Skip to main content
Video Loading
Want more images or videos?
Request additional images or videos from the seller
1 of 10

Mitchell Funk
New York City Hazy Day, Central Park West Towers Cradle Orange Red Sun

2023

About the Item

Dense smoke from Canadian wildfires blanketed New York City with a thick, warm grey haze, giving the sky a surreal quality. Sunset enhanced the hazy effect. Photographer Mitchell Funk exploited the perfect moment as the sun transformed into a lollypop-colored sphere cradled between two pre-war Central Park skyscrapers. The resulting image strikes a perfect composition where all the elements harmonious relate to each other. The attached video shows light and uses the still images as a reference for color and shape. This archival color photograph by fine art photographer Mitchell Funk is signed, numbered 2/15, dated and titled and lower right recto. Other sizes are available and the fine art photograph is unframed and printed later. This work is printed on fine art Hahnemuhle paper. Mitchell Funk is a pioneer of " Color Photography" In 1970 he participated in one the first " Color Photography" shows at a major museum. Brooklyn Museum, show "Images en Couleur" . 1971 Included he was included in the visionary book "Frontiers of Photography" Time Life. Color ! American Photography Transformed. Amon Carter Museum. He has had more than 50 Photography Magazine Covers and has had covers on Newsweek, Fortune, New York Magazine and Life Magazine among others
  • Creator:
    Mitchell Funk (1950, American)
  • Creation Year:
    2023
  • Dimensions:
    Height: 40 in (101.6 cm)Width: 60 in (152.4 cm)
  • More Editions & Sizes:
    14.5 x 21 Ed: 2/15Price: $1,80029 x 43 Ed: 3/15Price: $5,000
  • Medium:
  • Movement & Style:
    Tonalist
  • Period:
  • Condition:
  • Gallery Location:
    Miami, FL
  • Reference Number:
    1stDibs: LU385314113622
More From This SellerView All
  • Monochromatic Golden Gate Bridge in Fog, San Francisco
    By Mitchell Funk
    Located in Miami, FL
    It's a moody moment of monochromatic minimalism. Iconic San Francisco is depicted with utter simplicity. The Golden Gate bridge is stripped of color and form and is reduced to a f...
    Category

    1990s Minimalist Landscape Photography

    Materials

    Archival Ink, Archival Paper, Archival Pigment, Inkjet

  • Hell's Kitchen , New York City, Street Photography by Mitchell Funk
    By Mitchell Funk
    Located in Miami, FL
    Street Photographer Mitchell Funk shoots an upward view of an old walkup in Hell's Kitchen with golden glittering light against a hot sky. The warm colors vaguely allude to the distr...
    Category

    2010s Contemporary Landscape Photography

    Materials

    Archival Ink, Archival Paper, Archival Pigment

  • Central Park at Dawn First Light in Blue and Yellow Mist, Fine Art Photography
    By Mitchell Funk
    Located in Miami, FL
    The movie light illuminates a path in Central Park on a foggy morning. The circular light appears behind a light pole and appears as if it would be the su...
    Category

    2010s Impressionist Landscape Photography

    Materials

    Archival Ink, Archival Paper, Archival Pigment

  • The Painted Ladies, San Francisco’s Victorians Seven Sisters, Architecture
    By Mitchell Funk
    Located in Miami, FL
    Bright and bold colors define one of San Francisco's most beloved architectural gems. The Painted Ladies of Alamo Square are transformed into a color field painting. Mithcell Funk's...
    Category

    2010s Abstract Geometric Landscape Photography

    Materials

    Archival Pigment, Archival Ink, Archival Paper

  • San Francisco Victorian Row Houses in First Light and Billowing Clouds
    By Mitchell Funk
    Located in Miami, FL
    San Francisco's famous Victorian Row Houses are soaked in the golden light of early morning. The dramatic clouds above take on the same color scheme of th...
    Category

    Early 2000s Post-Impressionist Landscape Photography

    Materials

    Archival Ink, Archival Paper, Inkjet, Archival Pigment

  • Big Moon over Magenta Sea - Pink Crashing Wave at New Jersey Shore
    By Mitchell Funk
    Located in Miami, FL
    Veteran photographer Mitchell Funk strikes a fine balance between abstraction and representation in this optically pleasing color photograph. The sky turns pink magenta as waves cras...
    Category

    1970s American Impressionist Landscape Photography

    Materials

    Archival Ink, Archival Paper, Archival Pigment

You May Also Like
  • "Yellow-throated Vireo" - original bird photography by Matt Tillett
    By Carolyn Monastra
    Located in New York, NY
    17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
    Category

    2010s Contemporary Landscape Photography

    Materials

    Archival Paper, Archival Pigment, Archival Ink

  • "Clark's Nutcracker"
    By Carolyn Monastra
    Located in New York, NY
    17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
    Category

    2010s Contemporary Landscape Photography

    Materials

    Archival Paper, Archival Ink, Archival Pigment

  • Two "Bohemian Waxwings"
    By Carolyn Monastra
    Located in New York, NY
    17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
    Category

    2010s Contemporary Landscape Photography

    Materials

    Archival Paper, Archival Ink, Archival Pigment

  • "Common Redpoll"
    By Carolyn Monastra
    Located in New York, NY
    17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
    Category

    2010s Contemporary Landscape Photography

    Materials

    Archival Paper, Archival Ink, Archival Pigment

  • "Pine Siskin"
    By Carolyn Monastra
    Located in New York, NY
    17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
    Category

    2010s Contemporary Landscape Photography

    Materials

    Archival Paper, Archival Ink, Archival Pigment

  • "Sandhill Crane"
    By Carolyn Monastra
    Located in New York, NY
    17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
    Category

    2010s Contemporary Landscape Photography

    Materials

    Archival Paper, Archival Pigment, Archival Ink

Recently Viewed

View All