Mitchell FunkAspen Colorado Golden Landscape Luminous Lines of Light and Bicycle 1973
1973
About the Item
- Creator:Mitchell Funk (1950, American)
- Creation Year:1973
- Dimensions:Height: 29 in (73.66 cm)Width: 43 in (109.22 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Miami, FL
- Reference Number:1stDibs: LU385313683682
Mitchell Funk
Mitchell Funk is a pioneer of color photography. In 1970, he participated in one of the first color photography shows at the Brooklyn Museum titled “Images en Couleur." In 1971, he was included in the visionary books Frontiers of Photography and Color (Life Library of Photography), both published by Time-Life. He has done more than 50 photography magazine covers, including covers for Newsweek and Life.
- ShippingRetrieving quote...Ships From: Miami, FL
- Return PolicyA return for this item may be initiated within 3 days of delivery.
- Big Moon over Magenta Sea - Pink Crashing Wave at New Jersey ShoreBy Mitchell FunkLocated in Miami, FLVeteran photographer Mitchell Funk strikes a fine balance between abstraction and representation in this optically pleasing color photograph. The sky turns pink magenta as waves cras...Category
1970s American Impressionist Landscape Photography
MaterialsArchival Ink, Archival Paper, Archival Pigment
- East Hampton Swimming Pool in the RainBy Mitchell FunkLocated in Miami, FLSoft pinks and blues beckon in the rain Signed and dated on lower right, numbered on verso, 2/15, other size available, unframed, printed later, Printed on Hahnemühle Fine Art paperCategory
2010s American Impressionist Color Photography
MaterialsArchival Pigment, Archival Paper, Photographic Paper, Archival Ink
- Manhattan from Long Island City, Fine Art PhotographyBy Mitchell FunkLocated in Miami, FLSigned and dated on lower right, numbered on verso, 2/15 Printed later, other size available, unframed - Printed on Hahnemühle Fine Art paperCategory
1970s American Impressionist Landscape Photography
MaterialsArchival Pigment, Archival Paper, Archival Ink, Photographic Paper
- Old Las Vegas, Fremont Street Neon Signs, Abstract PhotographyBy Mitchell FunkLocated in Miami, FLClassic view of downtown neon signs of Las Vegas before the wrecking ball demolished one of America's most unique sights. The print is signed, dated and numbered with an edition of ...Category
1970s American Impressionist Color Photography
MaterialsPhotographic Paper, Archival Ink, Archival Paper, Archival Pigment
- East Hampton Sunset , Nature Photography by Mitchell FunkBy Mitchell FunkLocated in Miami, FLEast Hampton Sunset , Signature: Signed , Dated lower right and numbered verso 4 /15, Unframed, Other sizes available. printed later, Printed on Hahnemühle Fine Art paper Robins e...Category
2010s American Impressionist Landscape Photography
MaterialsArchival Ink, Archival Paper, Photographic Paper, Archival Pigment
- Single Scull East Hampton, Nature Photography by Mitchell FunkBy Mitchell FunkLocated in Miami, FLSingle Scull East Hampton, poetic moment of supreme tranquility and harmony of subject and pictorial structure Signed and dated on lower right, numbered on verso 3/15, Printed Lat...Category
2010s American Impressionist Color Photography
MaterialsArchival Pigment, Photographic Paper, Archival Ink, Archival Paper
- Jimmy Nelson - XXXI 67, XXXII Muchimba, Angola, Photography 2017, Printed AfterBy Jimmy NelsonLocated in Greenwich, CTAll available sizes & editions for each size of this photograph: 24.41 X 33.86 - Edition of 9 39.37 X 55.12 - Edition of 6 55.12 X 78.74 - Edition of 3 66.93 X 96.46 - Edition of 1 ...Category
2010s Contemporary Color Photography
MaterialsArchival Ink, Archival Paper, Photographic Paper, Archival Pigment
- Jimmy Nelson - VII 274 // VII Ladakh, India, Photography 2012, Printed AfterBy Jimmy NelsonLocated in Greenwich, CTAll available sizes & editions for each size of this photograph: 24.41 x 43.31 - Edition of 9 39.37 x 70.87 - Edition of 6 55.12 X 102.36 - Edition of 3 As a photographer, beyond th...Category
2010s Contemporary Color Photography
MaterialsArchival Ink, Archival Paper, Photographic Paper, Archival Pigment
- Forgotten Pool - Contemporary, Polaroid, Photograph, 21st CenturyBy Cristina FontsareLocated in Morongo Valley, CAForgotten Pool (2015), Edition of 10. 50 x 50 cm. Archival Print on Canson Baryta Fiber Rag 310gr, based on a Fuji Instant Film (not mounted). Signed on back with Certificate. Cr...Category
2010s Contemporary Color Photography
MaterialsArchival Ink, Archival Paper, Color, Archival Pigment, Polaroid
- "Yellow-throated Vireo" - original bird photography by Matt TillettBy Carolyn MonastraLocated in New York, NY17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...Category
2010s Contemporary Landscape Photography
MaterialsArchival Paper, Archival Pigment, Archival Ink
- "Clark's Nutcracker"By Carolyn MonastraLocated in New York, NY17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...Category
2010s Contemporary Landscape Photography
MaterialsArchival Paper, Archival Ink, Archival Pigment
- Two "Bohemian Waxwings"By Carolyn MonastraLocated in New York, NY17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...Category
2010s Contemporary Landscape Photography
MaterialsArchival Paper, Archival Ink, Archival Pigment