Assemblage Abstract Prints

Artist: Dale Chihuly (1941) Title: Venetian Series Year: 2018 Medium: Mixed Media (Lithograph & Screenprint) on Waterford paper Edition: 79/125, plus proofs Size: 37 x 25 inches Cond...

Artist: Dale Chihuly (1941) Title: Reeds Year: 2016 Medium: Mixed Media (Silkscreen & Lithograph) on Waterford paper Edition: 86/100, plus proofs Size: 37 x 25 inches Condition: Exce...

Yaacov Agam, Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you ...

"Redness of Red" Lithograph Screenprint Collage Contemporary Abstract Abex 1/100 Redness of Red by Robert Burns Motherwell (1915-1991) Lithograph Scree...

Charles Hinman On the Bowery, 1969 - 1971 silkscreen on Schoeller's Parole Paper, edition of 100 + 20 A.P. 25.5 x 25.5 inches, signed, numbered 21/100 Screenprint in color on wove paper Hand signed, published by Edition Domberger, Bonlanden, West Germany (with their blindstamp) Provenance: Collection of Tom Levine On the Bowery, 1971. The portfolio consists of nine screenprints in colors (one with mylar collage), on wove paper, by representative artists of the Pop Art period. Cy Twombly, Robert Ryman, Will Insley, Robert Indiana, Les Levine, John Willenbecher...

Mirror #7 (C.112) is a screenprint and lithograph on paper, 29.75 x 17.37 inches, signed and dated 'rf Lichtenstein '72' lower right and numbered 62/80 lower left. From the edition of 96 (there were also 10 AP, and 6 other various proofs). Framed in a contemporary white frame. Catalog - Corlett, The Prints of Roy Lichtenstein - A Catalogue Raisonne 1948 - 1997, Hudson Hills Press, NY and National Gallery of Art, Washington, D.C., 2002, pg.125, #112. About Lichtenstein’s Mirror...

Mirror #9 (C.114) from the Mirror Series is a screenprint and lithograph on paper, 30 x 21.18 inches, signed and dated 'rf Lichtenstein '72' lower center margin and framed in a contemporary white frame. Catalog - Corlett, The Prints of Roy Lichtenstein - A Catalogue Raisonne 1948 - 1997, Hudson Hills Press, NY and National Gallery of Art, Washington, D.C., 2002, pg.126, #114. About Lichtenstein’s Mirror Series (taken from Corlett): Mirrors were an important subject in Lichtenstein’s paintings and prints of the early 1970s. From late 1969 to 1972 he painted over forty canvases depicting this subject. The first print was in 1970, with Twin Mirrors (cat. no.102) for the Guggenheim Museum. In 1972 he also produced Mirror (cat. No. 115) at Styria Studio, in addition to this Gemini G.E.L. series of nine prints. In the mid-seventies he took up the subject in sculpture, and he returned to it in prints as recently 1990, with Mirror (cat. No 246). In addition, he has often explored the related theme of reflections, incorporating them in various paintings and in several print series: Reflections (1990; cat. Nos. 239 – 245), Interiors (1990, published 1991; cat. nos. 247 – 54), and Water Lilies (1992; cat. nos. 261 – 66). This Gemini group (catalog nos. 1-6 - 114) utilizes lithography, screenprint, line-cut, and embossing... In an interview with Lawrence Alloway, Lichtenstein noted: “You know, I am always impressed by how artificial things look – like descriptions of office furniture in newspapers. It is the most dry kind of drawing, as in the Mirrors. They really only look like mirrors if someone tells you they do. Only once you know that, they may be moved as far as possible from realism, but you want it to be taken for realism. It becomes as stylized as you can get away with, in an ordinary sense, not stylish.” As Jack Cowart has commented: “One would not actually stand in front of a Lichtenstein Mirror...

A very good impression of this color lithograph and screenprint on Arches 88 white wove paper. One of 14 numbered artist's proofs, aside from the edition of 50. Signed, dated, inscri...

Lithograph, linocut, and screenprint in colors with hand-coloring and collage, on wove paper, 1984, signed and dated in pencil, from the numbered edition of 60 (there were also 10 ar...

Grammature Di Colore is an original print realized by Elio Marchegiani in the 1970s. Colored etching. Good conditions, except for a fold on the lower right corner. Hand-signed in p...

Relief, screenprint, etching, aquatint, lithograph and engraving in colours, 1995, on TGL handmade paper, signed, dated and numbered form the edition of 50 in pencil (there were als...

Over a period of four years, Stella created a body of prints whose titles all came from ‘The Dictionary of Imaginary Places’ by Alberto Mangual and Gianni Guadalupi. Each work from t...