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Dutch School, 17th Century, Shipping in a Stiff Breeze, a City Beyond

17th Century

Workshop / Circle of Philips Wouwerman (1619-1668) Landscape with Gentleman on Horseback and Peasant Woman Receiving Alms oil on oak panel 12.40 x 14.17 inches (31.5 x 36 cm) wit...

There are so many details to fall in love with in this 18th-century painting depicting an Italianate landscape, for example, the delicately painted figures having a conversation and ...

David Teniers the Younger (1610-1690) Follower of A Peasant Removing a Plaster: The Sense of Touch signed T on the table oil on panel panel size 7,20 x 5,55 inches (18,3 x 14,4 cm)...

This small Flemish painting, measuring only 24.5 x 18.5 cm and executed on a copper plate, depicts Saint Nicholas of Tolentino. Created in the 17th century, the artist remains unknow...

Pieter Gysels, also known as Peeter Gijsels, was a renowned Flemish painter who lived from 1621 to 1690/91. He was known for his landscapes, which often depicted idyllic scenes from nature, and his works are highly sought after by Old Master collectors. We are proud to offer a newly discovered pair of landscapes attributed to him; this one called "A Wooded Landscape With Riders" This stunning painting captures the beauty of a serene summer day in the countryside. In the foreground, we see a couple riding on horsebacks, enjoying the peaceful surroundings. The horses seems to be trotting gently, and the riders are relaxed, taking in the natural splendour around them. In the distance, we see several other figures, perhaps farmers or peasants, doing their daily tasks. We also see a small stream flowing through the landscape, with several small houses. And in the background, we see a beautiful wooded area with tall trees reaching up towards the sky. The attention to detail in this painting is truly remarkable. Gysels use of vibrant colours evoke the warmth and beauty and he skillfully captured the play of light on the landscape, creating a sense of depth and atmosphere. The detailing of the cottages, the colors, the use of big-leafed plants in the foreground, and the figure types are typical of his signature style. "A Wooded Landscape With Riders" is painted on copper, which gives the painting a unique luminosity and depth. The use of copper as a support for paintings was popular in the seventeenth century. We also have one more painting called "Wooded Landscape With an Elegant Company...

Pieter Gysels, also known as Peeter Gijsels, was a renowned Flemish painter who lived from 1621 to 1690/91. He was known for his landscapes, which often depicted idyllic scenes from nature, and his works are highly sought after by Old Master collectors. We are proud to offer a newly discovered pair of landscapes attributed to him; this one called "A Wooded Landscape With Riders" This stunning painting captures the beauty of a serene summer day in the countryside. In the foreground, we see a couple riding on horsebacks, enjoying the peaceful surroundings. The horses seems to be trotting gently, and the riders are relaxed, taking in the natural splendour around them. In the distance, we see several other figures, perhaps farmers or peasants, doing their daily tasks. We also see a small stream flowing through the landscape, with several small houses. And in the background, we see a beautiful wooded area with tall trees reaching up towards the sky. The attention to detail in this painting is truly remarkable. Gysels use of vibrant colours evoke the warmth and beauty and he skillfully captured the play of light on the landscape, creating a sense of depth and atmosphere. The detailing of the cottages, the colors, the use of big-leafed plants in the foreground, and the figure types are typical of his signature style. "A Wooded Landscape With Riders" is painted on copper, which gives the painting a unique luminosity and depth. The use of copper as a support for paintings was popular in the seventeenth century. We also have one more painting called "Wooded Landscape With an Elegant Company...

Outstanding English late 18th / early 19th century marine scene by one of Britain's best known and sought after painters. William (or Wiliam) Anderson (1757 – 27 May 1837) was a Scottish artist specializing in maritime and patriotic themes. He was well-regarded for his detailed and accurate portraits of ships under sail, exhibiting his works annually in London between 1787 and 1811 and then occasionally until 1834. Anderson influenced other artists, notably John Ward and others of the Hull school. Anderson's early life is obscure, but he is known to have trained as a shipwright before moving to London to become a maritime painter when he was about 30. His training served him well as a painter, providing "a practical nautical knowledge" of his subjects. He earned a reputation for "accuracy and refinement of detail" and was admired for his bright, clear colours. He worked in both oils and watercolours. He based his style on that of well-known Dutch maritime...

Studio of Jan Brueghel the Younger 17th century Antwerp school Oil on oak panel, h. 37 cm, w. 49 cm Tortoiseshell veneered baroque style frame...

The Angelic Visitation Dutch School, mid 17th century circle of Rembrandt (Dutch 1606-1669) oil on wooden panel, framed in faux tortoiseshell style frame. framed: 25 x 28.75 painting...

Moses Strikes Water from the Rock Dutch school, XVII century. Workshop of Jacob de Wet (Haarlem, 1610-1675). Technique: Oil on oak wood panel, composed of 3 horizontal panels. In this evocative work, Moses stands in a cave, gathering the Israelites. There was no water to drink or for their cattle. The people were discontented in the desert. But Moses and Aaron listened to the voice of God. With Aaron’s staff, Moses struck the rock, and water gushed forth abundantly, quenching their thirst. Jacob de Wet’s workshop specializes in subjects from the Old and New Testaments. The recognizable rectangular format, simple compositions, and clear narratives define his style. The interplay of light and shadow, reminiscent of Rembrandt, adds timeless allure. The characters’ costumes, with their large hats and turbans...

Ascension Day in Venice 17th century Antwerp School Attributed to Louis de Caullery (1582-1621) Oil on oak panel Dimensions: h. 19.68 in, w. 34.25 in Flemish style frame in ebonized ...

Shipping in Calm Waters Dutch School, 18th century oil painting on wood panel panel: 10 x 12.75 inches framed: 14 x 17 inches condition: very good, minor evidenc...