Alexander Calder

Cover for DLM No. 173

1968

Red Mountain Three color lithograph, 1986-7 Signed, titled and dated in pencil lower right Annotated "B.A.T." for Bon a Tire lower left corner This example is the printers guide for printing the editon of 40 Printed on BFK Rives paper Printed at Derriere L'Etoile Studios, New York Printer: Maurice Sanchez Condition: Excellent, never framed Image/Sheet size: 45 1/4 x 30 inches Louisa Chase came to prominence in the 1980's as one of the outstandingNeo-Expressionist painters. Her work then was characterized by bold colors and brush strokes, often incorporating natural elements and fragments of the figure. Louisa Chase's works have been featured in gallery and museum shows in Cologne, Nurnberg, Luzem, Switzerland, Toronto, and Tokyo, and various galleries and museums throughout the US. She has also been featured at the American Pavillion at the 1984 Venice Biennale. Also in 1984, the Institute of Contemporary Art in Boston organized as travelling exhibition of her work. In 1997, the Madison Art Center organized a retrospective of her prints, Louisa Chase: Prints, 1981-1996. She has been a featured artist at the University of Wisconsin's Tandem Press and at the Tamarind Press; ahe was also invited to do a print for Lincoln Center in New York City. The recipient of two grants from the National Endowment for the Arts, Chase's works are in the permanent collections of such museum as The Museum of Modern Art, the Metropolitan Museum of Art, The Whitney Museum of American Art (New York), The Brooklyn Museum of Arts, The Corcoran Gallery and The Library of Congress (Washington D.C.), The Walker Art Center (Minneapolis), the Mount Holyoke College Art Museum, the Denver Museum of Art, and the Chazin Museum of Art of the University of Wisconsin, Madsion and the Madison Museum of Contemporary Art (Madison WI). Bibliography: Elizabeth Armstrong, Painters who print (Minnapolis: Walker Art Center, 1984); Ruth S...

Calligraphy Lithograph, 1969 Edition: 260 Signed in script by the artist (see photo) Signed with initials and dated by the artist (see photo) Publication for the Print Club of Cleveland, No. 47 for 1969 Printer: Hollander Workshop, New York, with their chopstamp (see photo) Ulfert Wilke (1907–1987) was an internationally recognized painter, calligrapher and art collector connected to the abstract expressionism movement. He was born in Bavaria, Germany, and immigrated to the United States in 1938. He is best known for his large canvas paintings...

Untitled Color lithograph, 1972 Unsigned Edition: From: Fresh Air School, Exhibition of Paintings Large Edition (2000?) Published by the Carnegie Institute Museum of Art, 1973 Printe...

Sprong in de Lente (Deux Personnages) Color lithograph, 1963 Signed, dated and numbered in pencil (see photos) Edition: 25 Signed, dated and numbered in pencil Printed on Arches paper Probably exhibited at David Anderson Gallery/Martha Jackson Gallery. Provenance: Martha Jackson Gallery David Anderson Gallery David K. Anderson Grandchildren Trust Condition: Colors fresh and unfaded Slight oil stains verso from the ink, not visible on front Image size: 18 1/2 x 26 inches Sheet: 22 x 29 5/8 inches Karel Appel B. 1921, AMSTERDAM; D. 2006, ZURICH Karel Appel was born on April 25, 1921, in Amsterdam. From 1940 to 1943 he studied at the Rijksakademie van Beeldende Kunsten, Amsterdam. In 1946 his first solo show was held at Het Beerenhuis, Groningen, Netherlands, and he participated in Jonge Schilders (Young painters) at the Stedelijk Museum, Amsterdam. About this time, Appel was influenced first by Pablo Picasso and Henri Matisse, then by Jean Dubuffet. He was a member of the Nederlandse Experimentele Groep (Dutch Experimental Group, 1948) and established the Cobra group (1948–51) with Constant (Constant Nieuwenhuys), Corneille (Guillaume Cornelis Beverloo), and other painters from Copenhagen, Brussels, and Amsterdam. The style distinguished itself through bold, expressive compositions inspired by folk and children's art, as well as by the work of Paul Klee and Joan Miró. In 1949 Appel completed a fresco for the cafeteria of the city hall in Amsterdam, which created such controversy that it was covered for ten years. In 1950 the artist moved to Paris; there the writer Hugo Claus...

Drole de Drame Lithograph, 1960 Signed, dated and numbered in pencil lower right (see photos) Edition: 120 (91/120) Published by L’Ouevre Grave, Geneve (blindstamp recto) Printed by ...

Untitled Color lithograph, 1959 Unsigned (as issued) From: Derriere Le Miroir, No. 113, 1959 Publisher: Editions Pierre a Feu Editor: A. Maeght Small edition as it appeared in the ma...

This lithograph was created by Catalan artist Antoni Tapies. Tàpies started as a surrealist painter, and his early works were influenced by Paul Klee and Joan Miró. However, he soon ...

Warm red lithograph Red One realized by Lorenzo Indrimi in the 1970s. This is an edition of 100 prints, plus a few artist's proofs and 30 pieces in Roman numbers.

Artist: Gregory Amenoff, American (1948 - ) Title: Final Hours Year: 1986 Medium: Lithograph, Signed and numbered in Pencil Edition: 40 Paper Size: 37 x 38 inches (93.98 x 96.52 cm)

Hand Signed. Artist's Proofs. Very good condition.

Artist: Bruce Porter, American (1948 - ) Title: Untitled III Medium: Lithograph, signed and numbered in pencil Edition: 14 Image Size: 24 x 18 inches Size: 28 x 22 in. (71.12 x 55.88...

Abstract Composition is an original print in lithograph on paper realized by an anonymous artist of the mid-20th Century. In very good conditions. The artwork is created through co...