A. Aubrey Bodine

Five Fireman 1940s Mid Century WPA Era Modern Baltimore Black & White Photograph

c. 1940s

NYC 1939 World's Fair 5 - 8 x 10 photographs Mid 20th Century WPA Architectural Underwood and Underwood 1939 World’s Fair Photographs 8 x 10 inches each All five prints are stamped...

Bette Midler Film Set Backstage Baby Daughter Vintage b&w Print Contemporary Roddy McDowall (British-American, 1928-1998)m "Bette Midler & Daughter Sop...

Tennessee Williams Vintage Mid 20th Century Broadway Theatre Gay Contemporary Roddy McDowall (British American, 1928-1998) "Tennessee Williams," Vinta...

Landscape American Hungarian European Modernism 1938 Realism Long Island WPA era. The canvas measures 18” x 20". The artist signed the stretcher as well as the canvas. The scene depicts a spots in New York where Queens borders with Nassau county, Rosedale, which abuts the Five Towns. The border runs through Hook Creek, another painting we are currently offering. Stephen (Istvan) Csoka was born in Gárdony, Hungary on January 2, 1897 and died in New York in 1989. He is best remembered as a painter and etcher of portraits, nudes, landscapes, genre, and horses. Csoka studied at the Budapest Royal Academy of Art and his memberships include Associate of the National Academy of Design in New York City; the Society of American Etchers in Brooklyn, NY; the Society of Brooklyn Artists; and the Hungarian Etchers Association. Csoka's exhibitions and awards include a medal at the Barcelona International Exhibition in 1929; a prize at the City of Budapest Exhibit in 1930; prizes at the Society of American Etchers in 1942 and 1945; prizes at the Library of Congress in 1944 and 1946; a prize at the Society of Brooklyn Artists in 1944; a prize at the Philadelphia Watercolor Club in 1945; the Corcoran Gallery of Art in 1945; the Carnegie Institute in 1943, 1944, and 1945; the Art Institute of Chicago in 1944; the Los Angeles Museum of Art in 1945; the National Academy of Design from 1940 through 1945; one-artist shows at the Contemporary Artists in 1940, 1943, and 1945; and the Minneapolis State Fair in 1943. *Stephen continued to recieve awards and exhibit his work throughout his life. In 1997, Hofstra Museum sponsored a Retrospective/Centennial exhibition in honor of his birth. Collections representing Csoka's work are the Metropolitan Museum of Art, New York, NY; the Brooklyn Museum, Brooklyn, NY; the Museum of Fine Arts, Boston, MA; the British Museum, London, England; the Bezalel National Museum, Jerusalem, Israel; the Butler Institute of American Art, Youngstown, Ohio; Whistler House Museum of Art, Lowell, MA; the Cleveland Museum of Art, Cleveland, OH; Columbus Museum of Art, Columbus, OH; the Sheldon Swope Art Museum, Terre Haute, IN; the Mobile Museum of Art, Mobile, AL; the Frederick R. Weisman Art Museum, Minneapolis, MN; the Museum of New Mexico, Santa Fe, NM; the Budapest Museum of Fine Arts, Budapest, Hungary; Hungarian National Gallery, Budapest, Hungary, the Museum of the City of Budapest, Budapest, Hungary; the Library of Congress, Washington, DC; Carnegie Museums of Pittsburgh, Pittsburgh, PA; the Chrysler Museum of Art, Norfolk, VA; Georgia Museum of Art, Athens, GA; Hofstra Museum, Hofstra University, Hempstead, NY; Holocaust Museum, Glen Cove, NY; National Academy of Art, New York, NY; New Orleans Museum of Art, New Orleans, LA; New York Historical Society, New York, NY;New York Public Library, New York, NY; National Gallery of Art, Washington, DC; Peabody Museum, Cambridge, MA; Pennsylvania Academy of the Fine Arts, Philadelphia, PA; Reading Public Museum, Reading, PA; Livingston Arts Center, Mount Morris, NY; Ball State Teachers College, Muncie, IN; City College, New York, NY; Fashion Institute of Technology, New York, NY; Hungarian Consulate, New York, NY; Hungarian Heritage, New Brunswick, NJ; Hunter College, New York, NY; IBM Collections; Princeton Print Club...

Hook Creek Hungarian American European Modernism WPA 1935 Long Island Canal Boat Oil on canvas board 12” x 15". The framed size is 18 x 21. In addition to this painting, we will include and etching of this scene.. The Print measures 3 1/2 x 6 inches and the sheet, 6 1/2 x 8 1/2 inches. It is signed: S. Csoka, 1943. Stephen (Istvan) Csoka was born in Gárdony, Hungary on January 2, 1897 and died in New York in 1989. He is best remembered as a painter and etcher of portraits, nudes, landscapes, genre, and horses. Csoka studied at the Budapest Royal Academy of Art and his memberships include Associate of the National Academy of Design in New York City; the Society of American Etchers in Brooklyn, NY; the Society of Brooklyn Artists; and the Hungarian Etchers Association. Csoka's exhibitions and awards include a medal at the Barcelona International Exhibition in 1929; a prize at the City of Budapest Exhibit in 1930; prizes at the Society of American Etchers in 1942 and 1945; prizes at the Library of Congress in 1944 and 1946; a prize at the Society of Brooklyn Artists in 1944; a prize at the Philadelphia Watercolor Club in 1945; the Corcoran Gallery of Art in 1945; the Carnegie Institute in 1943, 1944, and 1945; the Art Institute of Chicago in 1944; the Los Angeles Museum of Art in 1945; the National Academy of Design from 1940 through 1945; one-artist shows at the Contemporary Artists in 1940, 1943, and 1945; and the Minneapolis State Fair in 1943. *Stephen continued to recieve awards and exhibit his work throughout his life. In 1997, Hofstra Museum sponsored a Retrospective/Centennial exhibition in honor of his birth. Collections representing Csoka's work are the Metropolitan Museum of Art, New York, NY; the Brooklyn Museum, Brooklyn, NY; the Museum of Fine Arts, Boston, MA; the British Museum, London, England; the Bezalel National Museum, Jerusalem, Israel; the Butler Institute of American Art, Youngstown, Ohio; Whistler House Museum of Art, Lowell, MA; the Cleveland Museum of Art, Cleveland, OH; Columbus Museum of Art, Columbus, OH; the Sheldon Swope Art Museum, Terre Haute, IN; the Mobile Museum of Art, Mobile, AL; the Frederick R. Weisman Art Museum, Minneapolis, MN; the Museum of New Mexico, Santa Fe, NM; the Budapest Museum of Fine Arts, Budapest, Hungary; Hungarian National Gallery, Budapest, Hungary, the Museum of the City of Budapest, Budapest, Hungary; the Library of Congress, Washington, DC; Carnegie Museums of Pittsburgh, Pittsburgh, PA; the Chrysler Museum of Art, Norfolk, VA; Georgia Museum of Art, Athens, GA; Hofstra Museum, Hofstra University, Hempstead, NY; Holocaust Museum, Glen Cove, NY; National Academy of Art, New York, NY; New Orleans Museum of Art, New Orleans, LA; New York Historical Society, New York, NY;New York Public Library, New York, NY; National Gallery of Art, Washington, DC; Peabody Museum, Cambridge, MA; Pennsylvania Academy of the Fine Arts, Philadelphia, PA; Reading Public Museum, Reading, PA; Livingston Arts Center, Mount Morris, NY; Ball State Teachers College, Muncie, IN; City College, New York, NY; Fashion Institute of Technology, New York, NY; Hungarian Consulate, New York, NY; Hungarian Heritage, New Brunswick, NJ; Hunter College, New York, NY; IBM Collections; Princeton Print Club...

1987 Tonys Awards Signed 8x10 Photo Broadway Legends Sondheim Fosse Verdon Simon 1987 Tony Awards photograph signed by 19 legends: Stephen Sondheim, Bob Fosse, August Wilson, Neil Simon Gwen Verdon, Mary Martin, Helen Hayes, Jerry Herman, Ann Miller, Rita Moreno, Bernadette Peters, Cy Coleman, Robert Altman, Tommy Tune...

Meah Shearim photograph of Torah scholars. Rabbis in Jerusalem. Photo of Hungarian quarter. Frédéric Brenner (born 1959) is a French photographer known for his documentation of Jewish communities around the world. His work has been exhibited internationally, among others, at the International Center of Photography in New York, the Musée de l'Élysée in Lausanne, Rencontres d'Arles in Arles, the Brooklyn Museum in New York, and the Joods Historisch Museum in Amsterdam. Brenner was born in Paris and grew up in France. In 1981, Brenner received a B.A. in French Literature and Social Anthropology from the Paris-Sorbonne University. He went on to study at the École des hautes études en sciences sociales and received a M.A. in Social Anthropology, also awarded by the Sorbonne. Brenner is the recipient of the Niépce Prize and his book Diaspora: Homelands in Exile won the 2004 Visual Arts Award from the Jewish Book Council. At age 19, Brenner began photographing Orthodox Jews in the Mea Shearim neighborhood of Jerusalem. Initially, he believed this was "authentic Judaism," but his approach quickly evolved into an exploration of the multiplicities of dissonant identities. In 1981, Brenner began photographing Jewish communities around the world, exploring what it means to live and survive with a portable identity and how Jews adopted the traditions and manners of their home countries and yet remained part of the Jewish people. He spent 25 years chronicling the diaspora of the Jews across the world from Rome to New York, India to Yemen, Morocco to Ethiopia, Sarajevo to Samarkand. Brenner has published five books and directed three films. His work has been shown in museums and galleries around the world. He has been represented by Howard Greenberg Gallery in New York since 1990. Brenner’s opus Diaspora: Homelands in Exile was published as a two-volume set of photographs and texts by HarperCollins in 2003 and appeared in four foreign editions. Diaspora was also a major exhibition, which opened in New York at the Brooklyn Museum in 2003 and traveled to nine other cities in America, Europe and Mexico. In reviewing the book, The New Yorker wrote: “Brenner's work—elegiac, celebratory, irreverent—transcends portraiture, representing instead a prolonged, open-ended inquiry into the nature of identity and heritage.” NPR's Robert Siegel has described Brenner's work as "a celebration of the diversity and complexity of diaspora." In 2006, Brenner founded This Place, a collective photography project aimed at recontextualizing Israel from multiple perspectives. The photographers working on this project include Wendy Ewald, Martin Kollar, Josef Koudelka, Jungjin Lee...

A stunning black and white photographic portrait of Imogen Cunningham (1883-1976) by California photographer, Robert Werling (b. 1946). Signed and dated by the artist on the mat, low...

Rare vintage signed and dated silver gelatin black & white framed photograph. This photo is signed but I cannot make out the signature. It is from the aftermath of the six day war. Leonard Freed, Micha Bar Am, Henri Cartier-Bresson, David Rubinger...

Rare vintage signed and dated silver gelatin black & white unframed photograph. (printed circa 19730-1981) signed and numbered in ink on recto. Hand developed by or under the personal direction of Micha Bar Am...

Edward Serotta Purim in the Pestalozzi Strasse Synagogue Berlin. silver gelatin print, matted, captioned by hand and hand signed and numbered. B/W photographs documenting Jewish li...

A series of five photographs by Betty Hahn titled, "Arrival or Departure (After Hitchcock), 1987, a series of five gelatin silver photographs" 17" by 24 each". A copy of the book included "Betty Hahn by Steve Yates. Gelatin silver photographic prints on paper mounted on foam board. Each has a sticker "BHC" with the letter indicating the print sequence "A-E". Following excerpt from the book "Betty Hahn "Photography Or Maybe Not" by Steve Yates, from the essay by Dana Asbury: "Instead of crime fiction and forensic photograph, the first filmic sequences have a moody raking light of film noir in the forties, and she titles Arrival or Departure (After Hitchcock) (plate 117). This series of 5 photographs (1987) shows the back of a man, unidentified, at a deserted train station, in late afternoon light. The rest is ambiguous. Is he coming or going? Is he moving away from him? Is there significance to the first close-up shot of a black duffel bag stuffed under his arm? It was of course Hitchcock's particular genius to explore the ominousness of everyday situations, and to show us that looking to long at anything makes it look suspicious. This series pays homage to Hitchcock's use of the tracking shot that conveys his terrifying message behind "Teddy Bear", that there is serious threat in ordinary objects. This series also fits in with the mood of "Appearance, Ehrlichman Surveillance", and many of the crime series-solitary male figure in an urban setting. There is a tough edge to these works." Unsigned, gallery receipt of purchase copy included with notation on verso . 5 framed images. Each image, 16.5"H x 23.5"L. The following biography is by Fumiko Koizumi at: The Visual Studies Workshop in association with the State University of New York at Brockport Betty Hahn was born Elizabeth Jean Okon on October 11, 1940 in Chicago, Illinois. In 1967, Betty Hahn moved to Rochester to pursue a job at Kodak or Xerox. While in Rochester, she participated in Nathan Lyons's Visual Studies Workshop from 1967 to 1968. Lyons lectured on "vernacular" and "snap shot" photography to workshop students, reinforcing Betty's interest in this "folk" tradition. During her time at the VSW she met Tom Barrow, Roger Mertin, and Alice Wells, and reconnected with Robert Fichter. She was encouraged by how their work was challenging the rules of what was common in fine-print photography. At age 10, her aunt Marcella Brown gave Betty her first camera, a Brownie #2. At this same time the Okon family moved to Indianapolis, Indiana. After graduating from Scecina Memorial Catholic High School in Indianapolis, she entered Indiana University in Bloomington, Indiana. She earned a four-year scholarship and studied fine arts. While she was experimenting with photographic image making her initial artistic experiences involved painting and drawing. She did not take photography seriously as a medium for her artistic expression during her undergraduate work. At age 23, Hahn graduated with a Bachelor of Arts degree and continued at Indiana University for graduate studies in the department of photography. At the suggestion of Henry Holmes Smith...