Items Similar to "Locomotive Train in Snowstorm, " Guy Wiggins, American Impressionist, Winter
Want more images or videos?
Request additional images or videos from the seller
1 of 8
Guy Wiggins"Locomotive Train in Snowstorm, " Guy Wiggins, American Impressionist, Winter1957
1957
About the Item
Guy C. Wiggins (1883 - 1962)
Locomotive Train in Snowstorm, 1957
Oil on paperboard
8 x 10 inches
Signed lower left; signed and dated on the reverse
Guy Carleton Wiggins is best known for his impressionistic snow scenes of New York in 1920's. Wiggins lived in Old Lyme and Essex where he operated an art school. The Connecticut country-side was conducive to his impressionist technique of plein-air painting and broken brushwork.
Ironically, although his work includes many fine Connecticut landscapes, he is best remembered for some snow scenes of New York City. Like many other American Impressionists, Wiggins had one foot in the city and the other in the country (Vermont Hillside, South Londonderry).
Wiggins was born in Brooklyn, New York, went to England with his family as a boy, received an English grammar school education, and traveled widely abroad. He was the son of a prominent artist, Carleton Wiggins, a painter in the Barbizon style who studied with George Inness and admired Anton Mauve and Dwight Tryon. The father and his family had been early and regular visitors to the Old Lyme Colony, and the elder artist had settled in Lyme permanently by 1915, where he was active in the Lyme Art Association and in the social life of the colony.
The son, by contrast, became strongly attracted to Impressionism and stayed with it long after it was considered outmoded. Eventually in 1920, he and his family also settled in Lyme. Some twenty years later he relocated in Essex.
His art talent had manifested itself early and stunningly. He had been only eight years old when New York critics publicly praised some watercolors done in France and Holland. Soon his interest in art exceeded that in architecture, and he studied at the National Academy of Design, first under William Merritt Chase and later under Robert Henri. Wiggins quickly won recognition. By the time he was twenty he had a work in the permanent collection of the Metropolitan Museum of Art. He was elected to full membership in the National Academy of Design in 1919. Awards came steadily, such as the prestigious Norman Wait Harris Bronze Medal from the Art Institute of Chicago in 1917.
Wiggins was especially busy in the years before World War I, working on commissions from New York patrons for scenes painted "on location (Morning, Gloucester) " in England, but he found time to be at Old Lyme and exhibit there, and he became involved as well with the Connecticut Academy of Fine Arts, established in 1910.
By 1920 Wiggins had decided to make his home on an old farm in Hamburg Cove, a picturesque area in Lyme Township. He still spent time in New York, and most of his New York snow scenes probably date from the early 1920s.
Although he spoke of the New York pictures as though they were history, he sometimes again felt the urge "to brush up a little snow" in order to pile up a little cash. Indeed, he may have changed his attitude completely, for he also once told someone that New York during a snowfall was his favorite subject.
But since Connecticut landscapes and New York snow scenes are about equal in number in his work, and comprise most of it, the pastoral quality in parts of our state clearly appealed to Wiggins. Some say the New England landscapes are his best work.
In 1930 Wiggins, though he still listed a winter New York address in the American Art Annual, was advertising the "Guy Wiggins Art School: New Haven (winter); Lyme (summer)." Hartford artist James Goodwin McManus often taught the summer classes with him at Hamburg Cove. In 1937, at the age of fifty-four, Wiggins resettled in Essex and moved his art school there year-around. He invited for his students' benefit such guests as George Luks, Bruce Crane, Eugene Higgins and John Noble. He formed the Essex Painters Society.
In Essex he is reputed to have lived with his second wife in a "beach wagon." He died while on vacation in St. Augustine, Florida, in 1962 and is buried in Old Lyme. People who knew him still talk about him as "the ebullient Wiggins." His artistic reputation surpasses both that of his father and of his son.
- Creator:Guy Wiggins (1883 - 1962, American)
- Creation Year:1957
- Dimensions:Height: 15 in (38.1 cm)Width: 18 in (45.72 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU184129930832
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2021
1stDibs seller since 2022
63 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- "Brighton Beach, August 5" Nathan Hoffman, Brooklyn, Impressionist, Sunny DayLocated in New York, NYNathan Hoffman Brighton Beach, August 5, 1941 Signed, titled, dated and estate stamped on the reverse Oil on board 9 3/4 x 14 inches Born in Russia, th...Category
1940s American Impressionist Landscape Paintings
MaterialsBoard, Oil
- "The Green Parasol, " Henry Hannig, American Impressionist, Woman in Beach SceneBy Henry HannigLocated in New York, NYHenry Charles Hannig (1883 - 1948) The Green Parasol Oil on canvas mounted on board 6 x 7 3/4 inches Provenance: R.H. Love Galleries, Chicago, Illinois Private Collection, Lake Orion, Michigan Hannig, born in Hirschberg, Germany on 27 February 1883, came to America with his parents at the age of seven. He attended school in the southwest suburbs before the family settled in Chicago. Young Henry enrolled in the Chicago Academy of Fine Arts where Lawton Parker became his mentor. He made ends meet by working in industrial design and illustration. By 1908 he was a pupil in the School of the Art Institute of Chicago where students followed the traditional European drawing curriculum, beginning with the copying of master engravings and drawing after plaster casts, then concentrating on the nude figure. Students worked toward the goal of winning various academic prizes. One of Hannig's fellow students was Louis Ritman...Category
1910s American Impressionist Figurative Paintings
MaterialsCanvas, Oil, Board
- "Bucks County Landscape" George Sotter, Pennsylvania Impressionism, River ViewBy George William SotterLocated in New York, NYGeorge Sotter Bucks County Landscape, 1908 Signed Lower Right: Sotter 08; signed on the reverse: G. W. Sotter Oil on artist board 12 x 9 inches Born in Pittsburgh in 1879 to Nicholas and Katherine Sotter, George William Sotter painted the rivers and mills of that city in his early youth. He apprenticed with several stained-glass studios there prior to becoming a partner in the studio of Horace Rudy in Pittsburgh around 1901. He took leave from the studio and came to Bucks County in 1902, to study at the Pennsylvania Academy of the Fine Arts as well as with Edward W. Redfield, the premier painter of the New Hope School. In 1903, he participated in the annual exhibition at the Pennsylvania Academy of the Fine Arts. He continued his studies at the Academy from 1905 – 1907 under William Merritt Chase and Thomas Anshutz. George William Sotter lived in Holicong, Pennsylvania, near New Hope, in a converted 19th Century stone barn. There, in his studio, he painted landscape scenes of Bucks County, which link Sotter to the New Hope School of American Impressionism...Category
Early 1900s American Impressionist Landscape Paintings
MaterialsOil, Board
- "The Beach" Nathan Hoffman, Brooklyn, New York, Sunny Day LandscapeLocated in New York, NYNathan Hoffman The Beach Estate stamped on the reverse Oil on artist's board 10 1/4 x 14 inches Provenance: Estate of the artist Born in Russia, the s...Category
1940s American Impressionist Landscape Paintings
MaterialsOil, Board
- "Brighton Beach" Nathan Hoffman, New York, Sunny Day Landscape ImpressionismLocated in New York, NYNathan Hoffman Brighton Beach, July 31, 1946 Signed, dated, and estate stamped on the reverse Oil on artist's board 10 x 13 1/2 inches Provenance: Esta...Category
1940s American Impressionist Landscape Paintings
MaterialsOil, Board
- "Manhattan from the Rooftops" Nathan Hoffman, Impressionist Cityscape LandscapeLocated in New York, NYNathan Hoffman Manhattan from the Rooftops, July 1, 1947 Signed, dated and estate stamped on the reverse Oil on board 15 3/4 x 20 inches Born in Russia...Category
1940s American Impressionist Landscape Paintings
MaterialsBoard, Oil
You May Also Like
- Low Tide - Mid Century SeascapeBy Margaret Esther RogersLocated in Soquel, CABeautiful mid century seascape of the waves spilling over the rocks into the tide pool by Margaret Esther Rogers (British/American, 1872-1961). Si...Category
1940s American Impressionist Landscape Paintings
MaterialsCanvas, Oil, Cardboard
- 1970's Winter Landscape -- River in the SnowLocated in Soquel, CABeautiful winter landscape of the snow covered countryside by an unknown artist (American, 20th Century). Signed "Mallek" lower right. Displayed in a painted rustic frame. Image, 7"H...Category
1970s American Impressionist Landscape Paintings
MaterialsPaper, Oil, Cardboard
- "Summer Time" - Forest LandscapeBy Veva SisemoreLocated in Soquel, CABright forest landscape by Veva Sisemore (American, 1919-1991). Tags from the artist with information about the piece are attached to back of frame. Presented in a gold painted wood frame with a linen liner. Art size: 14"H x 10"W Veva Sisemore was born in White Horse, Oklahoma, and moved to Salinas, California in 1966. Sisemore attended Hartnell College and then studied creative painting at Gavilan College. Santa Cruz Art League member and exhibitor. Selected Exhibitions and Awards: 1968 - “Special Showing”, Cutshall’s Interiors, Salinas, CA 1970 - Joined Santa Cruz Art League 1970 - 1st Place for “Bold Autumn”, Santa Cruz Art League 1980 - Off Main...Category
Mid-20th Century American Impressionist Landscape Paintings
MaterialsCanvas, Cardboard, Oil
- Three Large Cliffs in the Sea, Miniature Contemporary Coastal SeascapeBy Kathleen MurrayLocated in Soquel, CAMoody seascape with tall rock formations by Kathleen Murray (American, b.1958). Unsigned, purchased form the artist. Unframed. Kathleen Murray (American, b. 1958) was born in Los An...Category
21st Century and Contemporary American Impressionist Landscape Paintings
MaterialsOil, Canvas, Cardboard
- Autumn in the Suburbs, LandscapeLocated in Soquel, CABold and vibrant depiction of a suburban street by an unknown artist ("Ryan"). Saturated fall foliage dominates the foreground of this piece, framing the houses in the midground. The...Category
21st Century and Contemporary American Impressionist Landscape Paintings
MaterialsCanvas, Cardboard, Oil
- Mid Century California LanscapeLocated in Soquel, CAWonderful example of California "Eucalyptus School" painting by Gail Pace (American, 20th Century), c. 1960. Signed "Pace" lower right. Unframed. Image size:...Category
1960s American Impressionist Landscape Paintings
MaterialsCanvas, Cardboard, Oil
Recently Viewed
View AllMore Ways To Browse
Vintage Train Art
Vintage American Pictures
Vintage Train Signs
1957 Dior
I Train Vintage
1920s Train
Order Of St John
Beach Boy Painting
James Guy
Vermont Winter
Winter Scene Painting 1930
St George Bronze
1930s French Impressionism
Dutch Winter Scene Painting
William Somers Boy
Beach Boy Oil Painting
St Anton
John Crane