Bernard Plossu

Rain in Southern California

1978

Signed, titled and numbered in pencil on recto Archival pigment print Image: 15-3/4" x 18-3/4", Paper: 26-1/4" x 26-1/4", Matted: 29" x 29-1/2" Edition 22 of 265

Bob Dylan, Revisited II, New York`, 1966 Archival pigment print Image: 18-1/2" x 19", Paper: 24" x 20", Matted 30" x 24" Edition of 30

Bob Dylan, Blonde on Blonde, New York, 1966 Signed and numbered in ink on verso Archival pigment print Image: 22-1/2" x 11-1/4", Paper: 24" x 20", Matted: 30" x 24" AP 4 of 5

Bob Dylan and Allen Ginsberg sitting at Jack(John L.) Kerouac's Grave, Lowell, MA, 1975 Signed and numbered in ink on recto Archival pigment print Paper: 20" x 24" Edition 2 of 50

Posthumous state stamp on label signed by trustee with edition number accompanying print Digital C-print Image: 11-3/4" x 17", Paper" 17-1/2" x 21-1/2", Matted: 20" x 24" Edition 1 o...

Signed and numbered in ink on verso Archival pigment print Image: 13-1/8" x 19", Paper: 14-1/8" x 20", Matted: 20" x 24" AP 1/3

This work is unique. Work comes with a Certificate of Provenance from The Andy Warhol Foundation for the Visual Arts issued by Christie’s. Stamped on the verso by the Estate of the A...

Archival pigment print Signed and numbered on label, verso 20 x 24 inches (Edition of 10) 43 x 50 inches (Edition of 7) This photograph is offered by ClampArt, located in New York City. Since the great success of her monkey portraits...

Archival pigment print Signed and numbered on label, verso 24 x 20 inches (Edition of 10) 50 x 43 inches (Edition of 7) This photograph is offered by ClampArt, located in New York ...

Case Study House #21, Bailey House, 1960 Pierre Koenig Architect Chromogenic color print 20 x 16 inches Built in the hills with south views, thi...

"Shamrock Conoco, TX" is an original color photograph by Thomas Ferderbar. The artist signed the piece lower right. It depicts the entrance to a building in Texas off of Route 66. This photograph is part of the artist's "Route 66" series. Artwork Size: 18 3/4" x 15" Frame Size: 25" x 21" Artist Bio: I wanted to become a photographer at the age of 12, when my sister Grace gave me a Kodak Box Brownie camera for Christmas. (I still have that camera.) Since our family was quite poor, I built my first enlarger with an oatmeal box, while that same box camera was used as its lens. In 1947, just after graduation from high school, I had the opportunity to travel to California by car and house trailer with my uncle, aunt and mother, and in the process to shoot my first pictures along Route 66. Then, after graduation from college, a stint in the army followed by photography school, I opened an advertising photography studio in 1954. For over four decades my staff and I earned numerous local, regional and national awards for our achievements in photography, including several "best of show" honors. In 1958 I studied with renowned landscape photographer Ansel Adams at his Yosemite National Park workshop. In 1980, while still operating my advertising photography studio, I began a serious photographic study of the decaying artifacts along our country's former Mother Road, Route 66. The former national highway route from Chicago, Illinois to Santa Monica, California was not a popular subject at the time, and so I filed away my transparencies, not knowing what I might ever do with them. However, as time passed Route 66 did become a topic of national interest, and upon my retirement in 1997, I once again returned to record the Mother Road's artifacts. A number of my Yosemite series photographs are included in the Ansel and Virginia Adams collection at the Center for Creative Photography at the University of Arizona at Tucson, and several of my Route 66 photographs and other subjects have been acquired by the Milwaukee Art Museum. At this time I am preparing a book of my photographic experiences along Route 66, from 1947 to the present. --Tom Ferderbar

Edition of 25