Arslan Sükan

Untitled 30 Miami, 2018 From The Series Of Public On Paper. Color Photograph

2018

Untitled 20 (Miami), 2018 by Arslan Sükan From the series of Public on Paper Inkjet print on fine art paper Size: 112 cm H x 80 cm W Edition 1 of 3 Unframed Sukan has set out to i...

Untitled 12, 2014 by Arslan Sükan From the series of While You Are Surfing Inkjet print on fine art paper Size: 150 cm. H x 100 cm. W Edition 1 of 5 + 1AP Unframed The physical gest...

Untitled 14 (NY), 2018 by Arslan Sükan From the series of Public on Paper Inkjet print on fine art paper Size: 112 cm H x 80 cm W Edition 1 of 3 Unframed _________________________...

Untitled 26 (NY), 2018 by Arslan Sükan From the series of Public on Paper Inkjet print on fine art paper Size: 112 cm H x 80 cm W Edition 1 of 3 Unframed Sukan has set out to iden...

Untitled 24 (NY), 2018 by Arslan Sükan From the series of Public on Paper Inkjet print on fine art paper Size: 80 cm H x 112 cm W Edition 1 of 3 Unframed Sukan has set out to iden...

Artificial Blast, 2009 by Arslan Sükan From the series of While You Are Sleeping Inkjet print on fine art paper Size: 121 cm H x 152 cm W Edition 2 of 3 Unframed ‘While you are sl...

Vestiges of a bygone era, a funky old original neon sign acts as a beacon to the thirsty. Chromogenic archival print. Signed and dated on lower r...

This is a straight photo without a photoshop strip in. The silverman is from a trophy and is being held in the left hand of the photographer while his Nikon is in his right hand. It's an on-location shot set against three colorful fuel tanks...

Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan. For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing. Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole. W.T.C: Concrete Abstract series was shown in the following venues: 9.11 Memorial Museum New York
 Museum of the City of New York
 The Bronx Museum of the Arts
 The Brooklyn Academy of Music Photolux Festival. Lucca, Italy FMoPa. Tampa, USA Julie M. Gallery, Tel Aviv Julie Saul Gallery, New York Robert Koch Gallery...

Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan. For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing. Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole. W.T.C: Concrete Abstract series was shown in the following venues: 9.11 Memorial Museum New York
 Museum of the City of New York
 The Bronx Museum of the Arts
 The Brooklyn Academy of Music Photolux Festival. Lucca, Italy FMoPa. Tampa, USA Julie M. Gallery, Tel Aviv Julie Saul Gallery, New York Robert Koch Gallery...

Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan. For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing. Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole. 9/11 Memorial & Museum W.T.C: Concrete Abstract series was shown in the following venues: 9.11 Memorial Museum New York
 Museum of the City of New York
 The Bronx Museum of the Arts
 The Brooklyn Academy of Music Photolux Festival. Lucca, Italy FMoPa. Tampa, USA Julie M. Gallery, Tel Aviv Julie Saul Gallery, New York Robert Koch Gallery...

Modern Photography Cover, February, 1987 Triple exposure of silhouetted men on a hill, against plexiglass colored shapes echoing the bold iconic architectural curves of the opera h...