Yaacov Agam“Three Movements" Limited Edition Hand-Signed Serigraph by Yaacov Agam, Framed1971
1971
About the Item
- Creator:Yaacov Agam (1928, Israeli)
- Creation Year:1971
- Dimensions:Height: 30.125 in (76.52 cm)Width: 41.875 in (106.37 cm)Depth: 1.25 in (3.18 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Frame IncludedFraming Options Available
- Condition:This work is in great condition consistent with age, framed, and ready to hang. Due to nature of the ink used, very minor signs of handling may be present with this type of fine artwork.
- Gallery Location:Encino, CA
- Reference Number:1stDibs: LU146429408732
Yaacov Agam
Influenced by his upbringing in Judaism as well as the teachings of the Bauhaus, Yaacov Agam is a pioneer of kinetic art as well as the Op art movement and is often credited with introducing geometric abstraction to his home country of Israel.
Born in Rishon LeZion, Palestine — now part of Israel — the son of a rabbi, Agam found that the spiritual world had a major influence on his art practice, as did the sand dunes he grew up watching as they constantly shifted with the wind. This perpetual movement would inform his work, whereby riveting, prismatic compositions that transform from different perspectives, patterns that generate optical effects and sculptures that move with a passing breeze all reflect the gradual changes in nature.
Agam studied with Israeli painter Mordecai Ardon at the Bezalel School of Art in Jerusalem in the 1940s before traveling to Zurich where he trained with Swiss Expressionist painter Johannes Itten and was inspired by the abstract work of Russian painter Wassily Kandinsky.
One of the innovative techniques Agam developed was the Agamograph, which uses lenticular printing so that multiple images, which are revealed as the viewer moves around the piece, can be seen on a single work. His art has regularly involved the spectator as a participant, whether it’s the 1972–74 room-size kinetic installation he created for the Elysée Palace that’s now in the Centre Pompidou in which a gleaming abstract sculpture is surrounded on all sides by polychromatic lines or it’s public art like the 1986 Fire and Water Fountain in Tel Aviv with circles of vibrant panels that offer varying colors from every angle.
In 2018, the Yaacov Agam Museum of Art opened in Rishon LeZion, showcasing six decades of Agam’s influential work that engages with perception through color, shape and form, from paintings, prints and installations to new experiments in interactive digital art.
Find a collection of Yaacov Agam art today on 1stDibs.
- ShippingRetrieving quote...Ships From: Encino, CA
- Return PolicyA return for this item may be initiated within 14 days of delivery.
- "Fieldwork" Large 5+-Foot Original Woodcut on Paper by Roger Herman, FramedBy Roger HermanLocated in Encino, CA"Fieldwork," an original woodcut on paper by Roger Herman, is a piece for the true collector. This spectacular woodcut cannot be properly communicated digitally – it is a far more impactful and meaningful experience in person. This work of art would definitely enhance most homes or professional settings, perfect for those who have an affinity for abstracts, Neo-Expressionism, modernist paintings, or postmodern art. This woodcut was printed by Hans-Fuss and published by the Graphic Arts Council at LACMA. Work is outfitted with custom, conservation frame. Art historian Howard Singerman's words from the December 1982 ArtForum Magazine: "...Herman's expressionistic style... with its roots in German Expressionism and the New York School, is previously painted. His mean colors, thick pigment, and quick strokes are not a direct record of emotion and activity, they are not painting outside language, but signs for that painting, for an emotion and an activity that are no longer available. The expressionist act is recast as romantic aspiration; in his inscription, Herman evokes painting's past and admits his need for its aura... ...Herman's distance even undermines the emblematic immediacy of his expressionism, which he uses to attain more distance still. Unlike the flattened, aggressive figures that push to, and threaten to push through, the surfaces of most new painting, Herman's figures are situated in middle ground and buried beneath the paint..." Artist: ROGER HERMAN (1947-) Title: FIELDWORK Medium & Surface: ORIGINAL WOODCUT ON PAPER (framed) Signed/Numbered: HAND-SIGNED, NUMBERED, AND TITLED BY ARTIST Number: 36 of 75 Year Created: 1984 Country of Creation: UNITED STATES Image Area Dimensions: 24 x 48 INCHES Paper Dimensions: 38 x 62 INCHES Frame Dimensions:* 41.25 x 65.25 x 1 INCHES *This work of art is being sold framed. If you would like to change the frame to better match your style or environment, please contact us for Custom Archival Framing options. Additional Info: HIGHLY COLLECTIBLE WORK BY ROGER HERMAN – PRINTED BY HANS-FUSS WITH BLIND STAMP LOWER RIGHT. PUBLISHED BY THE GRAPHIC ARTS COUNCIL AT LACMA. FEATURES CUSTOM CONSERVATION FRAME. Artist Info/Bio: ARTIST BIOGRAPHY DOCUMENT IS INCLUDED Documentation: CERTIFICATE OF AUTHENTICITY IS INCLUDED About the Artist: Roger Herman, a German painter and ceramic artist, has become well known for the broad range of styles encompassed within his work across multiple mediums. Roger Herman was born in Germany in 1947, where he began his studies at the Kunstakademie in Karlsruhe. In 1976, he was offered a fellowship from the German Academic Exchange Service (DAAD), which took him across the world to San Francisco. It was here, in California, that his career began to flourish. He started by creating paintings of phenomenal proportion, soon christened as the West Coast parallel of the 80s Neo-expressionist movement. It was highly referential work, drawing on his knowledge of art history, as well as his famed sense of humor. With loose, facile brushwork, his art is reminiscent of the figurative German painters who emerged in the 1970s—like Markus Lüpertz (who taught at the Kunstakademie), Rainer Fetting...Category
1980s Neo-Expressionist Abstract Prints
MaterialsWoodcut
- Massive 7-Foot Abstract Oil Painting on Canvas by Ed Gilliam, Frameless DisplayBy Ed GilliamLocated in Encino, CAUntitled Abstract, an original oil on canvas by Edward Gilliam, is a piece for the true collector. Gilliam's use of color and paint thickness immediately captivates the viewer. It is...Category
1980s Abstract Abstract Paintings
MaterialsOil
- Large 5+-Foot Landscape Oil Painting on Canvas by Gary Kremen, FramedBy Gary KremenLocated in Encino, CAUntitled Landscape, an original oil on canvas by Gary Kremen, is a piece for the true collector. Kremen's fine attention to detail is evident here, depicting a desert landscape set beneath vast mountains, complete with cactus and wildlife in the middle ground. The sky with its range of light to deep blues fills the top of the painting. This example showcases Kremen's keen ability to capture emotion, nature, and life - all in a brushstroke. Both his technical talent and choice of subject matter pair perfectly with the frameless style of hanging. This masterful work would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for landscapes, desert scenery, realism, and nature. Artist: GARY KREMEN (1949-2001) Title: UNTITLED LANDSCAPE Medium & Surface: ORIGINAL OIL ON CANVAS (framed) Signed: HAND SIGNED BY ARTIST LOWER RIGHT Year Created: CIRCA 1995 Country of Creation: UNITED STATES Image Area Dimensions: 36 x 60 INCHES Canvas Frameless Dimensions:* 42 x 66 x 2.25 INCHES *This work of art is being sold framed. Additional Info: HIGHLY COLLECTIBLE WORK BY GARY KREMEN IN GREAT CONDITION. Artist Info/Bio: ARTIST BIOGRAPHY DOCUMENT IS INCLUDED Documentation: CERTIFICATE OF AUTHENTICITY IS INCLUDED About the Artist: Gary Kremen, an American painter, became nationally renowned for his massive landscapes...Category
1990s Realist Landscape Paintings
MaterialsOil
- Still Life Oil Painting on Canvas by Denis Paul Noyer, FramedBy Denis Paul NoyerLocated in Encino, CAUntitled (Still Life), an original oil on canvas by Denis Paul Noyer, is a piece for the true collector. Noyer's use of red immediately captures the viewer, which serves as the backd...Category
1960s Modern Still-life Paintings
MaterialsOil
- "1940 - A Study of Apples" Original Acrylic on Canvas by Tom Perkinson, FramedBy Tom PerkinsonLocated in Encino, CA"1940 - A Study of Apples" is an original acrylic painting on canvas by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes color to almost-otherworldly realms. Perkinson describes his style of painting as "Romantic Realism," a technique that incorporates two iconic art movements. This style, in combination with the imagination of the artist, produces remarkable results, showcasing Perkinson's keen ability to capture emotion, nature, and life - all in a brushstroke. Both his technical talent and choice of subject matter pair perfectly with its original carved, custom, gilt frame. This masterful work would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for still lifes, fruit-themed art, impressionism, romanticism, realism, plein-air painting, apples, and nature. In the artist’s own words: “My color combinations aren’t in the realm of the natural world, because I don’t paint reality; I’m a painter of fiction. I try to paint a sense of place, as though this scene really does exist. I have had my collectors ask me where this scene is, and I just have to point to my head and say I made it up. Thus, I think of my work as romantic realism. I’m painting a certain reality that I’ve invented, inspired by the fascinatingly rich Southwestern landscape.” “Color gets all the credit, but it’s the values that do all the work. I don’t begin with sketches, because I want to be free to follow the painting in any direction. I start with washes of different values and tints. Then, I begin to look for a landscape. Several directions will appear to me at this time, and then I have to decide on one of them. During these first few moments, I must establish my distance from the scene. Am I a mile away or just across the river? This is one of the first steps, and I have to decide before I can continue. It’s important for working out the perspective and how things are going to relate to one another in the picture. Then, as the landscape evolves, I look for more images to add to the composition.” Artist: TOM PERKINSON (1940-) Title: 1940 - A STUDY OF APPLES Medium & Surface: ORIGINAL ACRYLIC PAINTING ON CANVAS (framed) Signed: HAND SIGNED AND DATED BY ARTIST LOWER RIGHT Year Created: 1987 Country of Creation: UNITED STATES Image Area Dimensions: 21 x 28 INCHES Frame Dimensions:* 31.125 x 37.125 x 2.25 INCHES *This work of art is being sold framed. If you would like to change the frame to better match your style or environment, please contact us for Custom Archival Framing options. Additional Info: HIGHLY COLLECTIBLE WORK BY TOM PERKINSON IN GREAT CONDITION IN ITS ORIGINAL CARVED CUSTOM GILT FRAME. FRAME IS IN GREAT CONDITION CONSISTENT WITH AGE AND STYLE. Artist Info/Bio: ARTIST BIOGRAPHY DOCUMENT IS INCLUDED Documentation: CERTIFICATE OF AUTHENTICITY IS INCLUDED About the Artist: Tom Perkinson, born in Indiana in 1940, has become distinguished as a regional painter, known for his work grounded in the visually dramatic landscape of the Southwest. As a child, Perkinson discovered he had a love for the natural landscape, and a talent for art. He fostered that talent through classes at the John Herron Institute of Art in Indianapolis, and then at the Chicago Art Academy upon graduating from high school. He received a degree in art from Oklahoma Baptist University in 1964, before moving on to graduate school at the University of New Mexico. Here, among noted works of a larger scale, he continued to paint the landscape, and it was this work that began to reflect a new fascination with the Southwest. He had found what would become an infinite source of inspiration. Influenced by early painters of the southern Indiana landscape...Category
1980s Realist Still-life Paintings
MaterialsAcrylic
- "The Gift" Original Watercolor on Paper Floralscape by William Verdult, FramedBy William VerdultLocated in Encino, CA"The Gift," an original watercolor on paper by William Verdult, is a piece for the true collector. The artist's genius reflects a fiery artistic approach that inspires unexplored fee...Category
1970s Contemporary Still-life Drawings and Watercolors
MaterialsWatercolor
- Expo 60 - ARC Musee D'Art Moderne Ville De ParisBy Jesús Rafael SotoLocated in Miami, FLTECHNICAL INFORMATION Jesus Rafael Soto Expo 60 - ARC Musee D'Art Moderne Ville De Paris 1969 Screenprint on Cardboard 27 1/2 x 18 1/2 in. Edition of 1000 Signed on bottom right, si...Category
1960s Kinetic Abstract Prints
MaterialsMixed Media, Cardboard, Screen
- Message of Peace, from official arts portfolio of the XXIVth Olympiad, SeoulBy Yaacov AgamLocated in Miami, FLYaacov Agam is an Israeli artist best known for his pioneering of Kinetic Art. Employing light and sound to provide a unique sensorial experience for the viewer, Agam melded formalis...Category
1980s Kinetic Abstract Prints
MaterialsScreen
- Video DiscsBy Peter SedgleyLocated in London, GBComplete set of six kinetic screenprints, 1969, on aluminium, signed, titled, dated 1970 and numbered from the edition of 100 incised verso, published by Editions Alecto, London, eac...Category
1970s Kinetic Abstract Prints
MaterialsScreen
- Hot Pink Comp - kinetic wall sculptureBy Jose MargulisLocated in New York, NYI digitally design 3-D objects and compositions, and cut them in slices from different types of plastic sheet materials. These slices are then fixed to a rigid canvas, a pedestal or ...Category
21st Century and Contemporary Kinetic Abstract Prints
MaterialsLucite
- Tetrahedron Variations (86, Verlag Marburg)By George RickeyLocated in New York, NYGeorge Rickey Tetrahedron Variations, 1971 Color Lithograph on Rives BFK Paper with Deckled Edges Hand signed, numbered 52/100 and dated on front with publisher's and printer's blind...Category
1970s Kinetic Abstract Prints
MaterialsLithograph
- Telegelb - original Otto Piene color seriograph ZERO art green flower on yellowBy Otto PieneLocated in Hamburg, DE"Telegelb" is an original limited-edition seriagraph from German artist Otto Piene. It is from his series "Leuchtfarben" (fluorescent colors) from 1969. It is originally signed and...Category
1960s Kinetic Abstract Prints
MaterialsLithograph