Federica Patera and Andrea Sbra Pereg

Fiber painting: 'AR'

Quotation from Infinite Jest by David Foster Wallace. The duo was officially born in 2017 with the RAR project, which focuses on the value of the analogy in literature. At the heart of their investigation is the dynamic that leads reading to become writing, and other way the user to become a creator, a maker, mixing roles. The exchange that is established guarantees the transmission, that it goes beyond repetition and finds its completion in transformation. The eternity of an experience, whatever it is (physical, material, emotional, intellectual), is measured by its capacity to be an eternal breeding ground for discovery and knowledge. Their work was exhibited in solo shows by art galleries, such as Raffaella De Chirico Contemporary Art in Turin and Manuel Zoia Gallery in Milan, and in Art Fair such as ArtVerona and WOP in Lugano (CH). In 2021, they were finalists in the Cramum Award. Between October 2022 and January 2023, they took part in the World Textile Biennale – Italian Act, a series of three exhibitions curated by Barbara Pavan. In January 2023 they attended their first group show in New York at the Ivy Brown Gallery.

Fingerprints were once used as a symbolic action of pride, but in our society they have become a passive action—we are fingerprinted. We can use our fingerprints to unlock the data ...

The words used in the artworks come from the indo-european root √Ker, which contains a bunch of auspicious meanings, which can be associated with vibration and rhythm and, together, with the flesh as well as with the head and the heart, developing a semantic collaboration that becomes a story. The heart and, on the other side, the brain, by vibrating, make the energy they generate flow in the flesh and animate it. The duo was officially born in 2017 with the RAR project, which focuses on the value of the analogy in literature. At the heart of their investigation is the dynamic that leads reading to become writing, and other way the user to become a creator, a maker, mixing roles. The exchange that is established guarantees the transmission, that it goes beyond repetition and finds its completion in transformation. The eternity of an experience, whatever it is (physical, material, emotional, intellectual), is measured by its capacity to be an eternal breeding ground for discovery and knowledge. Their work was exhibited in solo shows by art galleries, such as Raffaella De Chirico Contemporary Art in Turin and Manuel Zoia Gallery in Milan, and in Art Fair such as ArtVerona and WOP in Lugano (CH). In 2021, they were finalists in the Cramum Award. Between October 2022 and January 2023, they took part in the World Textile Biennale – Italian Act, a series of three exhibitions curated by Barbara Pavan. In January 2023 they attended their first group show in New York at the Ivy Brown Gallery.

The choice of fabrics in shades of black and gray, associated with the hot stamping of the pages, creates a graphite effect, combining the indelibility of the print with the delicacy and precariousness of a pencil line. The brief text talks about memory starting from 4 books e mixing 4 different languages: Italian, French, Greek and Sanskrit. The duo was officially born in 2017 with the RAR project, which focuses on the value of the analogy in literature. At the heart of their investigation is the dynamic that leads reading to become writing, and other way the user to become a creator, a maker, mixing roles. The exchange that is established guarantees the transmission, that it goes beyond repetition and finds its completion in transformation. The eternity of an experience, whatever it is (physical, material, emotional, intellectual), is measured by its capacity to be an eternal breeding ground for discovery and knowledge. Their work was exhibited in solo shows by art galleries, such as Raffaella De Chirico Contemporary Art in Turin and Manuel Zoia Gallery in Milan, and in Art Fair such as ArtVerona and WOP in Lugano (CH). In 2021, they were finalists in the Cramum Award. Between October 2022 and January 2023, they took part in the World Textile Biennale – Italian Act, a series of three exhibitions curated by Barbara Pavan. In January 2023 they attended their first group show in New York at the Ivy Brown...

Fingerprints were once used as a symbolic action of pride, but in our society they have become a passive action—we are fingerprinted. We can use our fingerprints to unlock the data ...

The words used in the artworks come from the indo-european root √Ker, which contains a bunch of auspicious meanings, which can be associated with vibration and rhythm and, together, with the flesh as well as with the head and the heart, developing a semantic collaboration that becomes a story. The heart and, on the other side, the brain, by vibrating, make the energy they generate flow in the flesh and animate it. The duo was officially born in 2017 with the RAR project, which focuses on the value of the analogy in literature. At the heart of their investigation is the dynamic that leads reading to become writing, and other way the user to become a creator, a maker, mixing roles. The exchange that is established guarantees the transmission, that it goes beyond repetition and finds its completion in transformation. The eternity of an experience, whatever it is (physical, material, emotional, intellectual), is measured by its capacity to be an eternal breeding ground for discovery and knowledge. Their work was exhibited in solo shows by art galleries, such as Raffaella De Chirico Contemporary Art in Turin and Manuel Zoia Gallery in Milan, and in Art Fair such as ArtVerona and WOP in Lugano (CH). In 2021, they were finalists in the Cramum Award. Between October 2022 and January 2023, they took part in the World Textile Biennale – Italian Act, a series of three exhibitions curated by Barbara Pavan. In January 2023 they attended their first group show in New York at the Ivy Brown Gallery.

Unique hand painted with mixed media on serigraph print. Hand signed, dated, titled and numbered by the artist. Edition 1/1. Artwork is in excellent condition. Certificate of authen...

Pradosh Swain - Longing Past III - 24 x 60 inches (unframed size) Acrylic on canvas Inclusive of shipment in a roll form. "Pradosh’s paintings have a surrealistic quality, the imagery is dreamy and mystical and rendering is such as if there is some kind of romance and magic happening amongst the colours in his palette. His paintings are the result of brilliant culminations of feelings and things that are between imagination and reality." Style : Pradosh’s works can be described as psychic automatism in its pure state. His works are expressive and his palette vibrant and gorgeous. Nature is the frequent imagery that we see in his paintings. Sometimes his imagery is outlandish, perplexing and uncanny as it is meant to shake the viewer and make them to think beyond the theories which they have guarded themselves with. Lot of elements that we see in pradosh’s paintings also come from his childhood days in Odisha. His paintings often take us on a nostalgic ride where we see elements which we were so used to and have now learnt to live without. He uses common elements that we see in our day to day life to convey his feelings and thought which makes his works all the more interesting. His paintings leave the viewer perplexed at the first glance but a deeper look gives the insight into his thoughts that instigate him to create. Pradosh’s paintings have a surrealistic quality, the imagery is dreamy and mystical and rendering is such as if there is some kind of romance and magic happening amongst the colours in his palette. His paintings are the result of brilliant culminations of feelings and things that are between imagination and reality. They reflect his genuine concern about issues he feels for. He emphasizes on the power of imagination and believes that revelation could be found anywhere….on the streets and in everyday life. Through his paintings artist depicts the notion that how our high pace life is making all of us loose that contact from the nature or even with ourselves. About the Artist and his work : Born : 1972 , Orissa. Education : 1994 : Bachelor in Fine Arts from Utkal University. 1989 : Diploma in Photographic from College of Education and Technology, Bubaneswar 2005 : Certificate Course on Reprography from National archives of India, New Delhi. 2007 : Conservation of Art Objects from National Research Laboratory for Conservation of Cultural Property, Lucknow. Solo Exhibition : Inter National Group Show by Ashok Art Gallery, New Delhi. Look Now, Lucknow Rastriya Lalit Kala Kendra, Lucknow – 2007 Kalingana, Birla Academy, Kolkata – 2006 FIFA world Cup – 2006, Orissa State Museum, Bhubaneswar – 2006 Yatra, Venkatapa Art Gallery, Bangalore – 2006 Towards Horizon, Jayadev Bhawan, Bhubaneswar – 2006 Jagannatayan, Rabindra Mandap, Bhubaneswar – 2005 Sand Watch...

Leign Wen’s works reflect her personal and cultural histories. Having grown up on the island of Taiwan, she has a deep affinity for the elemental power of water and the forces of nat...

Lee Herring focuses his contemporary paintings on vibrant, textured, and abstract landscapes that convey fleeting moments. Herring's energetic artworks are inspired by everyday moments and memories as he captures these ephemeral spaces within the context of a spontaneous, dream-like landscape. This 14.5-inch square original mixed media painting on wooden board is signed by the artist on the front and back. This artwork is framed in a white wood frame and is wired and ready to hang. Size and price include the frame. Convenient local Los Angeles shipping. Affordable Continental U.S. and International shipping also available. A Certificate of Authenticity issued by the gallery is included. Lee Herring was born in Sunderland, in north-east England. After excelling in art throughout his early education, he went on to study Fine Art at the University of Chester where he developed his painting style. Herring graduated with 1st class honors and was awarded the University Prize for his work. Years of dedication to his creative practice have cultivated Herring’s current multimedia style. Each of Herring’s paintings evolves through a spontaneous process. The conventional paintbrush is abandoned as Herring employs layers of impasto pastel hues in acrylic, markers, neon spray paint, and a glaze of varnish with pallet knives, trowels, and scrapers. The physicality of his work is evident in the visceral nature of his paintings. Sell-out shows and professional collaborations characterize Herring's international presence as his style constantly develops. His artworks are displayed and represented internationally with a strong following of investors, collectors, and reputable galleries. REPRESENTATION Artplex Gallery, Los Angeles, CA, USA EXHIBITIONS 2023 Fragmented Fluorescence, Artplex Gallery, Los Angeles, CA VJB Arts, London, UK 2022 Artplex Gallery, Los Angeles, CA The Other Art Fair, London, UK 2021 Artplex Gallery, Los Angeles, CA Manchester Art Fair, UK 2019 “Neon Love...

Gough’s interest in the elusive quality of memory has always been an invariable interest in his art practice. Rooted in memories of his upbringing in Newfoundland, Gough’s paintings are autobiographical but carry universal narratives. In the absence of detail there is an opportunity for one’s own memories to develop. An expansive solitude and sense of isolation is met with a universal feeling of what it means to belong. This unique 16 inch square mixed media painting on panel explores our relationship with memory and the natural world. This piece is signed by the artist on the back and is wired and ready to hang. The sides are painted and the artwork does not require framing. Free local Los Angeles area delivery. Affordable Continental U.S. and international shipping available. This artwork comes with a certificate of authenticity issued by the art gallery. At its core, his practice explores how our relationship with the natural world connects and defines us. Working in mixed media, he endeavors to create familiar meditative spaces that exhibit a personal journey, but simultaneously invite the viewer to insert themselves in the narrative. These paintings partially stem from a fear of memory loss as a result of experiences with Alzheimer’s in his family. Not only does the painting process exercise Gough’s memory, but the paintings themselves act as records of his experience becoming a blend of reality and idealism. They are not painted from photographs; the places are not precisely rendered and the experiences are not accurately told, but they are Gough’s authentic recollection of them. The intent of his work is to create a patchwork map of memories as a guide back to the authenticity of human feeling. REPRESENTATION Artspace Warehouse, Los Angeles, CA SOLO EXHIBITIONS 2023 “Mike Gough...

Available at Madelyn Jordon Fine Art. 'Iridescent Pearl Painting (Ariel)' 2023 by Catherine Howe. Acrylic mediums, interference and mineral pigments ...