Robert Gemmell Hutchison

'The Jew's Harp' Two Boys Listening to an Old Man. An antique painting

c.1900

Canvas Size: 30 x 30" (76 x 76cm) Outside Frame Size: 37 x 37" (94 x 94cm) Unsigned Provenance: Christies REUBEN Thomas William SAYER(S) 1815 - 1888 British Painter born in 18...

William Shayer Senior Oil on Canvas. Signed bottom right Canvas Size: 30 x 40" (76 x 102cm) Outside Frame Size: 39 x 49" (99 x 125cm) 1787-1879 William Shayer was born in Southam...

Drummers were often thought of as young soldiers, joining the Army as young as 12 years old. The idea of young boys marching into battle was loved by the Victorians, and several roma...

A perfect example of Charles Baxter's work. Two beautiful ladies , one holding a flower, dressed in their best finery. Despite being unsigned, the paint...

A perfect example of Charles Baxter's work. A beautiful Spanish lady wearing typical Spanish attire. Despite being unsigned, the painting has full provenance having being fully catal...

Arthur Trevor HADDON 1864 - 1941 An excellent example of Haddon's work in its original frame. His finest pieces were painted during the time when he was living in Spain. Often they i...

Portrait of a Country Squire English School, mid 19th century oil on canvas, unframed canvas : 26 x 21.5 inches provenance: private collection, UK condition: basic good condition tho...

The Harvest Workers French School, 19th century indistinctly signed and dated oil on board, framed framed: 15.75 x 18.75 inches board: 9 x 12 inches provenance: private collection co...

Welsh Landscape British artist, 19th century oil on board, framed framed: 7.5 x 10.5 inches board: 6 x 9 inches provenance: private collection, UK condition: very good and sound cond...

Oil on canvas, signed lower right Image size: 33 1/2 x 56 1/2 inches (85 x 143 cm) Original gilt frame Provenance With the artist's son, Millie Dow Stott Esq., until 1912. Artist's Studio Sale, Christies, November 1913. Private Collection Exhibitions London, Royal Academy, 1895, no. 679. Paris, Societe de la Nationale des Beaux-Arts, 1896, no. 1179. Berlin, VII Internationale Kunstausstellung 1897. no. 3533. Manchester, City of Manchester Art Gallery, 1912, no. 339. In the 1890s William Stott exhibited regularly at the Royal Academy, mainly highly decorative works with subjects derived from classical mythology and literature. This painting was Stott's 1895 entry to the Royal Academy and was subsequently exhibited at the Paris Salon of 1896 and then on to the Berlin, VII Internationale Kunstausstellung 1897. Shakespeare was a favourite source for Victorian painters, and the tragic romance of Ophelia, from Hamlet, was an especially popular subject, featuring regularly in the Royal Academy exhibitions. The most popular and iconic image of Ophelia's death was, and is to this day, John Everett Millais's 1851 painting showing the confused and tragic Ophelia floating downstream on her back in a state of mad ecstasy, arms raised in a gesture of inevitable submission. However, although Stott chose not to pastiche this image, it seems highly likely that he was prompted to take up this subject, which had almost become a 'rite of passage' among Victorian painters, by the fact that in 1894 Millais's Ophelia was presented to the National Gallery of British Art by Sir Henry Tate. It appears that Stott was much influenced by John William Waterhouse...

Richard Beavis British, (1824-1896) Royal Dragoon Guards on the March Oil on canvas, signed with monogram Image size: 9.5 inches x 13.5 inches Size including frame: 17.25 inches x 2...

John Arthur Lomax British, (1857-1923) The Musician Oil on panel, signed Image size: 9.75 inches x 11.75 inches Size including frame: 19.75 inches x 21.75 inches Provenance: Henry. ...