Pablo Boneu

RETRATO MADRE E HIJA - de la Serie ALTERNANCIAS

2020

Photographic printing on 441 4-sided kinetic modules and independent rotation each 31.5 x 31.5 x 2 in 2020 Pablo Boneu crosses the mediums of photography, sculpture and hand-crafte...

Photographic printing on 441 4-sided kinetic modules and independent rotation each 31.5 x 31.5 x 2 in 2020 Pablo Boneu crosses the mediums of photography, sculpture and hand-crafte...

Photographic printing on 441 4-sided kinetic modules and independent rotation each 31.5 x 31.5 x 2 in 2020 Pablo Boneu crosses the mediums of photography, sculpture and hand-crafte...

Synthetic enamel on paper

Synthetic enamel on paper

Historia, Memoria y Silencios (Silencios) Unopened XIV, 2009 Archival ink on cotton paper 16h x 16w in /5 Lorena Guillén Vaschetti was born in Rosario, Argentina in 1974 and currently lives and works in Buenos Aires. In 2000 Lorena received a degree in Architecture and Anthropology from University of Buenos Aires. Her work has been widely exhibited and published in the United States, South America, and Europe. Her first book, Historia, Memoria, y Silencios, Schilt 2011 was distinguished by PhotoEspana, 2012 and PDN as one of the Best Books of the Year. Her work is in the permanent museum collections of Brandts Museet for Fotokunst in Denmark, Museo de Bellas Artes of Rio de Janeiro, and the Southeast Museum of Photography in Florida. Lorena approaches photography as an anthropologist, and the simplicity of her work allows the viewer to bring in their own stories, conclusions, and realities to the images. Using the idea of memory as a foundation for her work, Lorena's photographic series dissect how we are in the present as a result of what we remember from the past. In her Historia, Memoria, y Silencio series the artist captures elements and artifacts recovered from a box of thrown out family photographs. In 2009, Lorena's mother threw away all of the family slides to protect her daughter from their family history. Lorena was able to recover only one box out of the many that her mother discarded. She re-photographed the contents from her perspective, choosing to leave the slides that were wrapped in packages unopened. Bound in elastic bands, and concealed in film cannisters...

CARLOS MERCADO Echoes A mirror image (in a plane mirror) is a reflected duplication of an object that appears almost identical, but is reversed in the di...

In this new series Mercado utilizes canvas in big format as a medium to intervene Jack Delano's photographs of Puerto Rican agriculture workers he documented for the FSA in the 1940...

Marie Craig's 'Crane 1’ is an original photograph of architectural ruins partially obscured with vines and branches. This piece was created using cyanotype, an early photographic pro...

Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...

Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing freedom of look and intuition, seeking aesthetic challenges linked to the observation of the image in subjects such as: solitude, reflections of emptiness and behavior. Awarded by The Art of Intuitive Photography in NY for 4 times, Pico also find his work in the permanent collections of: The Rio Art Museum (MAR), Museum of Modern Art of Bahia (MAM-BA) and Museum of Photography of Fortaleza among other international collections. Having contact with a work of art has to be transformative. This photographic essay by Pico Garcez leads us to this, puts the gaze, sees and sees in constant dispute. The meaning is hidden and this leads us to be co-authors. In Pico's UNCONSCIOUS-NEST, work is not the aesthetics or the colors that speak the most, instead they fog our critical eye, trying to distract us in the central core of which it treats. It is an experience to observe these images. Pico puts us & leaves us in a void where our own inner solitude surfaces - Not having to share with. Where is life, if not ours? We are part of this work for empathy, and in that, Pico was generous - letting us in. UNCONSCIOUS-NEST is not a geographical place, instead it lives in us and everywhere. It shows what we've done for ourselves - it's a pool without a ledge. – “I can but I will not ... - I am here! I want to die and die where I've touched my heart...

May Pang's intimate and truthful portraits of John Lennon during their time together are of significant importance. A full length Documentary on John and May's relationship Titled "The lost weekend...