Unknown

Five mid 20th century Italian oil landscapes with figures, castles, Churchs

circa 1960

Outstanding English late 18th / early 19th century marine scene by one of Britain's best known and sought after painters. William (or Wiliam) Anderson (1757 – 27 May 1837) was a Scottish artist specializing in maritime and patriotic themes. He was well-regarded for his detailed and accurate portraits of ships under sail, exhibiting his works annually in London between 1787 and 1811 and then occasionally until 1834. Anderson influenced other artists, notably John Ward and others of the Hull school. Anderson's early life is obscure, but he is known to have trained as a shipwright before moving to London to become a maritime painter when he was about 30. His training served him well as a painter, providing "a practical nautical knowledge" of his subjects. He earned a reputation for "accuracy and refinement of detail" and was admired for his bright, clear colours. He worked in both oils and watercolours. He based his style on that of well-known Dutch maritime...

Henry Pether, late 18th-century Moonlight lake Landscape. Born into a family of artists, Henry was the son of Abraham Pether (1756-1812), a talented la...

American Impressionist sketch of an American Yacht moored in a harbor ,CT or MA Charles Bertie Hall painted scenes all over England, Europe, and America in a traditional Impressioni...

Impressionist French River landscape, with boats, a boat house. Rolleboise on the Seine Choosing to acquire a French 1950s Impressionist river landscape by Frederic Luce is an oppo...

James Edward Butteerworth Owning a painting by James Edward Buttersworth depicting the heroic rescue of passengers from the ship 'Winchester' by the inscribed steamship 'Washington...

French impressionist landscape, Barbizon forest, with river and cows at Sunset Boyle was a pioneering 19th-century British artist inspired by European Impressionist painters. The i...

Joseph van Bredael 1688-1739 Flemish The Adoration of the Magi Oil on copper Painted on copper and exhibiting an exquisite luminosity, this exceptional painting...

This small yet captivating painting, crafted on a copper plate, dates back to the mid-1600s and was created by a Flemish artist. Subject Matter: The central figure in the artwork is Mercury, easily identified by his symbolic attributes like winged sandals, petasus, and caduceus. Beside him is a likely female figure, characterized by her attire and absence of weaponry. The depicted scene could represent two mythological tales: Mercury and Calypso: This interpretation suggests the artwork shows the moment Zeus sends Mercury to Calypso's island, Ogygia. Mercury is there to order Calypso to release Ulysses, whom she saved from a shipwreck but kept captive. The lush, wooded background and the three distant figures could hint at Ulysses' farewell to Calypso. Mercury and Herses: Another interpretation could be a scene from the love story of Mercury and Herses. The background figures might symbolize the sisters returning from a procession, while the forefront could be the initial meeting between Mercury and the most beautiful sister, Erse. Artistic Inspiration: The painting's landscape and setting are heavily influenced by the early 17th century Northern European art trends, especially the works of Jan Brueghel the Elder. However, the artwork stands apart with its unique luminescence in detailing and a distinctive approach to depicting figures. While the exact origin and artist remain somewhat mysterious, the style and treatment of light hint towards works close to Josse de Momper...

LANDSCAPE WITH FLIGHT TO EGYPT, JASPER VAN DER LANEN (ANTWERP, 1585 - 1634) 17TH CENTURY FLEMISH SCHOOL ANTWERP CIRCA 1630 Oil on copper, dimensions: h. 10.23 in, w. 14.96 in Flemish style frame in ebonized wood adorned with wavy moldings and wood veneer. Framed dimensions: h. 17.32 in, w. 21.65 in Provenance: Philips auction...

17th century oil on copper - St. John the Baptist in a landscape with the Lamb The very finely and delicately painting depicts St. John in a vast landscape, with a vibrant sunset co...

Pieter Gysels, also known as Peeter Gijsels, was a renowned Flemish painter who lived from 1621 to 1690/91. He was known for his landscapes, which often depicted idyllic scenes from nature, and his works are highly sought after by Old Master collectors. We are proud to offer a newly discovered pair of landscapes attributed to him; this one called "A Wooded Landscape With Riders" This stunning painting captures the beauty of a serene summer day in the countryside. In the foreground, we see a couple riding on horsebacks, enjoying the peaceful surroundings. The horses seems to be trotting gently, and the riders are relaxed, taking in the natural splendour around them. In the distance, we see several other figures, perhaps farmers or peasants, doing their daily tasks. We also see a small stream flowing through the landscape, with several small houses. And in the background, we see a beautiful wooded area with tall trees reaching up towards the sky. The attention to detail in this painting is truly remarkable. Gysels use of vibrant colours evoke the warmth and beauty and he skillfully captured the play of light on the landscape, creating a sense of depth and atmosphere. The detailing of the cottages, the colors, the use of big-leafed plants in the foreground, and the figure types are typical of his signature style. "A Wooded Landscape With Riders" is painted on copper, which gives the painting a unique luminosity and depth. The use of copper as a support for paintings was popular in the seventeenth century. We also have one more painting called "Wooded Landscape With an Elegant Company...

18th century old master painting depicting a peaceful countryside scenery at sunset with a fortified town visible in the distance attributed to Franz Paula de Ferg In the present jewel-like painting, de Ferg captures a moment of respite amidst the journey of life. Two travelers can be seen sitting to the left, pausing for a moment of rest, perhaps reflecting on the path they've traveled and the one that lies ahead. Meanwhile, a lone traveler atop a magnificent white horse engages in conversation with a couple, perhaps he is asking them for directions. In the distance, the landscape unfolds in all its glory, a majestic mountain bathed in the warm hues of the setting sun. The golden light casts a serene glow over the scene, imbuing it with a sense of tranquility and beauty. Amidst the natural splendor, a fortified village stands as a testament to human resilience and ingenuity, a beacon of civilization amidst the untamed wilderness. Above it all, the sky is adorned with impressive white clouds, their billowing forms adding a touch of drama and grandeur to the scene. It's a moment frozen in time, where the beauty of nature and the fleeting connections between fellow travelers converge, reminding us of the profound beauty and poignancy of the journey we all share. The painting has been painted on a copper support, which has ensured that the vibrancy and intensity have survived so well through the centuries. Franz de Paula Ferg, was born on May 2, 1689 in Vienna and is also known as Francis Paul...