Claude-Joseph Vernet

Claude-Joseph Vernet 18th century Old Master landscape, grand tour Italy

Jenny Franklin (South African / British, b.1949) Antipodean land: Reflection Executed in 1993 Signed, inscribed and dated on the reverse Oil on canvas 48 x 42 in. (107 x 122 cm.) Ex...

Hugh Cronyn (British, 1905 – 1996) Harvest on the Causse Oil on canvas Signed with initial ‘H.C’ (lower right) 24 x 40.1/4 in. (61 x 102 cm.) Hugh Cronyn, of French-Canadian parentage, was born in Vancouver, Canada, in 1905. It was not until he started attending evening classes in drawing, whilst working for the Anglo-American Tea Company in Toronto between 1923 and 1928, that he received any kind of training. It was this which led him to become a student of Franz Johnston...

Francois Charles Baude (French, 1880-1953) 'Ligurian Peasants Crossing A Bridge’ Signed And Dated ‘Francois C. Baude 1934’ (Lower Right) And Inscribed ‘En Ligurie.’ (On The Reverse) ...

William Holt Yates Titcomb (British, 1858 – 1930) Gulls at St. Ives bay Oil on canvas Signed ‘W. H. Y. TITCOMB’ (lower right) 34 x 44 in. (86.3 x 111.8 cm.) Frame measurements: 110.3 x 136 cm.) William Holt Yates Titcomb (1858 - 1930) was an English artist. He was a figurative oil painter, particularly known for his depictions of the Cornish fisherfolk. Titcomb was born in Cambridge, the eighth child and first son of the Rev. Jonathan Holt Titcomb and his wife Sarah. He was educated at Westminster School in London and began his art training at the South Kensington School. His father was appointed the first Bishop of Rangoon, Burma in 1877 and Titcomb joined him there in December 1880. In Burma he made a series of paintings and sketches of life in the local monasteries. Titcomb was taught in Paris by Gustave Boulanger and at the Royal College of Art in Antwerp by Charles Verlat. He married Jessie Ada Morison, in 1892. She was also an artist, living at the time in St. Ives, Cornwall. His painting Primitive Methodists at Prayer, was displayed at the Dudley Museum and Art Gallery in 1889. It won many international medals and was the first of three paintings that Titcomb completed of the Primitive Methodist congregation of Fore street, St. Ives. In 1909, Titcomb settled in Bristol, where he was already an elected Academician of the Bristol Academy...

This is a very interesting folk art piece from the early 20th Century. Pierre Dange (French, circa 1908) Ville de Bleneau, a small village of Yonne, in the heart of the Puisaye oil ...

A large and very attractive landscape painting of The old Bridge at Albi in summertime France. The pinks of the French architecture are perfectly set o...

Giustino Menescardi (Milan, c. 1720 - Venice, after 1779) Ascent of Calvary Oil on canvas, cm. 47 x 36 - with frame cm. 57x43 Shaped and gilded wooden cassetta frame Publications: Bozzetti, modelletti, sketches: dalla collezione di Giorgio Baratti...

Simone Cantarini (Pesaro 1612 - Verona 1648) Adoration of the Magi Oil on paper applied to canvas, cm. 16,5 x 24 – with frame cm. 22 x 29 Antique sh...

Regatta in the gulf - John Stevens Italia 2006 - Oil on canvas cm.40x80. Using thin washes of oil paint, John Stevens slowly builds up his highly detailed paintings of scenes of nava...

Cristofano Roncalli (Pomarance 1552 - Rome 1626) Saint Catherine of Siena chooses the crown of thorns oil on wood, cm. 101,5x59.5 - with frame cm. 120x76 Shaped, carved and sculpted wooden cassetta frame, partly gilded and partly ebonized wood Expertise: Marco Ciampolini The marvellous scene that opens before our eyes is that of Christ's apparition to Saint Catherine of Siena; she must choose between a golden crown, the symbol of earthly royalty, and a crown of thorns, the symbol of virtuous Christian sacrifice. Catherine does not hesitate to choose the crown of thorns, her life in imitation of...

Francis Sartorius British, (1734-1804) Bay Hunter & Groom Oil on canvas, signed Image size: 24.25 inches x 29.25 inches Size including frame: 32 inches x 37 inches A wonderful spor...

Artist/ School: Italian School, 17th century. Title: A King and Queen before court figures, amidst a classical landscape with Roman columns. Medium: oil painting on canvas, framed ...