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Hans RichterBeige Composition - Original Etching and Aquatint by Hans Richter - 1970s1970s
1970s
About the Item
Beige composition is an etching and chalcography on paper, realized in the Seventy of XX century by the German artist, Hans Richter, published by La Nuova Foglio, a publishing house of Macerata.
The last graphic work of the master, from a portfolio of seven etchings published by The New Sheet under the supervision of Hans Richer, who signed for each one the "bon à tirer" before his death, which took place in Locarno on 1 February 1976. Due to the disappearance of the master, the engravings they were subsequently signed by Mrs. Frida Richter, who had followed the work together with her husband.
Monogrammed by Frida Richter and numbered in pencil on lower margin. Edition of 99 prints.
On the back on the lower left margin it is visible the dry-stamp of the publishing house, and a black ink stamp "Estate Hans Richter".
Beautiful artwork representing an abstract composition in very good conditions except for sporadic and little stains on margins, and demonstrating a full mastery of this artistic medium , is the perfect contemporary original print for your fashionable private collection at an affordable price, to collect jealously!
Hans Richter (Berlin, 1888 - Muralto, Italy, 1976)
German painter, director, historian and theorist of experimental cinema, Hans Richter is among the greatest exponents of the historical avant-garde ed. he was one of the first artists to question the relationship between painting and cinema and to make abstract films in the early 1920s.
- Creator:Hans Richter (1904 - 1979, German)
- Creation Year:1970s
- Dimensions:Height: 19.57 in (49.7 cm)Width: 13.67 in (34.7 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:
Hans Richter
Hans Richter was a German painter, director, historian and theorist of experimental cinema. He is among the greatest exponents of the historical Avant-garde. Richter was one of the first artists to question the relationship between painting and cinema and to make abstract films in the early 1920s.
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