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Emile Albert GruppeEmile Albert Gruppe Hauling The Nets1960
1960
About the Item
Emile Albert Gruppe (American, 1896-1978) Post Impressionist
Titled Verso: “Hauling The Nets”
Oil on canvas
Canvas: 25 x 30 inches (63.5 x 76.2 cm)
Framed Dimensions 31 X 36 Inches
Signed lower right: Emile A. Gruppe
Condition: Excellent. Original canvas. Under UV exam, there does not appear to be inpaint.
Emile Albert Grippe’s vivid Post-Impressionist-style paintings capture pastoral landscapes and harbors of the American northeast. Though his landscapes span seasons, Gruppe had an eye and affinity for the colder ones, focusing on New England’s colorful autumns and harsh winters. First Snow Vermont, a bright, wintry landscape depicting barren trees in a snowy forest, sold for $31,250 at auction in 2014. Born in Rochester, New York, Gruppe learned to paint from his father, the artist and art dealer Charles P. Gruppe, while living in the Netherlands as a child. He returned to the U.S. at the onset of World War I but continued his studies at the Art Students League of New York and the Académie de la Grande Chaumière after the war. Gruppe eventually settled in Gloucester, Massachusetts, where he lived and worked until his death in 1978. He was a central figure among the Cape Ann School of painting, and he founded the Gloucester School of Painting, which ran until 1970. His work is in the collection of the Cape Ann Museum.
- Creator:Emile Albert Gruppe (1896-1978, American)
- Creation Year:1960
- Dimensions:Height: 31 in (78.74 cm)Width: 36 in (91.44 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Dallas, TX
- Reference Number:1stDibs: LU2724214288552
Emile Albert Gruppe
Emile Gruppe was an unusually prolific artist. He was at his easel almost every day and created thousands of paintings over a career that lasted 60 years. At his peak, he was completing almost 200 oil paintings a year. Yet he has never failed to find an audience for his depictions of seasonal New England or harbor scenes of Rockport and Gloucester. Gruppe was born in 1896 in Rochester, New York to an artistic family. Emile spent his youth in a fishing village in Holland, where his father, Charles Gruppe, worked as both an artist and an art dealer. Emile lived in the Netherlands until he was 17, when the family returned permanently to the United States to avoid World War I. In New York City, Gruppe attended classes at the National Academy of Design and at the Art Students League, where he studied under Charles Chapman and George Bridgman. He also studied with John Carlson in Woodstock, New York, where he gained an appreciation for outdoor painting. Carlson “turned me into a painter,” he later said. Gruppe helped found the Rockport Art Association in 1921, but he is most closely linked to Gloucester where he lived from about 1940 until his death. He operated the Gloucester School of Painting from the 1940s into the 1970s and helped turn the Rocky Neck area of East Gloucester into a world-famous art colony. The school boasted an impressive faculty but Gruppe’s own exuberant plein-air demonstrations were often the highlight of the week. Gloucester, with its fleet of whimsically painted fishing vessels, crowded wharf buildings and shacks, and picturesque inhabitants, never ceased to fascinate Gruppe. He also helped popularize Rockport’s famous fishing shack known as Motif #1, sometimes called “the most often-painted building in America.” By the 1940s, Gruppe was one of the most prominent of the Cape Ann artists, a group that included Frederick Mulhaupt, Anthony Thieme, Theresa Bernstein, Marguerite Pierson, William Lester Stevens, and Aldro Thompson Hibbard. The painters of this ‘Cape Ann School’ were some of the first U.S. artists to employ plein air painting techniques. Gruppe’s style, which tended toward Tonalism early in his career, mutated into a bold impressionism in the 1940s and 1950s. Gruppe occasionally traveled to Jeffersonville, VT where he loved to paint the picturesque country roads, farms, and forests, sometimes with distinctive white birch trees. Later in life, he wintered in Florida where he painted some tropical scenes. Though Gruppe suffered a stroke in the early 1970s, he continued to paint until his death in 1978. On the morning he died, the 82-year-old artist had stretched a canvas in preparation for a day of painting. Gruppe’s portrayals of the archetypal the houses, harbors, and rural landscape of New England have never gone out of style. His expressive impressionistic paintings continue to appeal to twenty-first-century sensibilities of a seemingly eternal New England, barely touched by modernity.
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