Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 12

Dufresne, Descente de Croix, Dufresne, Collection Pierre Lévy (after)

1971

About the Item

Lithograph on vélin d'Arches. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Dufresne, VI, Collection Pierre Levy, 1971; published by Fernand Mourlot, Paris; printed by Mourlot Frères, Paris, November 4, 1971. Excerpted from the folio, This album, the sixth in a series dedicated to Mr. Pierre Lévy's collection, was printed in M examples on Arches vélin. Printing was completed on November 4, 1971 by Mourlot for reproductions of the canvases of Charles Dufresne and by Fequet and Baudier for typography. Fernand Mourlot, Paris 1971. CHARLES DUFRESNE (1876–1938) was a French painter, engraver, sculptor and decorator. He came from a family of sailors and fishermen that originated in Granville. He left school to study engraving, then went to Paris, where he enrolled at the École nationale supérieure des Beaux-Arts and found a position in the workshops of Hubert Ponscarme. Later, he became an assistant to the sculptor and medalist, Alexandre Charpentier. He was more attracted to painting, however, and began making pastels at Café-chantants and circuses and guinguettes, in the manner of Toulouse-Lautrec. His first exhibition came at the Salon of the Société Nationale des Beaux-Arts in 1903. Following that, he and his close friend, the American-born engraver Herbert Lespinasse [fr], went on an extended trip to Italy and stayed at the Villa Médicis. In 1908, he spent some time working in Brittany at the invitation of Jean Frélaut [fr]. In 1910, he was one of the winners of the Abd-el-Tif prize and spent two years at the Villa Abd-el-Tif in Algiers, where he turned from pastels to oil painting. After returning, he opened a studio and produced numerous Orientalist works. He was mobilized at the beginning of World War I. After being gassed, he was transferred to the Section de Camouflage, under the command of an old acquaintance, the painter André Dunoyer de Segonzac. During this time, he managed to paint some Cubist scenes of the war.
  • Creation Year:
    1971
  • Dimensions:
    Height: 20 in (50.8 cm)Width: 26 in (66.04 cm)
  • Medium:
  • Movement & Style:
  • After:
    Charles Dufresne (1876-1938, French)
  • Period:
  • Condition:
  • Gallery Location:
    Auburn Hills, MI
  • Reference Number:
    1stDibs: LU1465214364842
More From This SellerView All
  • Braque, Oiseau au couchant, Georges Braque le solitaire (after)
    By Georges Braque
    Located in Auburn Hills, MI
    Lithograph on Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Georges Braque le solitaire, 1959. Published by Editio...
    Category

    1950s Modern Abstract Prints

    Materials

    Lithograph

  • Chagall, Vision de Paris (Cramer 23; Mourlot 80-87) Verve: Revue (after)
    By Marc Chagall
    Located in Auburn Hills, MI
    Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition; with centerfold, as issued. Notes: From the volume, Verve: Revue Artistique et L...
    Category

    1950s Modern Landscape Prints

    Materials

    Lithograph

  • Delaunay, Le pont aérien (Habasque 720-728), Allo! Paris! (after)
    By Robert Delaunay
    Located in Auburn Hills, MI
    Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...
    Category

    1920s Modern Abstract Prints

    Materials

    Lithograph

  • Delaunay, La Seine et l'île de la Cité (Habasque 720-728), Allo! Paris! (after)
    By Robert Delaunay
    Located in Auburn Hills, MI
    Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...
    Category

    1920s Modern Abstract Prints

    Materials

    Lithograph

  • Delaunay, La flèche de Notre-Dame (Habasque 720-728), Allo! Paris! (after)
    By Robert Delaunay
    Located in Auburn Hills, MI
    Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...
    Category

    1920s Modern Abstract Prints

    Materials

    Lithograph

  • Delaunay, Ponts et passerelle de Passy (Habasque 720-728), Allo! Paris! (after)
    By Robert Delaunay
    Located in Auburn Hills, MI
    Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...
    Category

    1920s Modern Abstract Prints

    Materials

    Lithograph

You May Also Like
  • The Hanging Gardens of Babylon, Eggenberger 1970.8 signed/n lithograph Swiss Art
    Located in New York, NY
    Franz Eggenschwiler The Hanging Gardens of Babylon (Eggenberger 1970.8), 1970 Lithograph with Embossing Hand signed and numbered 26/200 on the lower front 19 3/4 × 25 3/4 inches Unfr...
    Category

    1970s Modern Landscape Prints

    Materials

    Lithograph, Pencil

  • Black/White Lithograph American Modernist Gregory Amenoff Abstract Expressionist
    By Gregory Amenoff
    Located in Surfside, FL
    Gregory Amenoff (Contemporary American abstract painter, b. 1948), Title: Haven, STATE II Lithograph, 1986 Edition 4/4 Printer Proof Image Size 21.5 x 30.75" Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts and Letters, National Endowment for the Arts, New York State Council on the Arts and the Tiffany Foundation. He has had over fifty one-person exhibitions in museums and galleries throughout the United States and Europe. His work is in the permanent collections of more than thirty museums, including the Whitney Museum of American Art, the Museum of Fine Arts in Boston, the Museum of Modern Art in New York and the Metropolitan Museum of Art. His work has the influence of both Abstract Expressionism and Pop Art in it, biomorphic forms in rich hues and thick textures with heightened colors and abstracted, organic forms, late American Modernism. He moved to New York in 1979, the artist rose to critical acclaim in the 1980s alongside Terry Winters, Bill Jensen, and Katherine Porter. The artist lives and works between New York, NY and his Hudson Valley residence. Amenoff served as President of the National Academy of Design from 2001-2005. He is a founding board member of the CUE Art Foundation in New York City and serves as the CUE Art Foundation's Curator Governor. Amenoff has taught at Columbia for the last eighteen years, where he holds the Eve and Herman Gelman Chair of Visual Arts and is currently the Chair of the Visual Arts Division in the School of the Arts. He is currently the Vice-President of the National Academy. In 2011 he received the John Solomon Guggenheim Fellowship. Museum Collections Albright-Knox Art Gallery; Buffalo, NY Art Institute of Chicago; IL Baltimore Museum of Art; Brooklyn Museum of Art; Brooklyn, NY Butler Institute of American Art; Youngstown, OH Cleveland Museum of Art; Cleveland, OH Currier Gallery of Art; Manchester, NH Frances and Sidney Lewis Foundation; Richmond, VA Hood Museum of Art; Hanover, NH Honolulu Academy of Art; Honolulu, HW Kemper Museum of Contemporary Art; Kansas City, MO Maier Museum of Art; Lynchburg, VA Metropolitan Museum of Art; New York, NY Milwaukee Museum of Art; Milwaukee, WI Minneapolis Institute of Art; MN Muscarelle Museum of Art, College of William and Mary; Williamsburg, VA Museum of Fine Arts; Boston, MA Museum of Modern Art; New York, NY National Museum of American Art; Washington, DC Neuberger Museum, State University of New York at Purchase; NY New York Public Library, Spencer Collection...
    Category

    1980s American Modern Abstract Prints

    Materials

    Lithograph

  • Sandscapes #4 Florida Artist Abstract Modernist Signed Print
    By Kathy Stark
    Located in Surfside, FL
    Fine piece of Florida abstract Landscape art. With a French Art Deco feel to it.
    Category

    1990s American Modern Abstract Prints

    Materials

    Lithograph

  • Singapore Singapour Original Modernist Lithograph on Arches vellum
    By Joan Gardy Artigas
    Located in Surfside, FL
    Original lithograph, handsigned and numbered HC On Arches vellum ragpaper Dimensions : 69 x 54,5 cm (27.2 x 21.5 inches) Joan Gardy Artigas (born 1938) is a Catalan ceramist, artist...
    Category

    20th Century Modern Abstract Prints

    Materials

    Lithograph

  • Monoprint Lithograph American Modernist Gregory Amenoff Abstract Expressionist
    By Gregory Amenoff
    Located in Surfside, FL
    Gregory Amenoff (Contemporary American abstract painter, b. 1948), Monotype Monoprint (1990) Hand signed in pencil lower right plate: 16 x 16 inches frame dimensions: 35 1/8 x 29 1/8 x 1 5/8 inches, wood frame with glazing Provenance: Corporate Collection of Bank BNP Paribas Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts and Letters, National Endowment for the Arts, New York State Council on the Arts and the Tiffany Foundation. He has had over fifty one-person painting exhibitions in museums and galleries throughout the United States and Europe. His work is in the permanent collections of more than thirty museums, including the Whitney Museum of American Art, the Museum of Fine Arts in Boston, the Museum of Modern Art in New York and the Metropolitan Museum of Art. His work has the influence of both Abstract Expressionism and Pop Art in it, biomorphic forms in rich hues and thick textures with heightened colors and abstracted, organic forms, late American Modernism. He moved to New York in 1979, the artist rose to critical acclaim in the 1980s alongside Terry Winters, Bill Jensen, and Katherine Porter. The artist lives and works between New York, NY and his Hudson Valley residence. He was a collaborating artist illustrating Bradford Morrow, Bestiary along with Joe Andoe, James Brown, Vija Celmins, Louisa Chase, Eric Fischl, Jan Hashey, Michael Hurson, Mel Kendrick, James Nares, Ellen Phelan, Joel Shapiro, Kiki Smith, David Storey, Michelle Stuart, Richard Tuttle, Trevor Winkfield, Robin Winters. Linoleum cuts with pochoir and woodcuts for the Grenfell Press, New York. Amenoff served as President of the National Academy of Design from 2001-2005. He is a founding board member of the CUE Art Foundation in New York City and serves as the CUE Art Foundation's Curator Governor. Amenoff has taught at Columbia for the last eighteen years, where he holds the Eve and Herman Gelman Chair of Visual Arts and is currently the Chair of the Visual Arts Division in the School of the Arts. He is currently the Vice-President of the National Academy. In 2011 he received the John Solomon Guggenheim Fellowship. Museum Collections Albright-Knox Art Gallery; Buffalo, NY Art Institute of Chicago; IL Baltimore Museum of Art; Brooklyn Museum of Art; Brooklyn, NY Butler Institute of American Art; Youngstown, OH Cleveland Museum of Art; Cleveland, OH Currier Gallery of Art; Manchester, NH Frances and Sidney Lewis Foundation; Richmond, VA Hood Museum of Art; Hanover, NH Honolulu Academy of Art; Honolulu, HW Kemper Museum of Contemporary Art; Kansas City, MO Maier Museum of Art; Lynchburg, VA Metropolitan Museum of Art; New York, NY Milwaukee Museum of Art; Milwaukee, WI Minneapolis Institute of Art; MN Muscarelle Museum of Art, College of William and Mary; Williamsburg, VA Museum of Fine Arts; Boston, MA Museum of Modern Art; New York, NY National Museum of American Art; Washington, DC Neuberger Museum, State University of New York at Purchase; NY New York Public Library, Spencer Collection...
    Category

    1980s American Modern Abstract Prints

    Materials

    Lithograph, Monoprint, Monotype

  • Monoprint Monotype American Modernist Gregory Amenoff Abstract Expressionist
    By Gregory Amenoff
    Located in Surfside, FL
    Gregory Amenoff (Contemporary American abstract painter, b. 1948), Monotype Monoprint (1990) Hand signed in pencil lower right plate: 16 x 16 inches frame dimensions: 35 1/8 x 29 1/8 x 1 5/8 inches, wood frame with glazing Provenance: Corporate Collection of Bank BNP Paribas Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts and Letters, National Endowment for the Arts, New York State Council on the Arts and the Tiffany Foundation. He has had over fifty one-person painting exhibitions in museums and galleries throughout the United States and Europe. His work is in the permanent collections of more than thirty museums, including the Whitney Museum of American Art, the Museum of Fine Arts in Boston, the Museum of Modern Art in New York and the Metropolitan Museum of Art. His work has the influence of both Abstract Expressionism and Pop Art in it, biomorphic forms in rich hues and thick textures with heightened colors and abstracted, organic forms, late American Modernism. He moved to New York in 1979, the artist rose to critical acclaim in the 1980s alongside Terry Winters, Bill Jensen, and Katherine Porter. The artist lives and works between New York, NY and his Hudson Valley residence. He works in woodcut, lithograph and monoprint techniques. He was a collaborating artist illustrating Bradford Morrow, Bestiary along with Joe Andoe, James Brown, Vija Celmins, Louisa Chase, Eric Fischl, Jan Hashey, Michael Hurson, Mel Kendrick, James Nares, Ellen Phelan, Joel Shapiro, Kiki Smith, David Storey, Michelle Stuart, Richard Tuttle, Trevor Winkfield, Robin Winters. Linoleum cuts with pochoir and woodcuts for the Grenfell Press, New York. Amenoff served as President of the National Academy of Design from 2001-2005. He is a founding board member of the CUE Art Foundation in New York City and serves as the CUE Art Foundation's Curator Governor. Amenoff has taught at Columbia for the last eighteen years, where he holds the Eve and Herman Gelman Chair of Visual Arts and is currently the Chair of the Visual Arts Division in the School of the Arts. He is currently the Vice-President of the National Academy. In 2011 he received the John Solomon Guggenheim Fellowship. Museum Collections Albright-Knox Art Gallery; Buffalo, NY Art Institute of Chicago; IL Baltimore Museum of Art; Brooklyn Museum of Art; Brooklyn, NY Butler Institute of American Art; Youngstown, OH Cleveland Museum of Art; Cleveland, OH Currier Gallery of Art; Manchester, NH Frances and Sidney Lewis Foundation; Richmond, VA Hood Museum of Art; Hanover, NH Honolulu Academy of Art; Honolulu, HW Kemper Museum of Contemporary Art; Kansas City, MO Maier Museum of Art; Lynchburg, VA Metropolitan Museum of Art; New York, NY Milwaukee Museum of Art; Milwaukee, WI Minneapolis Institute of Art; MN Muscarelle Museum of Art, College of William and Mary; Williamsburg, VA Museum of Fine Arts; Boston, MA Museum of Modern Art; New York, NY National Museum of American Art; Washington, DC Neuberger Museum, State University of New York at Purchase; NY New York Public Library, Spencer Collection...
    Category

    1980s American Modern Abstract Prints

    Materials

    Lithograph, Monoprint, Monotype

Recently Viewed

View All