Items Similar to Moving in Together (Till Death do us Part) - analog, mounted, Installation

Stefanie Schneider - Aimless (Wastelands), triptych, analog, mounted - Polaroid, 21st Century, Color

Stefanie Schneider - Red Shoes (Stage of Consciousness) starring Radha Mitchell - 40x50cm, mounted

Stefanie Schneider - 'I'm frozen in my Memory of Love that once was' from Till Death do us Part

Stefanie Schneider - Bourbon (Suburbia) featuring Louis Ferreira, analog, mounted

Stefanie Schneider - The Prince #02 (The Princess and her Lover), analog, mounted

Stefanie Schneider - Moving in Together (Till Death do us Part) - analog, Contemporary, mounted

Want more images or videos?

Request additional images or videos from the seller

1 of 14

Stefanie Schneider
Moving in Together (Till Death do us Part) - analog, mounted, Installation
2008

About the Item

Moving in Together (Till Death do us Part) - Installation - 2008 Edition of 5. 16 analog C-Prints , hand-printed by the artist on Fuji Crystal Archive Paper, based on 13 Polaroids, Mounted on Aluminum with matte UV-Protection. 15 x pieces 50x60cm. 1 x 125x156cm. Installed 160 x 650 cm. Artist Inventory No. 8533.01. Signed on verso. Included is the song "Million Pieces" by Daisy McCrackin. Poems written by Austen Tate. Exhibits : 29 Palms, CA, Galerie Spesshardt & Klein, Berlin (S) (see installation photos) On offer is a piece from the movie "Till Death do us Part" Stefanie Schneider’s Till Death Do Us Part or “There is Only the Desert for You.” While Stefanie Schneider's art is often nostalgic and dreamlike, there is a darker side to her work that explores themes of decay, abandonment, and the death of the American dream. In many of her images, Schneider focuses on abandoned buildings, rusted cars, and other relics of a bygone era. These images suggest a sense of decay and decline, and they raise questions about the fleeting nature of human existence and the transience of material objects. In some cases, Schneider's images are deliberately blurred or fragmented, suggesting a sense of instability and uncertainty about the past. Schneider's images of women also often challenge traditional notions of beauty and perfection. Rather than presenting idealized or objectified images of women, she often depicts them in states of undress or vulnerability, suggesting a sense of shared humanity and a challenge to traditional power dynamics. Through these darker themes, Schneider's work can be seen as a commentary on the decline of the American dream. Her images suggest a sense of loss and disillusionment, and they raise questions about the sustainability of the American way of life. At the same time, however, they also suggest a sense of resilience and hope, as the decaying objects and landscapes she depicts are often imbued with a strange beauty and a sense of mystery. Overall, Stefanie Schneider's art offers a complex and multifaceted exploration of memory, nostalgia, and the human experience. While her work can be nostalgic and dreamlike, it also challenges viewers to consider the darker side of the American dream and to confront the realities of decay and decline in our society. Stefanie Schneider lives and works in the California High Desert where her scintillating situations take place in the American West. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters. Schneider works with the chemical mutations of expired Polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dreamscapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction. Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen.

Creator:
Stefanie Schneider (1968, German)
Creation Year:
2008
Dimensions:
Height: 63 in (160 cm)Width: 255.91 in (650 cm)Depth: 0.4 in (1 cm)
Medium:
Metal,Archival Paper,Photographic Paper,C Print,Polaroid
Movement & Style:
Contemporary
Period:
2000-2009
Condition:
Gallery Location:
Morongo Valley, CA
Reference Number:
1stDibs: LU65239929652
View Invoice

More Ways To Browse

Ca Road Signs Metal

Metal Human Sculpture

Blue 70s

Santa Fe Style

Fluid Sculpture

19th Century German Painting

Matisse Print Color

Vintage Donald Art

Pop Culture Art Sculpture

Vintage Card Frame

Vintage Chinese Print

Vintage Chinese Prints

Japanese Sculptor

Alphabet Art

Antique French Sheets

Lithograph Of Women

18th Century Artwork

Antique Ship Prints

Stefanie Schneider
Moving in Together (Till Death do us Part) - analog, mounted, Installation
2008

About the Item