Adolf Arthur Dehn

Innocence in Venice

1937

Le monocycle (Performer on a Unicycle) Color lithograph, 1968 Signed and numbered in pencil lower left corner From the portfolio "Mon Cirque" (My Circus) Edition: 120 (12/120) Reference: Sorlier, Buffet Lithographs, No. 166 Condition: Excellent Image size: 26 3/4 x 18 1/2 inches Sheet size: 28 1/4 x 20 inches Provenance: Robert Henry Adams, Chicago From Wikipedia, the free encyclopedia Bernard Buffet Born 10 July 1928 Paris, France Died 4 October 1999 (aged 71) Nationality French Education École Nationale Supérieure des Beaux-Arts, Marie-Thérèse Auffray Known for Painting, Drawing, Printmaking Movement Expressionism Awards Member of the Salon d'Automne, 1947 Member of the Société des Artistes Indépendants, 1947 Prix de la Critique, 1948 Prix Puvis de Chavannes, 1950 Officer of the Légion d'Honneur,1973 Member of the Académie des Beaux-Arts, 1974 Bernard Buffet (French: [byfɛ]; 10 July 1928 – 4 October 1999) was a French painter, printmaker, and sculptor. He produced a varied and extensive body of work. His style was exclusively figurative. The artist enjoyed worldwide popularity early in his career but was shunned by art pundits later on. Today, there is a renewed interest in Bernard Buffet's oeuvre. His works can be seen in the collections of the world's leading museums, including the Musée d'Art Moderne de Paris, the Tate, and the Museum of Modern Art. Biography Bernard Buffet was born in 1928. He hailed from a middle-class family with roots in Northern and Western France. His spent his childhood in Paris. His mother often took him to the Louvre Museum, where he got familiar with the works of Realist painters, such as Gustave Courbet. This is likely to have influenced his style. In 1955, he painted a work that paid tribute to Courbet's Le Sommeil. Bernard Buffet was a student at the Lycée Carnot during the Nazi occupation of Paris. He travelled to drawings courses in the evenings despite the curfew imposed by the Nazi authorities. He then studied art at the École Nationale Supérieure des Beaux-Arts (National School of the Fine Arts) and worked in the studio of the painter Eugène Narbonne. Among his classmates were Maurice Boitel and Louis Vuillermoz. He met the French painter Marie-Thérèse Auffray and was influenced by her work. Buffet's mother, Blanche, died from breast cancer in 1945. Seventeen-year-old Buffet...

Theodore Gericault (1791-1824) Passage du Mont Saint-Bernard Lithograph, 1822 Signed and titled in the stone As published in Arnault "Vie politique et militair...

Retour Color lithograph, 1897 Signed in the stone lower left edge of the image (see photo) As published in "L'Estampe Moderne" L'Estampe Moderne appeared each month as a portfolio of...

untitled (Woman with Hands on Hips) Lithograph on tan wove paper, c. 1910's Signed in pencil lower right and in the plate, lower right (see photo) Edition: c. 100 Condition: Excellent Image size: 11-1/4 x 4-1/2 inches Sheet size: 18 1/8 x 11 3/8 inches Provenance: Estate of the Artist Borghi & Company, New York Herb Lerner, Boca Raton, FL Rudolph Bauer 1889-1953 Rudolf Bauer was born in Lindenwald near Bromberg, Silesia, in 1889 but his family moved only a few years later to Berlin. In 1905 Bauer began his studies at the Berlin Academy of Art but left the Academy only a few months later to educate himself. The upshot was paintings, caricatures and comical drawings which were published in 'Berliner Tageblatt', 'Ulk' and 'Le Figaro'. From 1912 Bauer contributed to the magazine and Gallery 'Der Sturm' founded by Herwarth Walden and pivotal to German Expressionism and the international avant-garde. In 1915 Rudolf Bauer participated for the first time in a group show at Walden's gallery. There he met Hilla von Rebay, with whom he began a relationship of many years that was crucial to Bauer's later work. By 1922 Bauer had shown work at about eight exhibitions mounted by 'Der Sturm'. From 1918 he also taught at the 'Der Sturm' art school, where Georg Muche was the director. After the war ended, Bauer was a founding member of the 'November Group' although he did not collaborate closely with the group. In 1919 Bauer joined forces with the painter and architect Otto Nebel...

Circle of Life Lithograph on tan paper, c. 1910's Signed in pencil lower right; signed in the plate lower right (see photo) Annotated "No. 50" in pencil lower left (see photo) Provenance: Estate of the artist Borghi & Company, New York Herb Lerner, Boca Raton, FL Condition: Excellent Image size: 11-3/4 x 17-1/2 inches Sheet size: 19 x 22 1/2 inches Rudolph Bauer 1889-1953 Rudolf Bauer was born in Lindenwald near Bromberg, Silesia, in 1889 but his family moved only a few years later to Berlin. In 1905 Bauer began his studies at the Berlin Academy of Art but left the Academy only a few months later to educate himself. The upshot was paintings, caricatures and comical drawings which were published in 'Berliner Tageblatt', 'Ulk' and 'Le Figaro'. From 1912 Bauer contributed to the magazine and Gallery 'Der Sturm' founded by Herwarth Walden and pivotal to German Expressionism and the international avant-garde. In 1915 Rudolf Bauer participated for the first time in a group show at Walden's gallery. There he met Hilla von Rebay, with whom he began a relationship of many years that was crucial to Bauer's later work. By 1922 Bauer had shown work at about eight exhibitions mounted by 'Der Sturm'. From 1918 he also taught at the 'Der Sturm' art school, where Georg Muche was the director. After the war ended, Bauer was a founding member of the 'November Group' although he did not collaborate closely with the group. In 1919 Bauer joined forces with the painter and architect Otto Nebel and with Hilla von Rebay to found the artists' association 'Die Krater'. Impressionist at the outset, Bauer's early work reveals Cubist and Expressionist influences. By 1915/16 Bauer had switched to an abstract pictorial idiom, which is markedly influenced by Kandinsky. In the early 1920s Bauer was also preoccupied with Russian Constructivism as well as the Dutch de Stijl group. Bauer's decided preference for non-representational painting culminated in 1929 with the foundation of a private museum, 'Das Geistreich', which he directed as a salon for abstract art. Political developments in Germany forced Bauer to sell some of his work in America from 1932. His agent in America was Hilla von Rebay, who was by now director of the Guggenheim Collection. In 1936 she organized a touring exhibition of non-representational European art that included sixty Rudolf Bauer oil...

Sprong in de Lente (Deux Personnages) Color lithograph, 1963 Signed, dated and numbered in pencil (see photos) Edition: 25 Signed, dated and numbered in pencil Printed on Arches paper Probably exhibited at David Anderson Gallery/Martha Jackson Gallery. Provenance: Martha Jackson Gallery David Anderson Gallery David K. Anderson Grandchildren Trust Condition: Colors fresh and unfaded Slight oil stains verso from the ink, not visible on front Image size: 18 1/2 x 26 inches Sheet: 22 x 29 5/8 inches Karel Appel B. 1921, AMSTERDAM; D. 2006, ZURICH Karel Appel was born on April 25, 1921, in Amsterdam. From 1940 to 1943 he studied at the Rijksakademie van Beeldende Kunsten, Amsterdam. In 1946 his first solo show was held at Het Beerenhuis, Groningen, Netherlands, and he participated in Jonge Schilders (Young painters) at the Stedelijk Museum, Amsterdam. About this time, Appel was influenced first by Pablo Picasso and Henri Matisse, then by Jean Dubuffet. He was a member of the Nederlandse Experimentele Groep (Dutch Experimental Group, 1948) and established the Cobra group (1948–51) with Constant (Constant Nieuwenhuys), Corneille (Guillaume Cornelis Beverloo), and other painters from Copenhagen, Brussels, and Amsterdam. The style distinguished itself through bold, expressive compositions inspired by folk and children's art, as well as by the work of Paul Klee and Joan Miró. In 1949 Appel completed a fresco for the cafeteria of the city hall in Amsterdam, which created such controversy that it was covered for ten years. In 1950 the artist moved to Paris; there the writer Hugo Claus...

Artist: Raphael Soyer Title: Boy and Girl Year: circa 1950 Medium: Lithograph on paper, signed in pencil l.r. Image Size: 12 x 7.5 in. (30.48 x 19.05 cm) ...

Birs Nimrud la dite Tour Babilonique is an original modern artwork realized in Germany in the Early 19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the upper c...

Lithographic reproduction executed by Charles Sorlier from a large original print, "The Magician of Paris", 1970 from the second printing of 3500 ...

Artist: Juan Garcia Ripolles (1932 - ) Title: Harlequin Leaping Date: 1971 Medium: Lithograph, signed and numbered in pencil Edition of E.A. XX (20) Size: 25.5 in. x 19 in. (64.77 cm...

Artist: August Mosca (1905 - 2003) Title: Subway Station Medium: Lithograph, signed and numbered in pencil Edition: 1/20 Image Size: 14.5 x 16.5 inches...

Will Rogers Al Hirschfeld, American (1903–2003) Date: 1991 Lithograph, signed in pencil Edition: Printer's Proof Size: 20.5 x 26 in. (52.07 x 66.04 cm)