Terry O'Neill

Terry O'Neill 'Audrey Hepburn Dove'

1967

Brigitte Bardot, Les Petroleuses 1971 Silver gelatin print edition of 50 24 x 20 inches Signed and numbered edition of 50 rare Brigitte Bardot on the set of the film ‘Les Petroleu...

Slim Aarons Gretchen Van de Kamp Ward In Gustave Tassell 1960 (printed later) Silver gelatin print estate signature stamped edition of 150 with certificate of authenticity Model Gr...

Ted Williams Louis Armstrong 1962 (printed later) Silver gelatin print 20 x 24 inches Estate stamped and numbered edition 25 with certificate of authenticity Louis Armstrong on-sta...

Ted Williams Dr. Martin Luther King, 1964 Silver gelatin print 16 x 20 inches Estate stamped and numbered edition with certificate of authenticity Dr. Martin Luther King makes a sp...

Ted Williams Duke Ellington 1960 (printed later) Silver gelatin print 40 x 60 inches Estate stamped and numbered edition 25 with certificate of authenticity Duke Ellington on stage...

Brigitte Bardot, Hands on Hips 1971 Silver gelatin print 34 x 24 inches Co-signed and numbered edition of 50 Brigitte Bardot on the set of the film ‘Les Petroleuses’ a.k.a. ‘The Le...

Man Ray (1890-1976) Juliet, 1945/1991 Medium: Silver Gelatin Print (posthumous print) Dimensions: 30.5 x 24 cm Stamped: "Copie d'une épreuve originale - ADAGP Man Ray Trust" Conditio...

Brigitte Anne-Marie Bardot is one of the most iconic French actresses and models in the world. She is one of the best known sex symbols of the 1950s and 1960s and was widely referred to by her initials, B.B. With her heavy fringe, kohl-lined eyes, pouty lips and seductive curves, Brigitte Bardot captured the sixties bombshell zeitgeist. Like Marilyn Monroe and Audrey Hepburn, her image not only portrayed an era but an ideal that has remained indelibly imprinted in popular culture. This photo of French actress Brigitte Bardot in Spain, 1971 was taken on the set of 'Les Petroleuses' a.k.a. 'The Legend of Frenchie King', a western comedy film directed by Christian-Jaque. While on the set of ‘The Legend of Frenchie King’, Terry O’Neill was doing a three part series on Brigitte Bardot. This was the last frame Terry had left to use on set. The Bardot cigar shot is considered to be one of his most iconic photographs and is part of the permanent collection of the National Portrait Gallery in London. “I noticed that when the wind gusted there was the potential for a great picture. When the time came, I only had one frame left – one shot at it. But suddenly the wind swept her hair across her face, and it was a knock-out.” -Terry O’Neill All Fine Art...

Brigitte Bardot on the set of ‘The Novices’ a.k.a. ‘Les Novices’, France, 1970 Lifetime Edition Gelatin Silver Print Available Sizes: 20”x24” -Co-Signed by Terry O'Neill and Brigitt...

Pete Townshend of the Who Madison Square Garden New York 1979 Large Oversize limited edition (ed size 15 only this size) and signed silver gelatin print. paper size 40x30" inches / 101 x 76 cm Certificate of authenticity supplied. About Michael Putland the photographer : Born in 1947, Michael grew up in Harrow where he took his first pictures at the age of nine before leaving school at sixteen to work as an assistant to various photographers including Time-Life photographer, Walter Curtain and the legendary motor racing photographer, Louis Klemantaski. In 1969 he set up his own studio and by 1971, he was the official photographer for the British music magazine Disc & Music Echo. His first assignment for them that year was to photograph Mick Jagger in London. From the editorial work for Disc and Music Echo, Sounds and later Smash Hits & Q magazine amongst others, to the 1973 tour with The Rolling Stones that led to a long-standing relationship working with the band, Michael has shot prodigiously including for major record labels including CBS, Warner, Elektra, Polydor, Columbia Records and EMI. Relocating to New York in 1977, it was here that Michael founded the photo agency, Retna. It has been said that Michael photographed everyone from Abba to Zappa … when looking at his archive this is actually true. Now living in East Sussex, recent 2016 exhibitions include “Off The Record” at The Lucy Bell Gallery in Hastings showing images both on and off stage including previously unseen contact sheets; whilst Ono Arte in Bologna, Italy is hosting a David Bowie show. Autumn 2014 saw Michael’s 50 year retrospective at the Getty Gallery in London: “A life in Music, 50 Years On The Road”. Snap Gallery in London’s Piccadilly Arcade regularly have a selection of Michael’s work on show. Michael continues to shoot the artists he most admires – likely to be jazz, classical and world musicians, who have always provided an alternative narrative to his rock music portfolio. “It has been a fantastic ride through an incredible period of music history, which combined my two great loves … music and photography. Little did I appreciate, when my Uncle Alan encouraged my photography back in the 1950s, that this would lead me to photographing nearly all of my heroes … and thrilled to be still finding new ones. A great never ending journey.” Michael Putland About The Who : Few rock & roll bands were riddled with as many contradictions as the Who. All four members had wildly different personalities, as their notorious live performances demonstrated: Keith Moon fell over his drum kit while Pete Townshend leaped into the air with his guitar, spinning his right hand in exaggerated windmills. Vocalist Roger Daltrey prowled the stage as bassist John...

David Bailey Bob Dylan, 1986 Lambda Silver Gelatin print on paper, framed Signed by the artist, on verso Sheet: 116 x 140 cm Edition of 10

From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 7 x 7 inches, image 15 x 12 inches, mount This photograph is offered by ClampArt, located in New York City. “In the 1950s few photographers, particularly men, chose their models from their own families. Meatyard, however, found inspiration in his three offspring. This was perhaps due to his interest in Ben Shahn’s postwar paintings of Italian children playing among the ruins of war; the dolls, puppets, and children in Rainer Maria Rilke’s poetry...