Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 9

Sam Francis
Deluxe Hand Signed & Numbered 25/30 Cat: Lembark 155 Carnegie Museum lithograph

1972

About the Item

Sam Francis Untitled Abstract Expressionist lithograph (Hand Signed from the Carnegie Museum Deluxe Edition), 1972 Catalogue Raisonné: 155, Lembark 15 × 22 inches Hand signed and numbered 25/30 on the front Printer: Maeght, Paris published by the Carnegie Museum to raise funds for the Fresh Air School Provenance: Acquired from the collection of former Carnegie Museum director Unframed (with original fold as issued in the portfolio) This mid century abstract expressionist lithograph by Sam Francis, published in 1972, is one of only 30 that was hand signed, as part of the Fresh Air School portfolio. In 1972, the Carnegie Museum of Art in Pittsburgh, Pennsylvania exhibited paintings of Sam Francis, Joan Mitchell and Walasse Ting together in a show entitled Fresh Air School. This print and the full regular portfolio were published as a fundraiser in conjunction with the exhibition, in an edition of approximately 1000. However, separate from that unsigned edition, was this very small HAND SIGNED AND NUMBERED edition of only 30 reserved exclusively for museum trustees, the curator, director and major donors. Rarely seen on the market, this is one of those rare hand signed works - hand signed by Sam Francis and numbered 25/30. Note the present listing is for the Sam Francis work alone as shown. Catalogue Raisonné: 155, Lembark Publisher: Carnegie Museum of Art, Pittsburgh Printer: Maeght, Paris Provenance: Fresh Air Fund Portfolio # 23/30, from the Estate of a former director of the Carnegie Museum. Sam Francis biography: California-born abstract expressionist painter Sam Francis (1923–1994), is regarded as one of the 20th century’s leading interpreters of light and color. Sam Francis maintained studios in Bern, New York, Los Angeles, Paris, and Tokyo, making him the first post–World War II American painter whose reach was truly international. Throughout a long and prolific career, Francis created thousands of paintings as well as works on paper, prints, and monotypes. His work holds references to New York abstract expressionism, color field painting, Chinese and Japanese art, French impressionism, and his own Bay Area roots. - Courtesy of Gagosian Gallery More about Sam Francis: For Sam Francis, exploring the creative process was his driving force. It impacted not only his art, but his view of human progress. One of the twentieth century’s most profound Abstract Expressionists, American artist Sam Francis (1923-1994) is noted as one of the first post-World War II painters to develop an international reputation. Francis created thousands of paintings as well as works on paper, prints and monotypes, housed in major museum collections and institutions around the world. Regarded as one of the leading interpreters of color and light, his work holds references to New York abstract expressionism, color field painting, Chinese and Japanese art, French impressionism and his own Bay Area roots. After graduating from Cal Berkeley in 1950 with a degree in art, Francis moved to Paris, where he would go on to be named by Time Magazine as, “the hottest American painter in Paris these days.” A transformative period of his career, Francis immersed himself in a study of Monet’s Water Lilies and was influenced by his close friendships with the Matisse family and artists Al Held, Joan Mitchell, and Jean-Paul Riopelle. For the next four decades he traveled and studied extensively, maintaining studios in Bern, Paris, Tokyo, Mexico City, New York and Northern and Southern California. Through his travels he was exposed to many styles, techniques and cultural influences, which informed the development of his own dialogue and style of painting. Francis possessed a lyrical and gestural hand, enabling him to capture and record the brilliance, energy and intensity of color at different moments of time and periods of his life. His paintings embody his love of literature, music and science, while reflecting his deep range of emotions and personal turmoil. Not only are Francis’s paintings valued historically for their aesthetic vision, but his inquisitive mind and spirit have solidified Francis’s legacy as a contemporary renaissance man. His interest in the creative process was expansive and synergistic – art, technology, psychology, science, medicine, and protecting the environment (before it became a movement). He was an early investor in research to find creative solutions to our dependence on non-renewable energy sources and cures for AIDs. In each of these realms, he explored the nature of creativity – what stimulates it, the importance of testing new ideas through experimentation as well as the roles of imagination, intuition and knowledge. Much like Francis believed his life was a series of ongoing challenges, the Sam Francis Foundation is dedicated to expanding his sense of wonder – his freedom to explore – his mantra to dream – his life force to be creative... - Courtesy of Sam Francis Foundation
  • Creator:
    Sam Francis (1923–1994, American)
  • Creation Year:
    1972
  • Dimensions:
    Height: 15 in (38.1 cm)Width: 22 in (55.88 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Fine condition with original fold center, as it was held in the portfolio; which will frame out. (see photo).
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU1745213990422
More From This SellerView All
  • Future Shadow II Abstract Expressionist lithograph pencil signed numbered 3/5
    By Mark di Suvero
    Located in New York, NY
    Mark di Suvero Future Shadow II, ca. 2001 Lithograph on Arches 88 Paper with Deckled Edges Signed and numbered from an edition of 5 by the artist on the front 32 × 23 inches Unframed The work was gifted directly by the artist to the present owner. This is a variation of a print the artist created as a donation to the Venice California...
    Category

    Early 2000s Abstract Expressionist Abstract Prints

    Materials

    Lithograph, Pencil

  • Lt Ed. Lithograph from the Deluxe (Hand Signed) 1984 Olympic Committee portfolio
    By Sam Francis
    Located in New York, NY
    Sam Francis Untitled Abstract Expressionist print for the 1984 Olympics, 1982 Offset Lithograph on Parsons Diploma Parchment paper, hand signed with COA from publisher for Olympic Co...
    Category

    1980s Abstract Expressionist Abstract Prints

    Materials

    Lithograph, Offset, Pencil

  • Abstract expressionist lithograph s/n (Lembark, 16) from the Estate of Wolf Kahn
    By Sam Francis
    Located in New York, NY
    SAM FRANCIS Affiche Moderna Museet Stockholm (Catalogue Raisonne L-16, p.66), 1960 Color lithograph on Rives BFK Paper with deckled edges Pencil signed lower right of center; numbered 39/75 lower left of center Published by Kornfeld and Klipstein, Bern; printed by Emil Matthieu at Emil Matthieu Atelier, Zurich (Catalogue Raisonne L-16, p.66) 37 1/4 × 27 inches Provenance: Estate of Wolf Kahn and Emily Mason Unframed Editions of this iconic Sam Francis work have been exhibited in museums throughout the world over the past half center; many remain in the permanent collection of major museum and institutions . In addition to this pencil signed and numbered lithograph, there was, separately a poster edition of 500 (unsigned) published by Moderna Museet featuring the same image on different paper. About Sam Francis B. 1923, SAN MATEO, CALIFORNIA; D. 1994, SANTA MONICA, CALIFORNIA Samuel Lewis Francis was born on June 25, 1923, in San Mateo, California. He began painting in 1944 after being diagnosed with spinal tuberculosis, resulting from a U.S. Army Air Corps accident. In 1947 he studied privately with painter David Park, and soon gave up his intended medical studies, earning a BA in 1949 and an MA in 1950 at the University of California, Berkeley. He experimented with the dominant and emerging styles of the late 1940s, particularly Abstract Expressionism and Surrealism, eventually developing a personal style of abstraction focused on dripping, cell-like forms, an allover instability, and sensitivity to color and light, as in Opposites (1950). In 1950 Francis moved to Paris and attended the Atelier Fernand Léger, where he was exposed to the work of Pierre Bonnard and Henri Matisse, which reinvigorated his interest in light and vibrant color, visible in his 1953 painting Big Red. Producing such work led to his association with Art Informel, although Francis never fully associated with any movement. A visit to Japan in 1957 coincided with an opening up of expanses of white space in much of his work, and his subsequent move to a larger studio in Paris resulted in the production of large-scale paintings and mural commissions, including a 1959 painting...
    Category

    1960s Abstract Expressionist Abstract Prints

    Materials

    Lithograph, Pencil

  • Untitled Abstract Expressionist color band - rare silkscreen signed & numbered
    By Cleve Gray
    Located in New York, NY
    Cleve Gray Untitled, 1970 Silkscreen Boldly signed and numbered 32/100 in graphite pencil by Cleve Gray on the front 30 × 22 1/2 inches Signed and numbered 32/100 by artist on the fr...
    Category

    1970s Abstract Expressionist Abstract Prints

    Materials

    Screen, Pencil, Graphite

  • 5745, for the Jewish Museum original signed/n abstract expressionist screenprint
    By Nancy Graves
    Located in New York, NY
    Nancy Graves 5745, for the Jewish Museum, 1984 Silkscreen on paper Signed, numbered 5/90 and dated in graphite pencil on the front; bears publishers' blind stamp front left corner 3...
    Category

    1980s Abstract Expressionist Abstract Prints

    Materials

    Graphite, Screen

  • Sicilian Magician - lt ed silkscreen by renowned abstract expressionist painter
    By Walter Darby Bannard
    Located in New York, NY
    Walter Darby Bannard Siciliian Magician, 1980 Silkscreen on wove paper Pencil signed, titled and dated by the artist on the front Unframed Provenance: Bart Gallery, Providence, RI Th...
    Category

    1980s Abstract Expressionist Abstract Prints

    Materials

    Screen, Pencil, Graphite

You May Also Like
  • Henri Michaux - Beach - Original Lithograph
    By Henri Michaux
    Located in Collonge Bellerive, Geneve, CH
    Henri Michaux - Beach - Original Lithograph 1956 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. From the art review XXème siècle Unsigned and unumbered as issued
    Category

    1950s Abstract Expressionist Abstract Prints

    Materials

    Lithograph

  • Henri Michaux - Original Zinchograph
    By Henri Michaux
    Located in Collonge Bellerive, Geneve, CH
    Henri Michaux - Original Zinchograph 1958 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. Henri Michaux (1899 - 1984) The French writer, painter and graphic artist Henri Michau...
    Category

    1990s Abstract Expressionist Abstract Prints

    Materials

    Lithograph

  • Zao Wou-ki - Original Lithograph from XXe Siecle magazine
    By Zao Wou-Ki
    Located in Collonge Bellerive, Geneve, CH
    Zao Wou-ki - Original Lithograph from XXe Siecle magazine 1958 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. Zao Wou Ki (1921 - 2013) At the tender age of fourteen Zao Wou-Ki...
    Category

    1950s Abstract Expressionist Abstract Prints

    Materials

    Lithograph

  • Zao Wou-ki - Original Lithograph - Abstract Composition
    By Zao Wou-Ki
    Located in Collonge Bellerive, Geneve, CH
    Zao Wou-ki - Lithograph 1971 Dimensions: 32 x 24 cm Edition: G. di San Lazzaro. From the art review XXe siècle Unsigned and unnumbered as issued
    Category

    1970s Abstract Expressionist Abstract Prints

    Materials

    Lithograph

  • Giuseppe Capogrossi - Stencil
    By Guiseppe Capogrossi
    Located in Collonge Bellerive, Geneve, CH
    Giuseppe Capogrossi - Stencil 1958 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. Giuseppe Capogrossi B. 1900, ROME; D. 1972, ROME Giuseppe C...
    Category

    1950s Abstract Expressionist Abstract Prints

    Materials

    Lithograph

  • Jean-Michel Atlan - Kafka - Original Lithograph
    Located in Collonge Bellerive, Geneve, CH
    Original lithograph by Jean-Michel Atlan For Description of a Struggle by Franz Kafka Paris, Maeght Publisher, 1946. Dimensions: 30.5 x 24.5 Edition: 300 on vellum Mourlot JEAN-MI...
    Category

    1940s Abstract Expressionist Abstract Prints

    Materials

    Lithograph

Recently Viewed

View All