Edward Charles WilliamsThe Woodman's Family in a Landscape - British 1869 Victorian art oil painting1869
1869
About the Item
- Creator:Edward Charles Williams (1807 - 1881, English)
- Creation Year:1869
- Dimensions:Height: 48 in (121.92 cm)Width: 44 in (111.76 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU853113398672
Edward Charles Williams
Edward Charles Williams was an English landscape painter during the Victorian Era and a member of the Williams family of painters. He was the eldest son of the painter Edward Williams (1781–1855) and Ann Hildebrandt (1780–1851), and a member of the Williams family of painters, who were related to such famous artists as James Ward RA and George Morland. His artist family is sometimes referred to as the Barnes School. His father and five surviving brothers were all noted landscape painters during the Victorian era. Three of the sons of Edward Williams changed their last names to protect the identity of their art. Edward Williams (father) Henry John Boddington, George Augustus Williams, Arthur Gilbert, Sidney Richard Percy and Alfred Walter Williams. His father taught him how to paint, otherwise, he received no formal instruction. He adopted much of his father's style and technique, and like the other painters of his family, he devoted himself to landscapes, producing rich and tranquil views of Barnes, Cumberland, Kent, Surrey and the Thames. His paintings are now highly sought after. Williams married his first wife Mary Ann Challenger on December 11th, 1839 in Westminster. Mary Ann died in 1857 in London, and his only child Alice Williams was born shortly afterward to Sarah Susannah Horley, who had been Mary Ann's nurse. He largely stopped painting after the death of his second wife in 1859, adding value to the small number of paintings that he did produce from 1859 onwards – Springer in the Bracken, The Lap Dog, The Ploughman's walk home, The Ducks at Tilbury and Primrose at St Mary's (Primrose was the Verger's Cat). Some suggest that he suffered a breakdown after his second wife's death, given his choice of subjects in these later years. The location of three of these post-1859 works is unknown, and they are assumed lost during the two world wars. He signed some of his work as E Williams, which leads to confusion with his father, who painted in a similar style, and at times he signed as C Williams to purposely avoid such confusion. Because many of the paintings of both father and son are unsigned, it can be difficult to correctly attribute their work. Williams also collaborated on several paintings with William Shayer, where he would paint the landscape, and Shayer would add in figures and animals; his Near Wantage, Berkshire is a good example. He died on July 25th, 1881 at the Shepherds Bush in London and is buried with Sarah Horley and their daughter Alice in Hammersmith Old Cemetery, close to other family graves.
- ShippingRetrieving quote...Ships From: London, United Kingdom
- Return PolicyA return for this item may be initiated within 14 days of delivery.
- Coastal Landscape - British Victorian art marine oil painting France boatsBy Thomas Eyre MacklinLocated in London, GBThis lovely British Victorian coastal oil painting is by noted artist Thomas Eyre Macklin. It was painted in 1882 and the location is France. The composition is fisherman in the foreground around upturned boats on grass. A couple of ladies are sat on the grass over looking the sea, one with a sun umbrella. Beyond is the sea or harbour with buildings, including one with a French flag, on the land across the water and the cliffs of the headland. The detail and brushwork are superb as are the vibrant greens of the grass and red roofs. This is a lovely 19th century figurative coastal landscape and an excellent example of Macklin's work. Signed Thomas Eyre Macklin and dated (18)82 lower left. Provenance. Sussex collection. Condition. Oil on canvas. Image size 21 inches by 11 inches. In good condition. Housed in a gilt gallery frame which compliments the picture, 25 inches by 15 inches framed and In good condition. Thomas Eyre Macklin RBA (1863-1943) was a British painter in oils and watercolour, illustrator, sculptor and designer of monuments, who signed his works T. Eyre Macklin or T.E. Macklin. After a promising career at various art schools, including the Royal Academy, in the late 19th century Macklin produced Romantic black-and-white illustrations for books, numerous landscapes, figurative paintings and civic portraits, all of which came to the attention of local newspapers in his native Newcastle upon Tyne. In the 20th century he concentrated on Art Deco monuments and other sculpture, his best-known works being the South African War Memorial in Newcastle, the Bangor Memorial, County Down, and the Land Wars Memorial at Auckland, New Zealand. According to Macklin, his ancestors were from County Donegal. He was the son of John Eyre Macklin, a soldier, journalist and landscape painter; both were Newcastle-born. Macklin married writer Alice Martha Alys Philpott and they had one child, but she later petitioned for divorce on the grounds of infidelity. He had bouts of illness during later life and died in Devon in 1943. Encouraged by his father, Macklin showed a remarkable aptitude for drawing from childhood, and devoted himself to art from the age of ten, being one of W. Cosens Way's students at the Newcastle School of Art, where he was one of the most successful pupils ... On one occasion he carried off the four head prizes of the year. Macklin was selling his pictures by the age of thirtee. In 1884 he moved from Newcastle to London to sketch antiques at the British Museum, and trained at Calderon's Art School until c.1887. After that, he studied at John Dawson Watson...Category
19th Century Victorian Landscape Paintings
MaterialsOil
- Glen Cloy Arran - Scottish Victorian art Landscape oil painting man and dogBy John MacwhirterLocated in London, GBThis superb Victorian Scottish landscape oil painting is by noted landscape artist John MacWhirter. Painted circa 1880 the location is Glen Cloy, Arran, a very popular walking and holidaying destination along with the Fairy Glen. The composition is a stream in the foreground with a man and his dog approaching. Either side of them are rolling hills giving way to cloud enveloped mountains in the background. The palette of greens and brown of the flora and fauna is so rich and varied. An excellent example of Scottish Victorian art and of MacWhirter's work. Signed lower right. Provenance. Sotheby's 26.8.86 lot 694. Condition. Oil on canvas, 38 inches by 24 inches unframed, in good condition. Frame. Housed in a gilt swept frame, 50 inches by 37 inches in good condition. John MacWhirter RA (27 March 1839 in Slateford, Edinburgh - 28 January 1911 in London) was a Scottish landscape painter. John was the third of four children. One of his elder sisters, Agnes MacWhirter was also a noted artist of still lifes. He attended a school in Colinton, and after his father's death was apprenticed to Oliver & Boyd, booksellers in Edinburgh. He stayed there for only a few months and then in 1851 enrolled at the Trustees Academy under Robert Scott Lauder and John Ballantyne (1815–97). He spent long periods sketching and studying nature outdoors. His first painting to be exhibited at the Royal Scottish Academy at age 14, was 'Old Cottage at Braid'. In 1880, he was made an Honorary Member of the Royal Scottish Academy. Exploring and painting abroad he visited Italy, Sicily, Switzerland, Austria, Turkey, Norway and the U.S.A. - the Alps being a great inspiration. Of a drawing of wildflowers, Ruskin wrote i have never seen anything like it. Some of these sketches were later purchased by Ruskin and bequeathed to the Ashmolean, Oxford. He moved to London in 1867 and on 4 May 1893 was elected a Royal Academician. MacWhirter specialised in romantic landscapes with a great fondness for trees, spending much time in the hilly countryside of Perthshire. Initially, under the influence of John Everett Millais, he experimented with the detailed images of the Pre-Raphaelites, but later adopted a more sweeping style. His friendship with William McTaggart shows in his freedom of brush. With John Pettie...Category
1880s Victorian Landscape Paintings
MaterialsOil
- Travellers and Carriage in Landscape Dutch 17th century Golden Age oil paintingLocated in London, GBThis superb Dutch Old Master Golden Age oil painting is attributed to Pieter Bodding van Laer. Painted circa 1635 the composition is a group of travellers who have stopped to rest. I...Category
17th Century Old Masters Landscape Paintings
MaterialsOil
- Amsterdam Harbour Scene with Figures Dutch 17th Century art marine oil paintingLocated in London, GBThis superb Dutch 17th century Golden Age Old Master cityscape oil painting of Amsterdam is by noted artist Jacobus Storck. Painted circa 1670, ...Category
17th Century Old Masters Landscape Paintings
MaterialsOil
- Travellers near Ruins in a Landscape - Dutch Old Master art figural oil paintingBy Pieter WouwermanLocated in London, GBThis lovely Dutch Old Master oil painting is attributed to artist Pieter Wouwerman. Painted circa 1660 it is figurative landscape with horseback travellers and their dogs in the foreground approaching ruins on their left. Beyond is a river snakes through the landscape, beneath the fading light of approaching dusk. There are some superb details making this an excellent Dutch Golden Age oil painting...Category
Mid-17th Century Old Masters Landscape Paintings
MaterialsOil
- Summer Afternoon Firth of Clyde - British exh figurative seascape oil paintingLocated in London, GBThis lovely Scottish exhibited seascape oil painting is by noted Scottish artist Patrick Downie. It was painted in 1914 and exhibited at the Glasgow Institute of Fine art that year e...Category
1910s Impressionist Landscape Paintings
MaterialsOil
- 19th century Fall English landscape with figures on a path in the highlandsBy Benjamin Williams LeaderLocated in Woodbury, CTWonderful Autumn/Fall landscape by one of Englands finest landscape painters. Born as Benjamin Williams, the artist added the surname Leader (his Father’s middle name) to distingui...Category
1880s Victorian Landscape Paintings
MaterialsCanvas, Oil
- 19th century English marine Sailing scene of Dutch fishing boats by a harborBy Henry King TaylorLocated in Woodbury, CTHenry King Taylor was a marine and coastal scene painter who lived in London. He exhibited at the Royal Academy from 1859 to 1864 with titles includi...Category
1850s Victorian Landscape Paintings
MaterialsCanvas, Oil
- Arrest of Louis XVI & Marie Antoinette at Varennes - 19th Century Oil PaintingBy Robert Alexander HillingfordLocated in Gerrards Cross, GB‘The Arrest of Louis XVI and Marie Antoinette at Varennes’ by Robert Alexander Hillingford (1828-1904). The painting – which depicts the King and Queen of France’s failed attempt to...Category
Late 19th Century Victorian Figurative Paintings
MaterialsOil
- A Day in the County - Large 19th Century Royal Academy Landscape Oil PaintingLocated in Gerrards Cross, GB‘A Day in the Country’ by William Frederick Witherington R.A. (1785-1865). The painting – which depicts a group of Victorian figures on a summer’s day before an extensive landscape ...Category
1850s Victorian Landscape Paintings
MaterialsOil
- Antique Scottish Highland Landscape Oil Painting Figures Walking Sunset GlenLocated in Cirencester, GloucestershireThe Highland Glen by F. E. Jamieson (British 1895-1950) signed with pseudonym oil painting on canvas, framed framed: 25.5 x 35 inches canvas : 20 x 30 inches provenance: private coll...Category
Early 20th Century Victorian Landscape Paintings
MaterialsCanvas, Oil
- 19th century English landscape with trees, a Harvest Field during SummertimeLocated in Woodbury, CT19th century English landscape with trees, a Harvest Field during Summertime. A wonderful classic English landscape dating from the middle of the 19th century. This style of paintin...Category
1860s Victorian Landscape Paintings
MaterialsOil, Wood Panel