Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Raymond Logan
Odetta Holmes

2021

About the Item

From the artist statement, "When asked about my work, my mantra used to be, “The subject matter of my work is not as important as how I paint it. Whether it be people, places, or things, the important thing is that my personality as an artist is visible through those themes. If I am not in there, I do not see the point.” While I feel this is still true, I no longer feel it is a complete “statement” from me as an artist. Over the years I have watched myself meticulously pick my subject matter based on two innate criteria: challenge and access. The subject must challenge me to express myself and grow as an artist through my duking it out with that particular subject. It must also afford access for my viewer; access to me as an artist and what I am trying to do. Even if they do not understand how I did it, the work must speak to them on some personal level and the subject matter often helps us find our common ground. We are all connected to people, places, and things. Sometimes those connections are based on memories, sometimes they are immediate. Either way, ethereal or evident, they are shared. My art is a dialogue between the viewer and myself about those shared connections—without the viewer, I am that proverbial tree in the forest. While I somewhat accept being labeled a representational artist, I tend to shun the label of realistic artist. My work represents real life subject matter, but it is firmly based in abstraction and intuition. Rather than view my work as abstract representations of people, places, or things, I view it as an abstract representation of me—my vision or at least how I want to see. By focusing that abstraction and utilizing my intuition, I bring forth representational pieces. My work is born through solid draftsmanship plus a liberal application of paint via a brush or a knife or anything I can get my hands on, plus plenty of color experimentation and the carving of my medium. It is truly gratifying when a viewer, while being up close to my work, stares in wonder at the surface then, while backing away, witnesses all that texture and color (that an art textbook tells them shouldn’t work) and abstraction somehow, mysteriously develop into a recognizable subject. That ‘somehow’ is me. So, that takes us back to what I wrote above, “If I am not in there, I do not see the point.”
More From This SellerView All
  • Tyler G. Wilson
    By Alex Blas
    Located in Fairfield, CT
    In his current series, “In Your Room”, Alex Blas explores modern day life by examining the private spaces of his friends. In these paintings, Blas carefully considers the shadows, co...
    Category

    2010s American Realist Figurative Paintings

    Materials

    Oil, Canvas

  • Sam Murti
    By Alex Blas
    Located in Fairfield, CT
    In his current series, “In Your Room”, Alex Blas explores modern day life by examining the private spaces of his friends. In these paintings, Blas carefully considers the shadows, co...
    Category

    2010s American Realist Figurative Paintings

    Materials

    Oil, Canvas

  • John Coltrane
    By Raymond Logan
    Located in Fairfield, CT
    From the artist statement, "When asked about my work, my mantra used to be, “The subject matter of my work is not as important as how I paint it. Whether it be people, places, or thi...
    Category

    2010s American Realist Portrait Paintings

    Materials

    Canvas, Oil

  • George Washington
    By Raymond Logan
    Located in Fairfield, CT
    From the artist statement, "When asked about my work, my mantra used to be, “The subject matter of my work is not as important as how I paint it. Whether it be people, places, or thi...
    Category

    2010s American Realist Portrait Paintings

    Materials

    Canvas, Oil

  • Ernest Hemingway
    By Raymond Logan
    Located in Fairfield, CT
    From the artist statement, "When asked about my work, my mantra used to be, “The subject matter of my work is not as important as how I paint it. Whether it be people, places, or thi...
    Category

    2010s American Realist Portrait Paintings

    Materials

    Oil, Canvas

  • Coretta Scott King
    By Raymond Logan
    Located in Fairfield, CT
    From the artist statement, "When asked about my work, my mantra used to be, “The subject matter of my work is not as important as how I paint it. Whether it be people, places, or thi...
    Category

    2010s American Realist Portrait Paintings

    Materials

    Oil, Canvas

You May Also Like
  • Circus Acrobats - ( Friends with Diego Rivera and Frida Kahlo )
    Located in Miami, FL
    As they take center stage, four acrobats are depicted, forming an architectural structure composed of contorted human bodies. The small gallery of onlookers displays a variety of ex...
    Category

    1930s American Realist Figurative Paintings

    Materials

    Canvas, Oil

  • A girl who loves the sea II
    Located in Zofingen, AG
    Sunny contrasting girl portrait at the sea coast. The beautiful sea waves crushing on the coast. The sea wind is playing with hair. An artwork which brings summer and sea in to your ...
    Category

    2010s American Realist Figurative Paintings

    Materials

    Oil, Canvas

  • James Ormsbee Chapin, 1887 – 1975, American Painter, 'Lady in a Fur Waistcoat'
    By James Ormsbee Chapin
    Located in Bruges, BE
    James Ormsbee Chapin New Jersey 1887 – 1975 Toronto American Painter 'Lady in a Fur Waistcoat' Signature: Signed lower left and dated 1913 Medium: Oil on canvas Dimensions: Image size 100 x 75 cm, frame size 117 x 92 cm Biography: Chapin James Ormsbee, born on July 9, 1887, in West Orange, New Jersey, was a distinguished American painter and illustrator. His contributions to the art world left a lasting impact, and his legacy extended beyond the canvas into the realms of music and family connections. Chapin’s artistic journey began with formal education at Cooper Union and the Art Students League of New York. Seeking further inspiration, he continued his studies at the Royal Academy of Antwerp in Belgium. Early in his career, he garnered recognition by winning the Temple Gold Medal of the Pennsylvania Academy for his compelling portrayals of the Marvin Family. Notably, Chapin created a series of portraits in the 1920s featuring the Marvin family, a body of work that significantly influenced the early history of Regionalist art. His artistic prowess extended beyond portraiture, as evidenced by at least five cover art commissions for TIME magazine during what has been termed the golden age of TIME covers, spanning from 1942 to 1966. Chapin’s artistic creations found homes in the private collections of art enthusiasts and various prestigious institutions, including The Pennsylvania Academy of Fine Arts, The Phillips Collection, The Art Institute of Chicago, and The Harvard Art Museums, among others. In 1918, Chapin married Abby Beal Forbes in New York, and they welcomed a son named James Forbes Chapin, who later gained fame as a celebrated jazz drummer. This artistic lineage continued with James’s son, singer-songwriter Harry Chapin. Despite the initial union with Forbes, Chapin later divorced. During the late 1930s, while teaching in California, Chapin encountered Mary Fischer...
    Category

    Early 20th Century American Realist Portrait Paintings

    Materials

    Canvas, Oil

  • Large Contemporary Oil Portrait of Party People Smoking, Laughing, and Drinking
    By Nancy Lamb
    Located in Fort Worth, TX
    The Menthol Mood, 2009, Nancy Lamb, Oil on canvas, 48 x 85" Nancy Lamb (American, born 1956), sculptor and painter. Formally trained at Texas Christian Un...
    Category

    2010s American Realist Figurative Paintings

    Materials

    Canvas, Acrylic, Oil

  • "Naughty Children" on Canvas by Harold Stephenson, Aka Abruzzi
    By Harold Stephenson
    Located in Pasadena, CA
    This painting features two children with big brown eyes peeking behind red-slatted shutters. The innocence on their faces contrasts with some sense of embarrassment, like if they had...
    Category

    1960s American Realist Figurative Paintings

    Materials

    Canvas, Oil

  • American Indian Chief Portrait, Oil Painting on Canvas by Jorge Braun Tarallo
    By Jorge Braun Tarallo
    Located in Long Island City, NY
    Artist: Jorge Braun Tarallo, Uruguayan (1951 - ) Title: American Indian Chief Portrait Year: circa 1979 Medium: Oil on Canvas, signed Size: 30 x ...
    Category

    1970s American Realist Portrait Paintings

    Materials

    Canvas, Oil

Recently Viewed

View All