesus, bowed in prayer in the company of an angel, while a host of angels above hold the most relevant symbols of his Passion (in Latin, arma Christi), namely the objects that were used for the crucifixion. These include, of course, the cross held by the major angel, and then the nails (three or four), the crown of thorns the lance with which Jesus was pierced, Veronica's veil (the linen cloth that St Veronica used to wipe Jesus' face during the ascent to Calvary, on which Christ's face was imprinted), the scourge, the sorghum whip, the marble column where Jesus was scourged. It is interesting to note that on the right-hand side of Christ himself, the author has placed the figure of St. John, the most beloved disciple who played an important role in the end of his prophet's life, thus at the moment of Christ's Passion, death and glorification. The work can be ascribed, in particular, to the workshop of the Neapolitan Giovan Battista Lama (Naples, 1673 - 1748), whose initial training in painting was with Luca Giordano, and who later became more and more directly acquainted with the manner of Paolo de Matteis, so much so that in the past, a number of works have been attributed to the latter, which are now definitely attributed to Lama, given the similarities, both stylistic and compositional, between the two rather marked. The two painters also had a kinship link (our painter having married Nunzia Perrone, De Matteis' sister-in-law), which led them to a lasting stylistic proximity. Lama's skill, which brought him great success, was therefore that of being able to absorb Solimena's solemnity, the classical matrix of Roman Marattismo and mould his youthful background linked to De Matteis and Luca Giordano. ADDITIONAL INFORMATION: The painting is sold complete with a pleasing lacquered frame and is accompanied by a certificate of authenticity and descriptive iconographic card. We take care of and organise the transport of the purchased works, both for Italy and abroad, through professional and insured carriers. Should you have the desire to see this or other works in person, we will be happy to welcome you to our new gallery in Riva del Garda, Viale Giuseppe Canella 18. We are waiting for you! Contact us for any information or to arrange a visit, we will be happy to answer you.
  • Creation Year:
    1690-1740
  • Dimensions:
    Height: 38.59 in (98 cm)Width: 58.27 in (148 cm)
  • Medium:
  • Movement & Style:
  • Circle Of:
    Giovan Battista Lama (naples, 1673 - 1748)
  • Period:
  • Condition:
  • Gallery Location:
    Riva del Garda, IT
  • Reference Number:
    1stDibs: LU988114162612
More From This SellerView All
You May Also Like
  • Arthur Joseph Meadows 19th Century Seascape Off Calais
    By Arthur Joseph Meadows
    Located in York, GB
    A very fine painting by the renowned seascape painter Arthur Joseph Meadows,Off Calais; fishing fleet returning at low tide. Housed in an antique style gilt frame the size overall is...
    Category

    19th Century Old Masters Landscape Paintings

    Materials

    Oil

  • Forest landscape
    Located in Genève, GE
    Work on paper mounted on cardboard
    Category

    1880s Old Masters Landscape Paintings

    Materials

    Oil

  • A dark bay racehorse held by his trainer at Newmarket Heath
    Located in Stoke, Hampshire
    Benjamin Killingbeck (act. 1769-1783) A dark bay racehorse held by his trainer on a racecourse Oil on canvas Canvas Size - 40 x 50 in Framed Size ...
    Category

    18th Century Old Masters Animal Paintings

    Materials

    Oil

  • Moses and the Pillar of Cloud by Lucas Cranach the Elder and Studio
    By Lucas Cranach the Elder
    Located in New Orleans, LA
    Lucas Cranach the Elder and Studio 1472-1553 German Moses and the Pillar of Cloud Oil on panel Moses and the Pillar of Cloud is a bold and evocative composition that showcases the signature intense color and intricate detail of Lucas Cranach the Elder’s celebrated oeuvre. The remarkable 16th-century oil on panel by Lucas Cranach and his studio captures the narrative moment when Moses leads the Israelites out of Egypt and encounters God manifested through a large pillar of cloud. Moses stands at the precipice of a bridge and turns back to soldiers helping to lead the group of Israelites who huddle closely together. Cranach depicts Moses with his traditional iconography, rendering the rays of light on his head which came to be interpreted as "horns" in the translation of the Bible. Using his traditional walking staff, Moses gestures toward the pillar, seemingly acknowledging that God will protect the group as they cross the bridge to the other side, leaving exile and entering a promised land. In a nod to Cranach’s Germanic locale, he renders the figures and setting in a manner that feels decisively more akin to European aesthetics than those of the Red Sea. Soldiers wear elaborate, gothic suits of armor that recall the livery of Northern European guardsmen. The terrain appears more like a European forest giving way to a sweeping valley than the arid landscape the Israelites trekked through on their journey across the Red Sea. Though still clearly recounting a story from the Old Testament, Cranach renders the cast of characters and setting in an earthly, familiar manner. This aesthetic shift speaks to Cranach’s own changing beliefs as he found himself at the center of the Protestant Reformation. After first gaining recognition in 1505 as the official painter of Frederick the Wise, Cranach established a thriving painting and print studio in Wittenberg, Germany. Cranach was renowned for his court portraits and genre paintings and was also well known for his association with the famous protestant reformer Martin Luther, then under the protection of Frederick the Wise. As Wittenberg became a bastion of new religious thought, Cranach soon befriended Luther and played an active role in creating the printed materials that proliferated throughout the Reformation...
    Category

    16th Century Old Masters Figurative Paintings

    Materials

    Oil, Panel

  • The Adoration of the Magi by Joseph van Bredael
    Located in New Orleans, LA
    Joseph van Bredael 1688-1739 Flemish The Adoration of the Magi Oil on copper Painted on copper and exhibiting an exquisite luminosity, this exceptional painting...
    Category

    Late 17th Century Old Masters Figurative Paintings

    Materials

    Copper

  • Fine 18th Century Dutch Old Master Oil Painting Cattle & Sheep Ancient Ruins
    Located in Cirencester, Gloucestershire
    Pastoral Landscape Dutch Old Master, 18th century oil on canvas, unframed canvas: 12 x 10 inches provenance: private collection, UK condition: good a...
    Category

    18th Century Old Masters Animal Paintings

    Materials

    Oil

Recently Viewed

View All