Robert RauschenbergCharms against harms, Robert Rauschenberg1993
1993
About the Item
- Creator:Robert Rauschenberg (1925 - 2008, American)
- Creation Year:1993
- Dimensions:Height: 40.5 in (102.87 cm)Width: 28 in (71.12 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairfield, CT
- Reference Number:1stDibs: LU1342114410382
Robert Rauschenberg
Robert Rauschenberg was one of the preeminent American artists of the 20th century, occupying a singular position that straddled the Abstract Expressionist and Pop art movements, drawing on key elements of each. An artistic polymath equally adept at painting, collage and silkscreening, Rauschenberg is best known for for the complex assemblages of found objects he termed “combines.”
Rauschenberg was born in Port Arthur, Texas, in 1925. He first began to seriously consider a career in art in 1947, while serving in the U.S. Marines. After leaving the service, he briefly studied art in Paris with support from the G.I. Bill, then moved to North Carolina to attend Black Mountain College, home to a flourishing cross-disciplinary art community. Among his peers there were choreographer Merce Cunningham and composer John Cage, both of whom became friends and artistic collaborators.
Relocating to New York in the mid-1950s, Rauschenberg was initially put off by what he perceived as the self-seriousness of the adherents of Abstract Expressionism, then the dominant movement in the New York art world. Like Andy Warhol and Roy Lichtenstein, Rauschenberg was drawn to the visual landscape of popular culture and mined its imagery for inspiration. He used unorthodox materials like house paint and tried novel techniques in his studio like running paper over with a car whose wheels he had inked. Shortly after his inaugural solo exhibition at Leo Castelli Gallery, which featured paintings and drawings, he pivoted to a new format, creating his first found-object combines, which became his signature. The most famous of these is the 1959 Monogram in which a taxidermied goat is surrounded by a car tire, recalling the way a person’s initials are interwoven in the design referred to by the title.
Later in the 1960s, Rauschenberg turned his attention to silkscreening, creating prints that feature iconic figures of the day, very much in line with the style and content of Pop art. One such work, 1965's Core, which was created to commemorate the Congress of Racial Equality, combines photographs of President Kennedy, an unidentified Native American man, and a statue of a Civil War soldier with images of highways, amusement parks, street signs, and other features of the built environment. A circular color-test wheel sits at the composition’s formal core, reflecting the work’s commentary on race and ethnicity.
Throughout the 1960s and ‘70s, Rauschenberg experimented with printing on unusual materials, such as Plexiglas, clothing and aluminum. Venturing even further afield, he created performance works, such as his 1963 choreographed piece “Pelican” and the 1966 film Open Score. In 1998, the Guggenheim Museum presented a large and comprehensive retrospective of Rauschenberg’s work, highlighting his influence on American art in the second half of the 20th century.
Find original Robert Rauschenberg art for sale on 1stDibs.
- ShippingRetrieving quote...Ships From: Fairfield, CT
- Return PolicyA return for this item may be initiated within 1 day of delivery.
- Flag, Peter MaxBy Peter MaxLocated in Fairfield, CTArtist: Peter Max (1937) Title: Flag Year: 1997 Medium: Lithograph and acrylic on Arches paper Size: 12 x 14 inches Condition: Excellent Inscription: Signed and by the artist. PETER...Category
1990s Pop Art Abstract Prints
MaterialsMixed Media, Acrylic, Lithograph
- Mona Lisa, Peter MaxBy Peter MaxLocated in Fairfield, CTArtist: Peter Max (1937) Title: Mona Lisa Year: 1998 Medium: Lithograph and acrylic on Arches paper Size: 12 x 14 inches Condition: Excellent Inscription: Signed and by the artist. ...Category
1990s Pop Art Abstract Prints
MaterialsMixed Media, Acrylic, Lithograph
- Sitka, Peter AlexanderBy Peter Alexander, 1939Located in Fairfield, CTArtist: Peter Alexander (1939) Title: Sitka Year: 1988 Edition: 75, plus proofs Medium: Lithograph on Guarro paper Size: 22 x 30 inches Condition: Excellent Inscription: Signed and n...Category
1980s Pop Art Landscape Prints
MaterialsLithograph
- Two Sages, Peter MaxBy Peter MaxLocated in Fairfield, CTArtist: Peter Max (1937) Title: Two Sages Year: 1998 Medium: Lithograph and acrylic on Arches paper Size: 12 x 14 inches Condition: Excellent Inscription: Signed and by the artist. ...Category
1990s Pop Art Abstract Prints
MaterialsMixed Media, Acrylic, Lithograph
- Flasher, Brian RiceBy Brian RiceLocated in Fairfield, CTArtist: Brian Rice (1936) Title: Flasher Year: 1967 Edition: 67/175, plus proofs Medium: Lithograph on wove paper Size: 28.5 x 25 inches Condition: Excellent Inscription: Signed and ...Category
1960s Pop Art Landscape Prints
MaterialsLithograph
- Hallelujah II, Peter AlexanderBy Peter Alexander, 1939Located in Fairfield, CTArtist: Peter Alexander (1939) Title: Hallelujah II Year: 1988 Edition: 50, plus proofs Medium: Lithograph on Guarro paper Size: 22 x 30 inches Condition: Excellent Inscription: Sign...Category
1980s Pop Art Landscape Prints
MaterialsLithograph
- Italian Post Modern Pop Art Lithograph Vintage Poster Memphis Galerie MaeghtBy Valerio AdamiLocated in Surfside, FLVintage gallery exhibition poster. Bright vivid red and bold yellow. The Galerie Maeght is a gallery of modern art in Paris, France, and Barcelona, Catalonia, Spain. The gallery was...Category
1980s Pop Art Landscape Prints
MaterialsLithograph, Offset
- Italian Post Modern Pop Art Lithograph Vintage Poster Memphis Galerie MaeghtBy Valerio AdamiLocated in Surfside, FLVintage gallery exhibition poster. Navy blue and bold yellow stars with vibrant orange. Surrealist man in hat with scythe or fishing rod. The Galerie Maeght is a gallery of modern ar...Category
1980s Pop Art Landscape Prints
MaterialsLithograph, Offset
- Pop Art Aspen Road Sign D'arcangelo Silkscreen Chiron Press Vintage Art PosterLocated in Surfside, FLAllan D'Arcangelo (American/New York, 1930-1998), "Aspen Center of Contemporary Art", 1967 silkscreen, hand signed in pencil, dated, numbered "45/200" and blind stamped "Chiron Press, New York, NY" 32 in. x 24 in. Allan D'Arcangelo (1930-1998) was an American artist and printmaker, best known for his paintings of highways and road signs that border on pop art and minimalism, precisionism, Abstract illusionism and hard-edge painting, and also surrealism. His subject matter is distinctly American and evokes, at times, a cautious outlook on the future of this country. Allan D'Arcangelo was the son of Italian immigrants. He studied at the University of Buffalo from 1948–1953, where he got his bachelor's degree in history. After college, he moved to Manhattan and picked up his studies again at the New School of Social Research and the City University of New York, City College. At this time, he encountered Abstract Expressionist painters who were in vogue at the moment. After joining the army in the mid 1950s, he used the GI Bill to study painting at Mexico City College from 1957–59, driving there over 12 days in an old bakery truck retrofitted as a camper. However, he returned to New York in 1959, in search of the unique American experience. It was at this time that his painting took on a cool sensibility reminiscent of Roy Lichtenstein and Andy Warhol. His interests engaged with the environment, anti-Vietnam War protests, and the commodification and objectification of female sexuality. D'Arcangelo first achieved recognition in 1962, when he was invited to contribute an etching to The International Anthology of Contemporary Engraving: America Discovered; his first solo exhibition came the next year, at the Thiebaud Gallery in New York City. In 1965 he contributed three screenprints to Original Edition's 11 Pop Artists portfolio. By the 1970s, D'Arcangelo had received significant recognition in the art world. He was well known for his paintings of quintessentially American highways and infrastructure, and in 1971 was commissioned by the Department of the Interior to paint the Grand Coulee Dam in Washington state. However, his sense of morality always trumped his interest in art world fame. In 1975, he decided to quit the gallery that had been representing him for years, Marlborough Gallery, because of the way they handled Mark Rothko legacy. D'Arcangelo rejected Abstract Expressionism, though his early work has a painterly and somewhat expressive feel. He quickly turned to a style of art that seemed to border on Pop Art and Minimalism, Precisionism and Hard-Edge painting. Evidently, he didn't fit neatly in the category of Pop Art, though he shared subjects (women, signs, Superman) and techniques (stencil, assemblage) with these artists.He turned to expansive, if detached scenes of the American highway. These paintings are reminiscent of Giorgio de Chirico-though perhaps not as interested in isolation-and Salvador Dali-though there is a stronger interest in the present and disinterest in the past. These paintings also have a sharp quality that is reminiscent of the precisionist style, or more specifically, Charles Sheeler. 1950s, Before D'Arcangelo returned to New York, his style was roughly figurative and reminiscent of folk art. During the early 1960s, Allan D'Arcangelo was linked with Pop Art. "Marilyn" (1962) depicts an illustrative head and shoulders on which the facial features are marked by lettered slits to be "fitted" with the eyebrows, eyes, nose and mouth which appear off to the right in the composition. In "Madonna and Child," (1963) the featureless faces of Jackie Kennedy and Caroline are ringed with haloes, enough to make their status as contemporary icons perfectly clear. Select Exhibitions: Fischbach Gallery, New York, Ileana Sonnabend Gallery, Paris, Gallery Müller, Stuttgart, Germany Hans Neuendorf Gallery, Hamburg, Germany Dwan Gallery...Category
1960s Pop Art Abstract Prints
MaterialsLithograph, Screen
- Historic rare Ed Ruscha Leo Castelli Gallery exhibition offset lithograph posterBy Ed RuschaLocated in New York, NYEdward Ruscha: New Paintings, Leo Castelli Gallery, 1980 Offset lithograph poster 22.5 x 18 inches Unframed Published by Leo Castelli Gallery Good vintage condition with some handli...Category
1980s Pop Art Abstract Prints
MaterialsLithograph, Offset
- L.A.! HOLLYWOOD Signed Lithograph, Los Angeles Icons, Pop Art Graffiti StyleBy Alex EchoLocated in Union City, NJL.A.! HOLLYWOOD is a handmade limited edition color lithograph with metallic gold silkcreen by the American artist Alex Echo. It was printed using traditional hand lithography and se...Category
1990s Pop Art Landscape Prints
MaterialsLithograph
- LADY WITH FEATHERS Signed Lithograph, Woman's Face Profile, Exotic Feather HatBy Peter MaxLocated in Union City, NJLADY WITH FEATHERS is an original hand drawn lithograph by the renowned American Pop artist, Peter Max, printed in 1980 in an edition of 165, using traditional hand lithography techn...Category
1980s Pop Art Landscape Prints
MaterialsLithograph