Will Adler

Mexico

2012

Listing includes framing with UV plexiglas and a 14 day return policy. This is the last edition available for this print. Available for local pick up at our Los Angeles gallery. Continental shipping is charged at a 40%+ discounted rate with a white glove delivery service. Jim Krantz Epic Western No. 9, 2010 40 x 60 inch c-print Edition 7 of 7 Signed on artist certificate Artist Biography - Krantz occupies a unique place in the history of contemporary art for his imagery blending western landscape photography with the figure of the cowboy as depicted and romanticized in American popular culture. The technical underpinning of his work was established when he studied with Ansel Adams and Paul Caponigro, but perhaps more importantly, Krantz’s work reflects a dictum that he learned from Adams: “Technical proficiency leads to artistic freedom.” His range and versatility are his forte, working with ease in demanding and ever-changing conditions. If Krantz’s work looks familiar, it is not surprising. Krantz, had been documenting the cinematic vistas of the American West for 20 years on commercial assignments and these much published images caught the eye of appropriation artist, Richard Prince, known for re-photographing advertisements and presenting the resulting images in a new “conceptual” context. Prince’s most famous series is his large scale reproductions of the cowboy images...

Listing includes framing with UV plexiglas (a $1,500 value) and a 14-day return policy. Shipping charged at a discounted rate worldwide via white glove delivery service. Please inquire if you would like to purchase an unframed print for a reduced rate. Available for local pick up at our Los Angeles gallery. Jim Krantz Epic Western III, 2019 40 x 68 inch chromogenic print Edition 3 of 5 Signed on signature label. Artist Biography - Krantz occupies a unique place in the history of contemporary art for his imagery blending western landscape photography with the figure of the cowboy as depicted and romanticized in American popular culture. The technical underpinning of his work was established when he studied with Ansel Adams and Paul Caponigro, but perhaps more importantly, Krantz’s work reflects a dictum that he learned from Adams: “Technical proficiency leads to artistic freedom.” His range and versatility are his forte, working with ease in demanding and ever-changing conditions. If Krantz’s work looks familiar, it is not surprising. Krantz, had been documenting the cinematic vistas of the American West for 20 years on commercial assignments and these much published images caught the eye of appropriation artist, Richard Prince, known for re-photographing advertisements and presenting the resulting images in a new “conceptual” context. Prince’s most famous series is his large scale reproductions of the cowboy images...

Edition 5 of 7. Signed on signature label. Produced by Jim Krantz. Krantz occupies a unique place in the history of contemporary art for his imagery blending western landscape photography with the figure of the cowboy as depicted and romanticized in American popular culture. The technical underpinning of his work was established when he studied with Ansel Adams and Paul Caponigro, but perhaps more importantly, Krantz’s work reflects a dictum that he learned from Adams: “Technical proficiency leads to artistic freedom.” His range and versatility are his forte, working with ease in demanding and ever-changing conditions. If Krantz’s work looks familiar, it is not surprising. Krantz, had been documenting the cinematic vistas of the American West for 20 years on commercial assignments and these much published images caught the eye of appropriation artist, Richard Prince, known for re-photographing advertisements and presenting the resulting images in a new “conceptual” context. Prince’s most famous series is his large scale reproductions of the cowboy images from Marlboro ads, and in something of an ironic compliment, when Prince had his mid-career retrospective at the Guggenheim Museum not only were Krantz’s re-photographed images included in the exhibit but the image on all the banners flying along 5th Avenue was also one of Krantz’s. All uncredited. Krantz’s art has been embraced by the worlds of fashion and popular culture with collaborations with Supreme, Adam Kimmel...

Listing includes free shipping for unframed prints in the continental U.S. and a 14 day return policy. Jim Krantz Epic Western No. 38, 2020 40 x 60 inch chromogenic print Edition 5 of 7 Krantz occupies a unique place in the history of contemporary art for his imagery blending western landscape photography with the figure of the cowboy as depicted and romanticized in American popular culture. The technical underpinning of his work was established when he studied with Ansel Adams and Paul Caponigro, but perhaps more importantly, Krantz’s work reflects a dictum that he learned from Adams: “Technical proficiency leads to artistic freedom.” His range and versatility are his forte, working with ease in demanding and ever-changing conditions. If Krantz’s work looks familiar, it is not surprising. Krantz, had been documenting the cinematic vistas of the American West for 20 years on commercial assignments and these much published images caught the eye of appropriation artist, Richard Prince, known for re-photographing advertisements and presenting the resulting images in a new “conceptual” context. Prince’s most famous series is his large scale reproductions of the cowboy images...

Listing includes framing with UV Plexi, free shipping to the continental US, and a 14-day return policy. This is also available for local pick up at our New York City location. Kr...

Free shipping for the continental U.S. and a 14-day return policy. Jim Krantz Epic Western No. 35 40 x 68 inch chromogenic print Edition 2 of 5 Signed on adhesive signature label Krantz occupies a unique place in the history of contemporary art for his imagery blending western landscape photography with the figure of the cowboy as depicted and romanticized in American popular culture. The technical underpinning of his work was established when he studied with Ansel Adams and Paul Caponigro, but perhaps more importantly, Krantz’s work reflects a dictum that he learned from Adams: “Technical proficiency leads to artistic freedom.” His range and versatility are his forte, working with ease in demanding and ever-changing conditions. If Krantz’s work looks familiar, it is not surprising. Krantz, had been documenting the cinematic vistas of the American West for 20 years on commercial assignments and these much published images caught the eye of appropriation artist, Richard Prince, known for re-photographing advertisements and presenting the resulting images in a new “conceptual” context. Prince’s most famous series is his large scale reproductions of the cowboy images...

Alain Foussier, born in France living in the Netherlands, perfects the mood and spirit of Spaniel dogs with his portrait photography. His Spaniel dog a...

GOLDEN GATE by Frank Schott an epic scale photograph of iconic Golden Gate Bridge and San Francisco skyline in Northern California's atmospheric morning light 58 x 110 inches ( 147 ...

Coal Tit is part of the In Flight collection, a series of portraits of the wild birds taken in the gardens of Mark Harvey's home in Norfolk, England. At a me...

Taken at the beginning of the breeding season in March, this male Blue Tit is showing off his pristine breeding plumage. Spring Blue Tit is part of the In Flight collection, a serie...

The greenfinch is an infrequent visitor to my garden, but with their glorious colours and strong, rounded shapes they are a sight to behold. The fan-like shape of the wings frames th...

'10525 (Stranger than Paradise) 1999, 5 pieces, each 128x125 cm plus 10 cm in between each print together 128x640cm, Sold out Edition of 3. Artist Proof 1 of 2, analog C-Prints, pr...