Amy Touchette

Lorimer Street, Williamsburg

2003

Gelatin silver print (Edition of 50) Signed, titled, dated, and numbered in pencil, verso Also inscribed with alternate title "Jump with Boats" ("Saut et Bateau") in pencil, verso ...

Gelatin silver print (Edition of 15) Estate stamp, verso; signed by Max Scheler, Executor Also titled, dated, and numbered in ink, verso This artwork is offered by ClampArt, locate...

Sepia-toned gelatin silver print with matte finish (Edition of 25) Signed, titled, dated, and numbered in pencil, verso Also blindstamped, l.r. This artwork is offered by ClampArt,...

Gelatin silver print (Edition of 3) Signed, titled, dated, and numbered in pencil, verso This artwork is offered by ClampArt, located in New York City.

Sepia-toned gelatin silver print with matte finish Signed, titled, dated, and inscribed in pencil, verso This artwork is offered by ClampArt, located in New York City.

Gelatin silver print (Edition of 50) Signed, titled, dated, and numbered in pencil, verso This artwork is offered by ClampArt, located in New York City.

Derby Spectator A spectator looking through binoculars at the Derby horse races, Epsom, Surrey, June 1923. (Photo by Hulton / Getty Archive) Silver gelatin fibre print 20 x 24" p...

Young Competitors (1925) - Silver Gelatin Fibre Print (Photo by MacGregor/Topical Press Agency/Getty Images) 11th August 1925 Three young competitors arriving at the courts for th...

' The Wet Set ' Oversize Limited Edition Print 1963 - Victoria and Albert Museum, London By John French The Wet Set, John French (1907-66), London, 1963 © Victoria and Albert Museu...

Handcuffed, New York City, 1978 is a 14" x 11" black and white lifetime print by Leonard Freed. Signed verso (back of photo) by Leonard Freed, with Freed's copyright stamp also verso, the image appears in Leonard Freed's seminal book "Police Work," published in 1980. For several years in the 1970s Leonard Freed worked alongside the New York police...

Jean Michel Basquiat photograph 1979; This rare Basquiat photograph was taken from Nicholas Taylor’s well-documented portfolio exploring his friendship with Jean-Michel Basquiat - a friendship which began when both collaborated on the historic New York No Wave band, “GRAY” in the late 1970s; before the two briefly lived together in the East Village. Selections from Taylor's portfolio were most notably exhibited as part of the Basquiat retrospective at London's Barbican in 2017 and have been featured in numerous noteworthy publications on Basquiat. Silver Gelatin Print. 1979. 11 x 14 inches. Hand singed and numbered in the margins from an edition of 5 A/P's. Good to very good overall vintage condition, with the exception of some minor surface waving commensurate with medium. Provenance: Obtained directly from artist. Lot 180 Gallery New York is a primary dealer rep of Nicholas Taylor. Whilst Basquiat often provided glimpses into his conflicted character through his own art, Taylor’s photograph offers an intimate, and perhaps more honest, portrait from the outside. The clever exploration of light and dark reveals the dichotomies that divided the artist; both his fragile and playful, tender and brazen sides are unveiled. A soft glow is cast across Basquiat’s face, communicating a tenderness and affection that only a close friend could capture. About Nicholas Taylor: Nicholas Taylor (American, b. 1953) is a renowned photographer and musician. Taylor moved to New York in 1977 to pursue a career as a photographer and it was through the vibrant New York art scene that he came to know the young artist, Jean-Michel Basquiat. It was, in fact, his intimate portfolio of photographs documenting his friendship with Basquiat that rocketed Taylor to fame. The two would collaborate in the seminal No Wave band “Gray” and live together in the East Village, before Taylor launched a successful career as a DJ famous for track-looping. His track “Suicide Mode” would later be used in the soundtrack for Julian Schnabel’s 1996 film “Basquiat." Taylor has been directly referenced in at least two works by Basquiat and is responsible for first introducing the artist to Madonna before the two dated. Taylor's photographs of Basquiat were recently exhibited at London's Barbican and Frankfurt's Schirn Kunsthalle as part of the landmark Basquiat: Boom for Real exhibition; with Gray (Michael Holman & Nick Taylor...

14 x 10 inch gelatin silver print, initialed "H.L." on verso. From the James Agee Family Collection. Helen Levitt was a true master of the street, one whose poetic vision, humor, an...