Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 16

Portrait of Mrs James Hoste - British 18th century art portrait oil painting

Circa 1738

About the Item

This superb large three quarter length British Old Master portrait in a landscape oil painting is attributed to circle of John Vanderbank the Younger. Painted circa 1738 the sitter is Mrs James Hoste of South Wootton and Sandringham, nee Hammond. She was the daughter of Anthony Hamond and Susan Walpole, daughter of Robert Walpole, and was sister to Robert, 1st Earl of Oxford. She married Major James Hoste of Sandringham, Norfolk, and they had two daughters. The sheen of her blue satin dress against her gold cloak is stunning. A really lovely 18th century portrait with excellent provenance. Inscribed with sitter details lower left. Provenance. By descent within the family of the sitter at West Acre High House, Norfolk; Cheffins, Cambridge, 'West Acre High House' sale, 24 November 2010, Lot 519; Wood Hall, Arkesden, Essex. Literature: 'Portraits in Norfolk Houses', Prince Duleep Singh, 1927, No. 36. Sitter's details on two labels verso. Condition. Oil on canvas, image size is 50 inches by 40 inches and in good condition. Frame. Housed in an ornate gilt frame, 58 inches by 48 inches framed and in good condition. John Vanderbank (1694-1739) was an English portraitist and book illustrator, who enjoyed a high reputation for a short while during the reign of King George I, but who died relatively young due to an intemperate and extravagant lifestyle. Vanderbank was born in London, the eldest son of John Vanderbank Snr, a Huguenot tapestry weaver, who had been born in Paris but forced to flee to Holland before coming to England where he became head of a Soho tapestry weaving factory. Vanderbank studied under Sir Godfrey Kneller at James Thornhill's art academy in Great Queen Street from 1711 until 1720, when he joined with Louis Chéron to found his own academy in St Martin's Lane. The venture proved a failure, and in 1729 he went to France to avoid his creditors. On his return he entered "the liberties of the Fleet" – mansion houses near Fleet prison, London, in which certain privileged prisoners could serve out their sentences in return for payment. It was noted by George Vertue that "only intemperance prevented Vanderbank from being the greatest portraitist of his generation." He died of tuberculosis in Holies Street, Cavendish Square, London, on 23 December 1739 (aged 45) and was buried in Marylebone church. Vanderbank's portraits, among which are those of many eminent persons, are skilfully drawn and full of character, but slight and careless in execution. He had a great talent for historical composition, and Vertue spoke highly of some of his works of this class. Vanderbank’s book illustrations include: the portrait of Sir Isaac Newton used in the frontispiece of the 1726 edition of Principia; the 66 plates of the first edition in Spanish of Miguel de Cervantes' Don Quixote published in London (1738); and illustrations for 'Twenty-five Actions of the Manage Horse, engraved by Josephus Sympson (1729). His 1725 portrait of Sir Isaac Newton hangs in Trinity College, Cambridge. Many of his portraits were engraved by John Faber Jr. and George White. Vanderbank was amongst a group of artists painted by William Hogarth, of which there is an engraving by R. Sawyer.
  • Creation Year:
    Circa 1738
  • Dimensions:
    Height: 58 in (147.32 cm)Width: 48 in (121.92 cm)Depth: 2 in (5.08 cm)
  • Medium:
  • Movement & Style:
  • Circle Of:
    John Vanderbank (1694 - 1739, British)
  • Period:
  • Condition:
  • Gallery Location:
    London, GB
  • Reference Number:
    1stDibs: LU853113060912
More From This SellerView All
  • Portrait of Lady in Silver Dress - Dutch Old Master art portrait oil painting
    By Willem Wissing
    Located in London, GB
    This lovely Dutch Old Master portrait oil painting is attributed to circle of Willem Wissing. Wissing settled in England and emerged as Peter Lely's most important pupil after his de...
    Category

    17th Century Old Masters Portrait Paintings

    Materials

    Oil

  • Italian Greyhound and Friends - Italian 17thC Old Master dog art oil painting
    By Francesco Fieravino
    Located in London, GB
    This stunning Old Master 17th century oil portrait painting is attributed to Francesco Fieravino, an artist famous in his day for still lifes and carpets. This painting which dates t...
    Category

    17th Century Old Masters Animal Paintings

    Materials

    Canvas, Oil

  • Portrait of a Young Gentleman - Dutch Old Master 17thC art portrait oil painting
    Located in London, GB
    This superb Dutch Old Master portrait oil painting is attributed as by a follower of Dutch 17th century artist Gerrard van Honthorst. The original of this painting hangs in Wilton House, Wiltshire, home to the 18th Earl and Countess of Pembrokeshire. The painting was previously attributed to Van Dyck by early cataloguers, but after exhaustive comparisons with the two Honthorst brothers' works, it was concluded that Gerrard van Honthorst was the artist who painted the original in Wilton House. Our painting was painted circa 1695 by a follower of Gerrard Honthorst. It was sold to us as circle of Cornelius Johnson. The sitter is Prince Rupert of the Rhine, Duke of Cumberland, Earl of Holderness (1619-1682). He was an English army officer, admiral, scientist, and colonial governor. He first came to prominence as a Royalist cavalry commander during the English Civil War. Rupert was the third son of the German...
    Category

    1650s Old Masters Portrait Paintings

    Materials

    Oil

  • Lady Eleanor Dundas - Old Master 18C Scottish art oil painting female portrait
    By Henry Raeburn (circle)
    Located in London, GB
    A fine large and stunning Scottish Old Master portrait oil painting on canvas portrait in good condition which depicts Lady Eleanor Dundas in a white dress set against an open landsc...
    Category

    19th Century Old Masters Portrait Paintings

    Materials

    Oil

  • Portrait of Major General James Hanson Salmond - British 18thC art oil painting
    By Sir Thomas Lawrence
    Located in London, GB
    This superb British Old Master oil painting is attributed to circle of Sir Thomas Lawrence. Painted circa 1795, the sitter is Major-General James Hanson Salmond (1766–1837) an office...
    Category

    1790s Old Masters Portrait Paintings

    Materials

    Oil

  • Portrait of a Lady by Fountain in Landscape - Dutch Old Master art oil painting
    By Nicolaes Maes
    Located in London, GB
    This superb Dutch Old Master portrait oil painting is attributed to circle of Nicolaes Maes. Painted circa 1670, the painting is of a lady, sat by a classical fountain with statue an...
    Category

    1670s Old Masters Portrait Paintings

    Materials

    Oil

You May Also Like
  • Portrait of a Lady, Katherine St Aubyn, Godolphin, Cornelius Johnson, Oil canvas
    By Cornelius Johnson
    Located in London, GB
    Titan Fine Art are pleased to present this charming bust-length portrait, which is a good example of the style of portrait painted in England in the second quarter of the seventeenth century. The attire consists of the finest silks, and the full billowing sleeves, bows, and hairstyle help in dating this portrait to circa 1637. The accessory par excellence – pearls – are worn as a necklace and were a very popular accessory. The artist makes no attempt to obey the rules of Baroque and instead sensitively depicts in complete honesty his sitter against a plain wall, and without distracting backdrops and flowing draperies – this work is very redolent of the sumptuous half-length female portraits that Cornelius Johnson...
    Category

    17th Century Old Masters Portrait Paintings

    Materials

    Canvas, Cotton Canvas, Oil

  • Portrait Of Thomas Smythe (1514-1577) School of Hans HOLBEIN (1497-1543)
    By Hans Holbein
    Located in Blackwater, GB
    Portrait Of Thomas Smythe (1514-1577), 16th Century School of Hans HOLBEIN (1497-1543) Fine huge 16th Century English Old Master portrait of Sir Thomas...
    Category

    16th Century Old Masters Portrait Paintings

    Materials

    Oil

  • William Wissing (follower) 19th Century Portrait Queen Mary II
    Located in York, GB
    A 19th century oil on canvas, portrait of a young woman.This portrait is believed to be of Queen Mary II taken from an engraving of the painting, Halswell Park Sale, 1948, lot no.1323, Housed in a decorative gilt frame.Size overall being 70 x 86 cm high (27.5 x 33¾ inches approx) size of painting 54 x 68 cm (21 x 26 inches approx) To the rear of the portrait is a newspaper cutting of the engraving ,also a typed note regarding the provenance of the painting (see photo) Condition overall is very good, the Canvas has been relined, under UV there are areas of overpaint to bosom.Frame overall very good some minor self coloured losses Mary II (30 April 1662 – 28 December 1694) Mary, born at St James's Palace in London on 30 April 1662,eldest daughter of James, Duke of York (the future James II & VII) , and his first wife, Anne Hyde. Mary's uncle was King Charles II, her maternal grandfather, Edward Hyde, 1st Earl of Clarendon, served for a lengthy period as Charles's chief adviser. Mary married William of Orange. Willem Wissing, known in England as William Wissing...
    Category

    19th Century Old Masters Portrait Paintings

    Materials

    Oil

  • Nathaniel Hone, portrait of "flora" roman goddess, 18th century
    By Nathaniel Hone the Elder
    Located in York, GB
    I have great pleasure in offering for sale this beautiful portrait, by Nathaniel Hone, the elder. 18th century. The painting is of Ann Anderson, wife...
    Category

    18th Century Old Masters Portrait Paintings

    Materials

    Oil

  • 19th Century Portrait, Child At Play , Attributed To Henry Tanworth Wells
    Located in York, GB
    19th century portrait, child at play ,Attributed to Henry Tanworth Wells A beautiful oval portrait of a young child at play, attributed to the portrait painter Henry Tanworth Wells. finely executed, this oil on canvas is in excellent condition. Housed in a period frame. The size overall is 79 cm x 62 cm whilst the painting is 56 cm x 46 cm Henry Tanworth Wells [1828-1903] Henry Tanworth Wells RA was an English miniature and portrait painter. He was a member of the Pre-Raphaelite circle though he painted in the academic style. His most popular painting...
    Category

    19th Century Old Masters Portrait Paintings

    Materials

    Oil

  • Henry Raeburn, (circle) 19th Century portrait of Sir Charles Forbes Edinglassie
    By Henry Raeburn (circle)
    Located in York, GB
    Portrait of Sir Charles Forbes of Edinglassie, Oil on canvas. The size of the portrait is 75 cm x 59.5 cm whilst overall the size is 106 cm x 91 cm In very good condition.There has been some restoration/overpainting etc.There is some minor craquelure. Housed in a period gilt frame decorated with acorns and leaves Overall a good portrait, circle of a fine scottish artist , with an interesting sitter, his details below. sir Charles Forbes of Edinglassie Sir Charles Forbes, 1st Baronet (1774–1849) was a Scottish politician, of Newe and Edinglassie, Aberdeenshire. Forbes was the son of the Rev. George Forbes of Lochell. He was a descendant of Alexander Forbes of Kinaldie and Pitsligo, and was in 1833 served heir male in general to Alexander Forbes, 3rd lord Forbes of Pitsligo, father of Alexander Forbes, 4th Lord Forbes of Pitsligo, attainted in 1745. Forbes was of a bluff but kindly nature, diffident as to his own merits, of a straightforward and manly character. On the death of his uncle in 1821 Forbes succeeded to the entailed estates of the Forbeses of Newe, and was created a baronet by patent in 1823.[1] He married in 1811. His daughter, Elizabeth, married General, Lord James Hay, second son of the seventh Marquess of Tweeddale. Sir Henry Raeburn FRSE, RA, RSA (1756-1823) Scottish portrait painter and Scotland's first significant portrait painter since the Union to remain based in Scotland. He served as Portrait Painter to King George IV in Scotland Raeburn had all the essential qualities of a popular and successful portrait painter. He was able to produce a telling and forcible likeness; his work is distinguished by powerful characterisation, stark realism, dramatic and unusual lighting...
    Category

    19th Century Old Masters Portrait Paintings

    Materials

    Oil

Recently Viewed

View All